Movies starring Alan Cumming
Alan Cumming was born on the 27th January 1965 in Aberfeldy, Scotland. His family lived nearby in Dunkeld, where his father, Alex, was a forester for Atholl Estate. The family (Alex, mother Mary, big brother Tom and Alan) moved to Fassfern near Fort William soon after, before moving to the east coast of Scotland in 1969 where Alan's dad took up the position of Head Forester of Panmure Estate, and it is here Alan grew up. He went to Monikie Primary School and Carnoustie High School where he began appearing in plays and soon after with the Carnoustie Theatre Club and Carnoustie Musical Society. ...
show all Alan Cumming was born on the 27th January 1965 in Aberfeldy, Scotland. His family lived nearby in Dunkeld, where his father, Alex, was a forester for Atholl Estate. The family (Alex, mother Mary, big brother Tom and Alan) moved to Fassfern near Fort William soon after, before moving to the east coast of Scotland in 1969 where Alan's dad took up the position of Head Forester of Panmure Estate, and it is here Alan grew up. He went to Monikie Primary School and Carnoustie High School where he began appearing in plays and soon after with the Carnoustie Theatre Club and Carnoustie Musical Society. In 1981 he left high school with 8 'O' Grades and 4 Highers, but because he was too young to enter any university or drama school he worked for just over a year as a sub-editor at D.C. Thompson publishers in Dundee. There he worked on the launch of a new magazine 'Tops' and was also the 'Young Alan' who answered readers' letters. In September 1982 he began a three year course at the Royal Scottish Academy of Music and Drama in Glasgow. He graduated in 1985 with a B.A. (Dramatic Studies) and awards for verse speaking and direction. He also had formed a cabaret double act with fellow student Forbes Masson called Victor and Barry, which went on to become hugely successful with tours (including two Perrier Pick of the Fringe seasons in London and a month long engagement at the Sydney Opera house as part of an Australian tour), records (Hear Victor and Barry and Faint, Are We Too Loud?) and many TV appearances throughout the UK. Before graduating Alan made his professional theater and film debuts in 'Macbeth' at the Tron theater in Glasgow and in Gilles McKinnon's 'Passing Glory'. After graduating Alan worked extensively in Scottish theater and television including a stint on the soap opera 'Take The High Road', before moving to London when 'Conquest of the South Pole', a play by German playwright Manfred Karge transferred from the Traverse Theatre, Edinburgh to the the Royal Court in London, earning him his first Olivier award nomination for Most Promising Newcomer of 1988. Alan performed with the Royal Shakespeare Company and then the Royal National Theatre where he starred in 'Accidental Death of an Anarchist', which he also adapted with director Tim Supple. The production was nominated for Best revival at the 1991 Olivier awards and Alan won for Comedy Performance of the Year. Then his film career began with Ian Sellar's 'Prague' in which he starred with Sandrine Bonnaire and Bruno Ganz. The film premiered at the 1992 Cannes film festival and went on to win him Best Actor award at the Atlantic film festival and a Scottish BAFTA Best Actor nomination. In the same year he made two films for the BBC - 'The Last Romantics' and 'Bernard and the Genie', the latter winning him the Top Television Newcomer award at 1992 British Comedy Awards. In the 1992 Olivier awards he was also nominated for Comedy Performance of the Year for 'La Bete'. in 1993 Alan played Hamlet for the English Touring Theare to great critical acclaim ('An actor knocking on the door of greatness' - Daily Mail; ranked first and second (with his performance in Cabaret) in the Daily Telegraph's performances of the year) and then immediately went on to play the Emcee in Sam Mendes' revival of Cabaret at the same venue (London's Donmar Warehouse). He received a 1994 Olivier award nomination for Best Actor in a Musical for Cabaret, and for Hamlet he received the 1994 TMA Best Actor award and a Shakespeare Globe award nomination. in 1994 he made his first Hollywood film, 'Circle of Friends' and his performance as the oleaginous Sean Walsh along with those in two films released in quick succession ('Emma' and 'Goldeneye') brought him to the attention of America, where he began to be offered roles in Hollywood, and in 1996 he lived there whilst shooting 'Romy and Michele's High School Reunion' and 'Buddy'. He returned to the UK in 1997 to work with Stanley Kubrick and the Spice Girls before returning stateside in 1998 to reprise his role in 'Cabaret' on Broadway. The show and his portrayal were a sensation, and he received the Tony, Drama Desk, Outer Critics' Circle, Theatre World, FANY, New York Press and new York Public Advocate's awards for his performance. Since then he has alternated between theater and films, and also between smaller independent films and more mainstream fare. His theater work includes 2001's "Design for Living' on Broadway and the hugely successful 'Elle' by Jean Genet which he adapted and starred in Off-Broadway in 2002. Films have included Julie Taymor's 'Titus', 'Urbania', the 'Spy Kids' trilogy, 'Josie and the Pussycats', 'X2;X Men United', 'Nicholas Nickelby', 'Son of the Mask' and the Showtime movie musical 'Reefer Madness'. He wrote, directed, produced and acted in 'The Anniversary Party' with Jennifer Jason Leigh, which premiered at the Cannes Film festival in 2002 and went on to win a National Board of Review award and two Independent Spirit award nominations. More recently he has produced the documentary 'Show People' and the movies 'Sweet Land' and 'Full Grown Men' (and appears in both) and acted in the movies 'Grey Matters' opposite Heather Graham and 'Bam Bam and Celeste' opposite Margaret Cho. in 2006 he will return to Broadway as Macheath in 'The Threepenny Opera'. He has also found the time to write a novel 'Tommy's Tale' in 2002 and a fragrance 'Cumming' (cummingthefragrance.com) in 2005.
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This film tells the tale of the Harper Affair, in which young Jimmy Harper finds his life of promise turn into a life of debauchery and murder thanks to the new drug menace marijuana. Along the way he receives help from his girlfriend Mary and Jesus himself, but always finds himself in the arms of the Reefer Man and the rest of the denizens of the Reefer Den.
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Jim Carrey’s 1994 hit The Mask gets a poor sequel courtesy of Cats & Dogs director Lawrence Guterman. This time, the magical Nordic relic falls into the hands of an aspiring cartoonist (Jamie Kennedy), who fathers a son while wearing it. The baby is born with all the eye-popping powers of Carrey’s original character, turning his dad’s world upside down with nonstop cartoon-type mayhem. Although the mixture of live action, special effects and animation demonstrates a certain crude imagination, the sequel can’t touch its predecessor’s dynamic visual style. In fact, every aspect of this risible comedy is substandard in comparison, from the casting to the frequent movie references. Even when sporting the Mask, Kennedy lacks charisma, while his singing and dancing infant looks downright creepy. Throw in an ineffectual villain (Alan Cumming, as the Norse god Loki) and the obligatory fart gag and you’ve got a barrel-scraping cash-in that feels more like a TV show than a Hollywood picture.
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Full of trademark themes and characteristic compositions, Stanley Kubrick’s final film is also his most fascinatingly flawed. With its style often resembling 1970s European art house movies, it lacks the morbidity to pass as a Buñuelian satire, and is too stately and serious to succeed as a commercial enterprise. Tom Cruise — as the doctor recklessly seeking a means of avenging his wife’s fantasised infidelity — is far too controlled for his character’s fraught nocturnal adventures to be plausible. Nicole Kidman, as his wife, is less visible, but simmers with potential erotic danger. Despite expectations, this is a disappointingly conservative conclusion to a career spent pushing back cinematic boundaries. Perhaps, after so long without directing a movie, Kubrick cared too much.
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