Bovie Movie

Gods and Generals follows the rise and fall of legendary war hero “Stonewall Jackson”. The prequel to the 1993 hit Gettysburg.

A real-life series of killings that held Los Angeles, CA, in the grip of fear during the late ’70s provides the inspiration for this tense crime drama. Kenneth Bianchi (C. Thomas Howell) is a nebbishy security guard who lives with his mother in Rochester, NY, and dreams of becoming a police officer. After Bianchi’s application to join the Rochester police is turned town, he takes his mother’s advice and moves out to Glendale, CA, where she arranges for him to stay with his cousin, Angelo Buono (Nicholas Turturro), who works in auto repair. When he’s unable to get a position with the Glendale Police Department, Bianchi steps outside the law and, claiming to have a degree in psychology and a license to practice, sets up shop as a counselor. While Bianchi never had much luck with women in Rochester, Buono gives him some advice and sets him up on a few dates; soon Bianchi has a string of girlfriends, though things become complicated when one of his steady girls, Claire Shelton (Allison Lange), becomes pregnant and moves in with him. As Bianchi becomes increasingly obsessed with sex, he and his cousin join forces to set up a prostitution ring, which quickly earns them the enmity of a group of career criminals. When Bianchi and Buono discover that they have been double crossed by one of the hookers in their stable, the two men rape and murder the woman in the back of a car; Bianchi discovers he enjoys the thrill of killing, and soon he and Buono begin committing a string of sexually tinged murders throughout the Los Angeles area, with the press soon dubbing the culprit “The Hillside Strangler.” The Hillside Strangler was one of two identically titled films based on the same true story that were released in 2004; the other was directed by Chris Fisher and starred Clifton Collins Jr. and Tomas Arana as Bianchi and Buono.

Based on the S.E. Hinton novel of the same name. The tension between two groups: The Greasers and The Socials “Socs” puts Ponyboy Curtis (Howell) and his best friend Johnny Cade (Macchio) in a bad spot. One night at the movies, Ponyboy and Johnny fall in love with Sherri “Cherry” Valance (Lane) and Marcia (Meyrink) once they get Dally Winston (Dillon), the toughest and meanest of the Greasers to stop attempting to “score” Cherry and Marcia. What Johnny and Ponyboy don’t know is that Cherry and Marcia are girls for the snobbish, popular, and rich group, the Socs. Once Johnny kills Bob Sheldon (Garrett), the toughest and meanest member of the Socs, this begins as the Socs demand a rumble against the Greasers.

It’s been over 15 years since Jim Halsey (C. Thomas Howell) was terrorized by psychotic hitchhiker John Ryder (the always-evil Rutger Hauer) in Eric Red’s low-budget gem The Hitcher. After blowing away the psychopath, Jim turned to the law and eventually settled down with Maggie (Kari Wuhrer), a pilot from the local airfield. When his violent visions of the past end up jeopardizing his job, the couple travel back to the same Texas strip as before to face his demons. Little do they know what lies ahead — yep, another crazy psychotic hitchhiker (Jake Busey)! Can Jim relive the same nightmare twice, or will Maggie have to step up to the plate to defeat the grinning menace? From Corman-bred director Louis Morneau (Bats) comes this long-awaited sequel to one of the biggest cult films of ’80s cable and video history.

Pretty boy actor C. Thomas Howell stars in this dark, violent suspense film about the strange psychological bond between a traveling serial killer and one of his intended victims. Driving cross-country from Chicago to San Diego, Jim (Howell) narrowly avoids an accident when he falls asleep at the wheel. He picks up a hitchhiker to help stay awake, but within five minutes, the erratic John Ryder (Rutger Hauer) has threatened not only Jim’s life, but also his manhood, brandishing a switchblade to the boy’s crotch and ordering him to keep driving. Jim manages to escape, but soon Ryder begins a game of cat-and-mouse across the Texas highways, taunting the lad from the windows of passing cars, then leaving the corpses of his victims in their vehicles by the side of the road for Jim to discover. A sympathetic face arrives in the form of Nash (Jennifer Jason Leigh), the waitress at an otherwise deserted truck stop in this bleak, abandoned landscape, but the local police soon arrive, intent on hanging Jim out to dry for the string of grisly murders. The stakes continue to mount in Ryder’s little game until Jim finds himself embroiled in a statewide manhunt with Nash at his side. Former cinematographer Robert Harmon made his directorial debut with this popular thriller; screenwriter Eric Red, also making his debut, would go on to write similarly brooding genre fare including Near Dark, Bad Moon, and Alien 3.

Both a classic movie for kids and a remarkable portrait of childhood, E.T. is a sci-fi adventure that captures that strange moment in youth when the world is a place of mysterious possibilities (some wonderful, some awful), and the universe seems somehow separate from the one inhabited by grown-ups. Henry Thomas plays Elliott, a young boy living with his single mother (Dee Wallace), his older brother Michael (Robert MacNaughton), and his younger sister Gertie (Drew Barrymore). Elliott often seems lonely and out of sorts, lost in his own world. One day, while looking for something in the back yard, he senses something mysterious in the woods watching him. And he’s right: an alien spacecraft on a scientific mission mistakenly left behind an aging botanist who isn’t sure how to get home. Eventually Elliott puts his fears aside and makes contact with the “little squashy guy,” perhaps the least threatening alien invader ever to hit a movie screen. As Elliott tries to keep the alien under wraps and help him figure out a way to get home, he discovers that the creature can communicate with him telepathically. Soon they begin to learn from each other, and Elliott becomes braver and less threatened by life. E.T. rigs up a communication device from junk he finds around the house, but no one knows if he’ll be rescued before a group of government scientists gets hold of him. In 2002, Steven Spielberg re-released E.T. The Extra-Terrestrial in a revised edition, with several deleted scenes restored and digitally refurbished special effects.