Bovie Movie

Director Robert Rodriguez picks up where his successful independent debut El Mariachi left off with this slam-bang South of the Border action saga. Bucho (Joaquim DeAlmeida) is a wealthy but casually bloodthirsty drug kingpin who rules a seedy Mexican border town. Bucho and his men make the mistake of angering El Mariachi (Antonio Banderas), a former musician who now carries an arsenal in his guitar case. Bucho was responsible for the death of El Mariachi’s girlfriend and put a bullet through his fretting hand, making him unable to play the guitar. Bent on revenge, the musician-turned-killing machine arrives in town to put Bucho out of business, though he finds few allies except for Carolina (Salma Hayek), who runs a bookstore that doesn’t seem to attract many readers. Desperado features supporting performances from Cheech Marin as a cynical bartender, Steve Buscemi as the cantina patron who sets up the story, and Quentin Tarantino as a man with a really terrible joke to tell.

A beautiful but reserved criminal psychiatrist must deal with the obsessive stalking of a dangerous killer in this erotically charged thriller. The film’s central tension emerges from the relationship between Dr. Sarah Taylor (Rebecca DeMornay), a highly professional psychologist, and a handsome stranger, Tony Ramirez (Antonio Banderas). After randomly encountering Tony in a supermarket, the normally aloof Sarah lets her guard down and embarks on a passionate sexual affair with the Latino charmer. Soon afterward, however, Sarah receives a series of disturbing threats from an unknown stalker. Her suspicions immediately fall on Tony, as she realizes how little she knows about her new lover. Her fear throws a shadow over their relationship, and her doubts increase as she learns more about Tony’s dangerous past. Director Peter J. Hall maintains a fast pace and attempts to keep audiences guessing, introducing additional suspects from an imprisoned serial killer (Harry Dean Stanton) to the next-door neighbor (Dennis Miller). The characters rarely transcend standard thriller types, and the uneven screenplay does not have a satisfying ending, but the chemistry between DeMornay and Banderas may keep their fans interested along the way.

A teacher and his students open up new worlds for one another in this urban drama inspired by a true story. Pierre Dulaine (Antonio Banderas) is a prize-winning ballroom dancer and instructor from Manhattan who volunteers his services to a high school in one of the roughest neighborhoods in the Bronx. Principal Augustine James (Alfre Woodard) in turn gives Dulaine a tough assignment — a detention class with some of the biggest troublemakers on campus. When the kids learn that Dulaine intends to teach them how to dance in the classic style, they’re incredulous at best and dismissive at worst — until Dulaine demonstrates his moves for the class. While Dulaine’s charges — including Rock (Rob Brown), LaRhette (Yaya DaCosta), Ramos (Dante Basco), Eddie (Marcus T. Paulk), and Sasha (Jenna Dewan) — respect his talent, they have their own way of dancing, and as they mix hip-hop moves with ballroom discipline, they create an exciting new style. Dulaine also strives to instill self-confidence and a work ethic in his kids, insisting they can make their way out of the ghetto if they’re willing to try. Screenwriter Dianne Houston based Take the Lead on the real-life story of Pierre Dulaine, who taught dance as a volunteer to at-risk students at New York elementary schools.

The legendary Mexican hero returns to the screen in this swashbuckling sequel to the 1998 box-office hit The Mask of Zorro. It’s 1850, and the people of California, eager to improve their difficult lot in life, have launched a campaign to become part of the United States. Don Alejandro de la Vega (Antonio Banderas) has become aware of a plot by moneyed Europeans to block the campaign for statehood through nefarious means, and it looks as if Alejandro’s heroic alter ego, Zorro, may have to return to duty. However, Alejandro’s wife, Elena (Catherine Zeta-Jones), has grown weary of his secret life, and she demands that he choose between his family and his clandestine career as a champion of the people. This leads to a rift between Alejandro and Elena, and the couple separates, with Alejandro moving out while Elena continues to care for their son, Joaquin (Adrian Alonso). A few months later, Alejandro finds that Elena is already being wooed by Armand (Rufus Sewell), a suave French nobleman who wants her hand in marriage. However, Alejandro also learns that Armand is actually part of a plot to prevent California from attaining statehood by tampering with an upcoming election; meanwhile, there may be more to Elena’s involvement with Armand than romantic courtship. Zorro must come to the rescue of the people of California and perhaps his beloved Elena as well before they both fall into dangerous hands. The Legend of Zorro was directed by Martin Campbell, who performed the same duties on The Mask of Zorro.

Four of the most celebrated directors in the independent film community pooled their talents for this episodic comedy. Ted (Tim Roth) is the new bellboy at a beautiful but decaying luxury hotel; he is not having a good time of it on New Year’s Eve, his first night on the job. In one room, a coven of witches are trying to summon the spirit of the goddess Diana; each of the witches must bring a different bodily fluid for their spell to work, but Eva (Ione Skye), who was supposed to bring semen, managed to lose her supplies, and needs Ted’s help for a last-minute replacement. Another room, where Ted was supposed to deliver some ice, turns out to house an angry husband (David Proval), who is holding his bound-and-gagged wife (Jennifer Beals) at gunpoint. A third room is taken by a tough-talking gangster (Antonio Banderas), his doormat wife (Tamlyn Tomita), and their two children; the gangster demands that Ted watch over the kids, who turn out to be mischievous terrors beyond Ted’s wildest imagination. And room number four is where an arrogant film actor (Quentin Tarantino) is holding a party. One of his guests makes a bet that he can get a Zippo lighter to light ten times in a row, with his finger at stake if he loses. Allison Anders directed the first segment, which also featured Madonna, Valeria Golino, and Lili Taylor. The second segment was directed by Alexandre Rockwell, husband of his frequent leading lady Jennifer Beals. Robert Rodriguez directed the third story, while the finale was directed by its star, Quentin Tarantino; the final segment also features Bruce Willis, who appeared unbilled.

