Bovie Movie

Noted theater director Sam Mendes, who was responsible for the acclaimed 1998 revival of Cabaret and Nicole Kidman’s turn in The Blue Room, made his motion picture debut with this film about the dark side of an American family, and about the nature and price of beauty in a culture obsessed with outward appearances. Kevin Spacey plays Lester Burnham, a man in his mid-40s going through an intense midlife crisis; he’s grown cynical and is convinced that he has no reason to go on. Lester’s relationship with his wife Carolyn (Annette Bening) is not a warm one; while on the surface Carolyn strives to present the image that she’s in full control of her life, inside she feels empty and desperate. Their teenage daughter Jane (Thora Birch) is constantly depressed, lacking in self-esteem, and convinced that she’s unattractive. Her problems aren’t helped by her best friend Angela (Mena Suvari), an aspiring model who is quite beautiful and believes that that alone makes her a worthwhile person. Jane isn’t the only one who has noticed that Angela is attractive: Lester has fallen into uncontrollable lust for her, and she becomes part of his drastic plan to change his body and change his life. Meanwhile, next door, Colonel Fitts (Chris Cooper) has spent a lifetime in the Marine Corps and can understand and tolerate no other way of life, which makes life difficult for his son Ricky (Wes Bentley), an aspiring filmmaker and part-time drug dealer who is obsessed with beauty, wherever and whatever it may be. American Beauty was also the screen debut for screenwriter Alan Ball.

Edward Zwick directed this action thriller about Islamic militants unleashing terrorism in New York City. As FBI Terrorism Task Force-chief Anthony Hubbard (Denzel Washington) investigates, a false-alarm bomb threat is followed by a legit bomb, with many killed when a Brooklyn bus explodes. Agents track a suspect through Brooklyn, while Hub teams with Middle East expert and NSA operative Elise Kraft (Annette Bening). After the FBI wipes out three Arabs in a Brooklyn apartment, an explosion in a Broadway theater is followed by attacks on a school and FBI headquarters. When the President declares martial law, neo-fascist Army General William Devereaux (Bruce Willis) swings into action, deploying tanks through Brooklyn, capturing Arab-American males, and herding them into an open-air stadium detention camp. Hub’s Arab-American FBI associate Frank Haddad (Tony Shalhoub) is disgusted and quits when his son becomes one of the Arab detainees. With the Army out of control, the power-crazed Devereaux devises plans for torture and murder, turning his attention to Hub and Elise. President Bill Clinton is seen denouncing terrorists in TV clips.

Kevin Costner stars in and directs the Western Open Range. Robert Duvall stars as Boss Spearman, a rugged old-timer who free-grazes cattle. He and Charley Waite (Costner) have been partners for ten years. As the film opens in the 1880s, the pair and their employees — the beefy, rugged, likable Mose (Abraham Benrubi) and the impetuous Mexican teenager Buttons (Diego Luna) — are driving cattle across the West. Mose is attacked and thrown in jail during a visit to a town. The local cattle rancher Baxter (Michael Gambon) wants the free grazers off his land and warns Charley and Boss when they retrieve Mose that they have until the next day to be out of the area. Boss decides to fight back, especially after Baxter’s men do harm to the foursome. Charley confesses his past as a killer during the Civil War and strikes up a tentative romance with Sue Barlow — the sister of the town doctor. The film’s centerpiece is an extended gunfight between the duo (with some assistance from sympathetic townsfolk) and Baxter’s hired gunmen.

Screen newcomer Joseph Cross portrays Augusten Burroughs in director Ryan Murphy’s film adaptation of author Burroughs’ best-selling personal memoir of the same name. A child of the 1970s whose alcoholic father Norman (Alec Baldwin) and delusional, unpublished poet mother Deidre (Annette Benning) serve as the dictionary definition of the word “dysfunctional,” Augusten is sent by his mother to live with her eccentric psychiatrist Dr. Finch (Brian Cox) when his disagreeable parents ultimately decide terminate their turbulent marriage. Suddenly thrust into an environment that is as unfamiliar as it is unpredictable, young Augusten forms a curious relationship with the doctor’s two whimsical daughters while learning to adapt and survive under even the most unusual of circumstances.

This quirky science fiction comedy is a characteristic feature by iconoclastic director Tim Burton, known to moviegoers for Beetlejuice, Edward Scissorhands, and The Nightmare Before Christmas. The storyline affectionately harkens back to the deadpan sincerity of such ’50s and ’60s science-fiction films as The Day the Earth Stood Still and War of the Worlds. Flying saucers have been reliably seen over the capitals of the world, and the whole world awaits with bated breath to see what will transpire. Among those waiting is the President of the United States (Jack Nicholson), who is assured by his science advisor (Pierce Brosnan) that the coming aliens are utterly peaceful. This advice is hotly contested by the military (led by Rod Steiger), who advices the President to annihilate them. When the aliens land, they are seen to be green, garish, and very cheerful. But appearances prove deceiving when the “friendly” aliens abruptly disintegrate the entire U.S. Congress. Hollywood notables appear in vast quantities in roles (and sub-plots) of all sizes in this zany feature.

Director Stephen Frears’ tense adaptation of Jim Thompson’s novel The Grifters was one of a number of revival film noirs in the first half of the ’90s. Updating the setting to contemporary Los Angeles, the film follows a trio of con artists who are intent on out-foxing each other. Roy Dillon (John Cusack) is a simple, two-bit con, whose life is thrown into turmoil when his estranged mother Lilly (Anjelica Huston) returns home in an attempt to evade the law. Lilly doesn’t warm to Roy’s girlfriend Myra Langtry (Annette Bening), who is too similar to herself. Soon, the two women are competing for Roy in a battle that is more of a power struggle than a pursuit of affection, and the battle quickly turns dangerous. Huston was nominated for an Academy Award for her work.