Bovie Movie

In a near future, the Motor City known as Detroit slowly becomes the spawn-ground for Crime as a gang of Cop Killers goes on the rise. Private organism, Omni Consomer Products (OCP) eventually seizes control of local law enforcement to ensure a secure an Urban pacification program. Just assigned to the Metro West Precint, Officer Alex Murphy is massacred to death by this gang, as his partner Anne Lewis is barely able to do nothing. At the same time, a young visionary executive, Bob Morton, seizes the chance when the ED-209 law enforcement Droid shows lack of perfection by killing a fellow executive to create the Perfect Cop. The near death Murphy is used as the subject. With his memories erased, he is resurrected as Robocop, the future of law enforcement. As he sweeps away with crime, case by case, he eventually becomes involved with the Cop Killing Gang, and Anne Lewis herself. All of this, triggering his dormant memories of his past life as he searches for who he really is, and uncover a conspiracy going deep in OCP with the Senior Vice President himself.

In Paul Verhoeven’s wild sci-fi action movie Total Recall, Arnold Schwarzenegger plays a 21st-century construction worker who discovers that his entire memory of the past derives from a memory chip implanted in his brain. Schwarzenegger learns that he’s actually a secret agent who had become a threat to the government, so those in power planted the chip and invented a domestic lifestyle for him. Once he has realized his true identity, he travels to Mars to piece together the rest of his identity, as well as to find the man responsible for his implanted memory. Verhoeven has created a fast, furious action film with Total Recall, filled with impressive stunts and (literally) eye-popping visuals. Though the film bears only a passing resemblance to the Philip K. Dick short story it was based on (”We Can Remember It For You Wholesale”), the movie is an entertaining, if very violent, ride.

Adapted from the novel by Pete Hamill, Flesh and Blood stars Tom Berenger as Bobby Fallon, a street punk who develops into a topnotch boxer while in prison. Upon his release, Bobby is taken under the wing of manager John Cassavetes. Outwardly tough and unmovable, Bobby is tortured with memories of his miserable childhood, which included an incestuous episode with his mother (Suzanne Pleshette). This two-part TV movie concludes with a heavyweight championship bout, bankrolled by Bobby’s long-estranged father (Mitchell Ryan). Photographed with Rocky-like intensity by Vilmos Zsigismond, Flesh and Blood first aired on October 14 and 16, 1979.

This cold, stylish erotic-thriller grossed over $100 million at the box-office despite vigorous protests at its depiction of gays and women. The shocking opening sequence features a graphic sexual encounter involving a rock-star bound with a white Hermes scarf by an unidentified blond woman. Despite the fact that the scene ends with a bloody icepick murder (horrifyingly realized by makeup artist Rob Bottin), Hermes scarves quickly sold out at stores nationwide. This seeming paradox is at the heart of the film’s appeal, as it mixes perverse sexuality and erotic bloodshed in a manner common to European thrillers (director Paul Verhoeven had done it himself in 1979’s marvelous De Vierde Man) but mostly taboo in America. The plot concerns Catherine Tramell (Sharon Stone), a successful bisexual mystery writer who may also be a ruthless murderer. Everyone close to Catherine dies, and troubled policeman Nick Curran (Michael Douglas) must find out why. In the process, Nick becomes sexually involved with both Catherine and police psychiatrist Beth Gardner (Jeanne Tripplehorn), while the bodies begin piling up and Catherine turns the cat-and-mouse game around on Nick. Verhoeven and screenwriter Joe Eszterhas — who was paid $3 million for the script — keep the tension ratcheted up throughout, even during the frequent sex scenes, which carry a violent edge reminiscent of the Italian thrillers of Dario Argento. The film’s most notorious scene, a police interrogation in which Catherine makes drooling idiots out of her captors by revealing that she is not wearing underwear, became a cultural touchstone and was widely imitated and parodied. Sharon Stone, meanwhile, was embarrassed to the point that she claimed Verhoeven had aimed lights on strategic locations without her knowledge. George Dzundza and Dorothy Malone co-star.

Director Paul Verhoeven (Showgirls, Total Recall) reunited many from his 1987 Robocop team for this $100-million science fiction adventure, adapted from Robert A. Heinlein’s 1959 novel, originally serialized in The Magazine of Fantasy and Science Fiction (October-November, 1959). After graduation, Johnny Rico (Casper Van Dien) volunteers for the Mobile Infantry to do his Federal service — but also to win over his girlfriend, Carmen Ibanez (Denise Richards), who has signed with the Fleet Academy to become a starship pilot. Johnny joins other boot-camp recruits — Dizzy Flores (Dina Meyer), who has had a crush on Johnny since school, and Ace Levy (Jake Busey). Ace and Johnny become pals, and Johnny’s abilities earn him the squad leader position. A training accident occurs on Johnny’s watch, and he is about to resign when Earth is attacked by alien insects intent on eradicating all human life. Johnny’s home, Buenos Aires, is no longer on the map. Horrified, he chooses to stay on and fight to destroy the insect threat. The Mobile Infantry travels to the planet Klendathu to battle the warrior bugs, a ruthless enemy with only one goal — survival of their species no matter what. In the initial encounter, some 100,000 lives are lost. At a distant fort, Johnny’s unit discovers that the bugs drain brains to acquire knowledge. Soon they are overwhelmed by an advancing arthropod army of immense proportions, attacking both in space and on the planet surface. The notion of human extinction becomes a possibility. For this $100-million production, some 300 artists and technicians combined models and miniatures with CGI effects to fashion a variety of creatures — from breeder bugs to armored tanker bugs. The film employed hundreds of extras and has over 500 visual effects shots. Filming began 4/29/96 in California (LA and Long Beach, where Cal State’s pyramid gym was used for the Jumpball game), New York, South Dakota, Wyoming (Casper, Hell’s Half Acre), and Utah (an abandoned Wendover airstrip where the Enola Gay WWII bomber crew trained). At an abandoned airfield in Fountain Valley, California, an elaborate set was constructed to resemble a military boot camp of the future — complete with an array of pup tents, gull-winged spaceships, hurdle obstacle course, and training facility buildings. Cinematography by Jost Vacano (Showgirls). Licensed products include Lewis Galoob Inc. toys.

In this sci-fi thriller, a man and a woman must fend off a killer whom they cannot see. Scientist Sebastian Caine (Kevin Bacon) is working with a secret military research team headed by Dr. Kramer (William Devane), assigned to create new intelligence technology. With the help of his colleagues Linda McKay (Elisabeth Shue) and Matt Kensington (Josh Brolin), Sebastian has been developing a serum that makes people invisible. The formula is new and unstable, but after a risky but successful test on an ape, an impatient Sebastian, under pressure from Kramer, decides to try it on himself. It works, but no one counted on the side effects; unable to reverse the serum’s effects, an invisible Sebastian goes insane, and begins pursuing Linda (his former girlfriend) and Matt (Linda’s current beau) in a fog of homicidal rage. Directed by Paul Verhoeven, Hollow Man also features Kim Dickens, Mary Randle, Joey Slotnick, and Greg Grunberg.