Anne Rice’s best-selling romantic horror tale about the origins of a centuries-old vampire inspired this popular, atmospheric chiller. One of director Neil Jordan’s major Hollywood productions, the film stays close to its source material, retaining the frame of a young reporter (Christian Slater) interviewing a man who claims to be a 200-year-old vampire. The man, Louis (Brad Pitt), shares his story, beginning in 18th-century New Orleans with his first encounters with the charismatic and decadent vampire Lestat (Tom Cruise). Lestat converts Louis to blood-sucking and immortality, but Louis fails to adopt Lestat’s cavalier attitude, instead tormenting himself with guilt over his new nature. The two vampires remain deeply, if reluctantly, connected over the years, while becoming intimately involved with others of their kind, including Claudia (Kirsten Dunst), a mature immortal in a young child’s body. Fans of the novel raised numerous objections, particularly after Rice initially spoke out against the casting of Cruise as Lestat; further casting difficulties followed the death of River Phoenix, whose role as the interviewer was assumed by Christian Slater. Rice later recanted her objections, and the combination of thrills and gothic romance proved popular with audiences.

A lonely man’s search for companionship soon takes him to dangerous and unexpected places in this erotically charged drama. Luis Antonio Vargas (Antonio Banderas) is a successful coffee salesman living in Cuba in the 1880s. Luis has had little luck finding love among the women of his native island, and he sends away to America for a mail-order bride. To his pleasant surprise, his fianc?e from the United States, Julia Russell (Angelina Jolie), turns out to be not only beautiful but passionate and devoted. But Luis’ happiness proves to be short-lived when he learns that Julia is not the person he imagined her to be, and detective Walter Downs (Thomas Jane) appears, trying to get to the bottom of Julia’s mysterious past and possibly deadly secrets. Original Sin is based on the novel Waltz Into Darkness by Cornell Woolrich, which Francois Truffaut previously adapted for the screen as La Sirene du Mississippi.

The cranky beast with a heart of gold returns to the big screen in this sequel to the computer-animated smash hit Shrek. After massive green ogre Shrek (voice of Mike Myers) and his new bride, Princess Fiona (voice of Cameron Diaz), return from their honeymoon, they receive an invitation to visit Fiona’s parents, King Harold (voice of John Cleese) and Queen Lillian (voice of Julie Andrews), who are the monarchs of The Land Far, Far Away. However, the king and queen are more than a bit alarmed to discover their new son-in-law is a monster the color of algae, and that their daughter’s little problem with a magical spell gone wrong has turned into a full-time skin condition. Certain this isn’t the sort of “happily ever after” they dreamed of for their daughter, King Harold decides to take Shrek out of the picture and return Fiona to her former beauty with the help of Prince Charming (voice of Rupert Everett), the Fairy Godmother (voice of Jennifer Saunders), and ogre-slaying feline Puss in Boots (voice of Antonio Banderas). Shrek 2 also features the voice of Eddie Murphy returning as Donkey, as well as Larry King as an Ugly Stepsister.

Two former government agents square off as they search for the most deadly new weapon on Earth in this white-knuckle thriller. Sever (Lucy Liu) was once a top agent with the Defense Intelligence Agency, but she quit when her son was killed in a bungled raid organized by Gant (Gregg Henry), and has sworn to take vengeance against him and his colleagues. When Sever learns that Gant and his team are in possession of a remarkable new weapon — a microscopic device injected into the victim’s bloodstream which is benign until triggered, then kills immediately without leaving a trace — she is determined to get her hands on it, whatever the cost. However, Gant has turned rogue, and FBI agent Julio Martin (Miguel Sandoval) has been ordered to find him and recover his new weapon. Martin needs the best man he can find for the job, and calls upon Jeremiah Ecks (Antonio Banderas), a former FBI tracker, to do the job. Ecks quit the Bureau when his wife was killed, but Martin informs Ecks that his spouse is actually alive and in hiding, and if he can bring in Gant, she will be returned to him. But Ecks has to face the most formidable adversary of his life in Sever, a master of mayhem bent on revenge. Ballistic: Ecks vs. Sever was the first English-language feature from Thai filmmaker Wych Kaosayananda (aka Kaos), whose first feature Fah was a box-office blockbuster in his homeland.

Director Martin Campbell, well-known to the action arena after 1995’s GoldenEye, teams up with executive producer Steven Spielberg to bring the first Hollywood production of creator Johnston McCulley’s Zorro in over four decades to the big screen. With scenic 18th century Mexico as a backdrop, Anthony Hopkins plays the original Zorro, a.k.a. Don Diego de la Vega, intent on revenge after rival enemy Don Raphael Montero (Stuart Wilson) murdered his wife and took his daughter, Elena. After being imprisoned for 20 years, the fabled hero removes his mask and takes on a tarnished young apprentice, Alejandro Murieta (Antonio Banderas), to infiltrate Montero’s plan to take control of California from Santa Anna. A boisterous outlaw with his own desire for revenge, Murieta works with Diego to avenge his brother’s death by the sword of Montero’s right-hand man, Captain Harrison Love (Matt Letscher, in his big screen debut). After Diego’s extensive training in swordfighting, discipline and manners, a new Zorro appears wreaking vengeance and stealing the heart of a now-grown Elena (Catherine Zeta-Jones). A sizable summer hit, the film served as Zeta-Jones’ stepping stone to leading lady status as the high-spirited heroine.