Bovie Movie

Nick Lang is a famous actor, well know for his action movies. For the next film he needs the proper motivation and inspiration for his roll. Thus he teams up with the reluctant N.Y. cop John Moss. Not only does he have to put up with Nick who is laborious and out of touch with realities, but he also has to catch a cold-blooded murderer.

A stranger pulled into a deadly scheme races against time to save his daughter in this thriller. Gene Watson (Johnny Depp) is an accountant who comes to L.A. with his ten-year-old daughter Lynn (Courtney Chase) to attend a funeral. On the street, Gene and Lynn are pulled aside by Mr. Smith (Christopher Walken) and Ms. Jones (Roma Maffia), who flash what look like police badges and usher them into a van. Gene soon discovers that he’s been kidnapped, and his captors have an unusual demand — if Gene does not murder Gov. Eleanor Grant (Marsha Mason) within 75 minutes, his daughter will be killed. Gene now has just an hour and a quarter to tip off the authorities, spare Gov. Grant, and find out what Smith and Jones are trying to do, along with saving his daughter’s life. He finds a much-needed ally in one-legged shoe-shine man Huey (Charles S. Dutton). Most of the action in Nick of Time occurs in “real time,” meaning that the passage of time on screen matches that of real life, as the frequent shots of clocks and watches will attest.

Wesley Snipes is battling bad guys in the air again, this time with parachutes, in this action-packed suspense thriller. Pete Nessip (Snipes) is a Federal Marshall who, teamed with his brother Terry (Malcolm-Jamal Warner), is escorting criminal computer genius Earl Leedy (Michael Jeter) to a new prison facility. Pete, Terry, and Earl are on a jet en route to Earl’s new lockup when terrorists attempt a daring hijacking; Terry is killed in an explosion aboard the plane, and suddenly Earl is missing. Pete discovers that a team of sky-diving outlaws, led by former DEA agent gone bad Ty Moncrief (Gary Busey), have snatched Earl from his flight and spirited him away for a special raid on Washington D.C.; Ty and his men intend to take advantage of an obscure rule in which the normally restricted airspace in Washington D.C. is open to parachute enthusiasts on July 4. Eager to avenge his brother’s death and put both Ty and Earl behind bars, Pete recruits sky-diving expert Jessie Crossman (Yancy Butler) to teach him how to infiltrate Ty’s team of sky-bound criminals. Superb aerial stunt work highlights this film; please note that Pete’s last name is an anagram for the leading man’s last name.

In Stakeout, cop Richard Dreyfuss fell in love with Madeline Stowe, the woman he and his partner Emilio Estevez were watching during a police stakeout. Stowe’s back in Another Stakeout, but her part is fleeting and unbilled. On the other hand, we get plenty of Dreyfuss and Estevez, still both as cantankerous and obnoxious as ever. This time, our two heroes are in search of a Mafia witness who has disappeared after an attempt on her life. While holed up in a judge’s mansion, staking out the apartment where the woman may or may not return, the pair are subject to the comic aggravation of DA’s assistant Rosie O’Donnell, who’s brought her “darling” little rotweiler along for company. Another Stakeout works a little harder for its laughs than its predecessor; the best scenes go to Ms. O’Donnell and to nonplussed supporting players Dennis Farina and Marcia Strassman.

Tony is an uneducated Brooklyn teenager. The highlight of his week is going to the local disco, where he is the king of the dancefloor. Tony meets Stephanie at the disco and they agree to dance together in a competition. Stephanie resists Tony’s attempts to romance her, as she aspires to greater things; she is moving across the river to Manhattan. Gradually, Tony also becomes disillusioned with the life he is leading and he and Stephanie decide to help one another to start afresh.

Number 5, one of a group of experimental military robots, undergoes a sudden transformation after being struck by lightning. He develops self-awareness, consciousness, and a fear of the reprogramming that awaits him back at the factory. With the help of a young woman, Number 5 tries to evade capture and convince his creator that he has truly become alive.

When a schooner is wrecked off Whitby the only survivor is Count Dracula who has arrived with large amounts of Transylvanian soil to take up residence in Carfax Abbey. He takes the life or Lucy, who is engaged to Dr. Seward, who runs the local asylum. Lucy’s friend Mina, and her fiancé Jonathan Harker, a solicitor, also make contact with Dracula. But almost immediately, Lucy dies from loss of blood, and just possibly this may not be a coincidence. The group calls on the aid of Prefessor Van Helsing, noted supernatural expert, and together they pursue the vampire.

Ex-Vietnam chopper pilot Roy Scheider is now in charge of Blue Thunder, a high-tech copter designed to quell possible terrorism during the 1984 LA Olympics. His onetime comrade-in-arms Malcolm McDowell, now his bitter enemy, will stop at nothing to neutralize Blue Thunder and expedite an armed takeover of the United States. Well, there’s the plot: now sit back and enjoy those eye-popping aerial scenes. Blue Thunder was later adapted into a weekly TV series.

The can’t-miss teaming of Mel Gibson and Goldie Hawn is squandered on a clumsy, illogical romantic melodrama. Running across her old boyfriend Gibson at a Wisconsin gas station, Hawn is astounded that he seems not to recognize her. How could she have known that Gibson was put into the Witness Relocation Program after testifying against a homicidal mob boss (say, don’t they usually alter your appearance when they put you in that program?) Curious over Gibson’s furtive behavior, Hawn unknowingly sets herself up as a target for the bad guys. The whole affairs culminates in an after-hours showdown at a zoo (a plot device vastly improved upon in the 1996 Arnold Schwarzenegger vehicle Eraser). While Bird on a Wire admittedly has its moments of enjoyment, most of the film is on a par with Gibson’s embarrassing, homophobic scene with a pair of epicine hairdressers. And whoever heard of the Chinatown section of Racine, Wisconsin?

Director John Badham’s remake of French action thriller La Femme Nikita moves the action to the U.S., where Maggie (Bridget Fonda) is a strung-out Washington, D.C. drug addict who kills a policeman in a pharmaceutical-induced haze. Sentenced to death, Maggie is rescued by a shady operative, Bob (Gabriel Byrne), who offers to save her life if she’ll become a covert government assassin. Maggie agrees and trains for a life as a professional killer under a new name, Claudia. Her classes include weaponry, martial arts, explosives, and even social graces under the tutelage of Amanda (Anne Bancroft). Claudia is transformed into a classy sophisticate and is assigned to Venice, California, where she falls for J.P. (Dermot Mulroney), an attractive photographer who lives downstairs. Claudia’s highly dangerous job soon interferes when she’s ordered to carry out a series of clever assassinations, including a hit in a restaurant and a hotel bombing. When one particular killing goes horribly wrong, she gets some assistance from Victor the Cleaner (Harvey Keitel), a disposal artist who may have also been ordered to get rid of Claudia.