Bovie Movie

Defense attorney Claire Kubik (Ashley Judd) seems to have the perfect life. She has a high profile job at a big firm, a beautiful home outside San Francisco, and a husband, Tom (James Caviezel of The Thin Red Line), who loves her. Claire’s biggest problem appears to be that she wants to have a baby, and she’s having trouble getting pregnant. But when the police investigate a routine break-in at her home, they uncover the truth about her husband’s identity, and her life is thrown into turmoil. Claire finds out that her husband’s name is actually Ron Chapman, and that he’s an ex-marine accused of murdering seven innocent civilians in El Salvador during a raid in the late ’80s. He admits that he was there, and that he changed his identity to escape prosecution for the crimes, but he insists that he’s innocent, and that the massacre was committed by another soldier under the orders of a powerful general (Bruce Davison), who is using Ron as a patsy to cover it up. Claire is eventually convinced that Ron’s telling the truth. Faced with defending her husband in an unfamiliar military courtroom, Claire enlists the aid of Charles Grimes (Morgan Freeman), an ex-Army judge advocate with an axe to grind. Stonewalled by the military bureaucracy at every turn, they uncover a web of deception and disappearing witnesses, and they soon find their own lives in danger. High Crimes was adapted from Joseph Finder’s novel by the husband and wife screenwriting team of Yuri Zeltser and Cary Bickley. The film was directed by Carl Franklin (One False Move), and co-stars Amanda Peet and Adam Scott.

Part high-tech spy thriller and part psychological study, Eye of the Beholder was Ewan McGregor’s first feature film following his mainstream breakthrough performance in Star Wars Episode I: The Phantom Menace. The Eye (Ewan McGregor) is an agent of the British Secret Service, equipped with the latest in high-tech crime fighting gadgetry and assisted by his indefatigable collegue, Hilary (k.d. lang). The Eye’s latest assignment is a surveillance project; the son of a well-known politician has been spending a great deal of money on someone, and they would like to know who and why. A little sleuthing reveals that the mysterious person taking the cash is a woman named Joanna (Ashley Judd), but the trail gets much stickier when the Eye witnesses Joanna pulling a knife and killing the politician’s son. Normally, he’d take the shortcut to putting her behind bars, but some time ago he lost contact with his daughter when his wife left him; Joanna reminds the Eye of his daughter, and he’s too fascinated with her to bring her to justice. The Eye now follows Joanna obsessively, and discovers that she’s also involved with a blind man (Patrick Bergin) and has a history of emotional instability from being abandoned by her father at a young age. Eye of the Beholder was directed by Stephan Elliott, best known for the comedy The Adventures of Priscilla, Queen of the Desert.

A successful career criminal considers getting out of the business after one last score, while an obsessive cop desperately tries to put him behind bars in this intelligent thriller written and directed by Michael Mann. Neil McCauley (Robert De Niro) is a thief who specializes in big, risky jobs, such as banks and armored cars. He’s very good at what he does; he’s bright, methodical, and has honed his skills as a thief at the expense of his personal life, vowing never to get involved in a relationship from which he couldn’t walk away in 30 seconds. Vincent Hanna (Al Pacino) is an L.A.P.D. detective determined to catch McCauley, but while McCauley’s personal code has forced him to do without a wife and children, Hanna’s dedication has made a wreck of the home he’s tried to have; he’s been divorced twice, he’s all but a stranger to his third wife, and he has no idea how to reach out to his troubled step-daughter. While McCauley has enough money to retire and is planning to move to New Zealand, he loves the thrill of robbery as much as the profit, and is blocking out plans for one more job; meanwhile, he’s met a woman, Eady (Amy Brenneman), whom he’s not so sure he can walk away from. The supporting cast includes Val Kilmer as Chris, one of McCauley’s partners; Ashley Judd as his wife Charlene; Jon Voight as Nate; Hank Azaria as Alan Marciano; and Henry Rollins as Hugh, who is beaten up by Hanna.

Academy Award-winning Exorcist director William Friedkin scuttles deep into the darkest recesses of the traumatized human psyche with this tale of a lonely bartender haunted by the long-ago disappearance of her young son, and the paranoia that emerges when she enters into a tentative relationship with a deeply disturbed drifter. Adapted from the off-Broadway play by Tracy Letts, Bug centers on Agnes (Ashley Judd), who tends bar alongside pal R.C. (Lynn Collins), and has recently moved into a shoddy roadside motel in hopes of avoiding her menacing and recently paroled ex-husband Jerry (Harry Connick Jr.). Upon making the acquaintance of subdued former soldier Peter (Michael Shannon repeating his stage role), a veteran of the first Gulf War, Agnes finally senses that things are looking up. Quietly charming despite his melancholy aura, Peter soon reveals to Agnes that he had contracted a “bug” while serving in the Middle East, and that it may have been deliberately administered as part of a secret military medical experiment. Convinced that the microscopic insects are quickly multiplying just under the surface of his skin and that they have now infected Agnes as well, Peter soon descends into a psychotic rage as he resorts to increasingly desperate measures to purge himself of the offending, sub-dermal arthropods.

In this thriller, Ashley Judd plays Elizabeth Parsons, who is convicted of murdering her husband and sentenced to a long stretch in prison. After Elizabeth has spent six years behind bars, it turns out that her husband is still alive: he faked his own death as part of an insurance scam, and Elizabeth is soon released. However, Elizabeth’s feelings for her husband can hardly be described as warm, and she wants custody of her son. Elizabeth’s parole officer (Tommy Lee Jones) wonders if she might try to make his murder a real thing after all, especially since the law states a person cannot be convicted of the same crime twice. Double Jeopardy was directed by Bruce Beresford, from a screenplay by Douglas S. Cook and David Weisberg.