Bovie Movie

Director Robert Rodriguez picks up where his successful independent debut El Mariachi left off with this slam-bang South of the Border action saga. Bucho (Joaquim DeAlmeida) is a wealthy but casually bloodthirsty drug kingpin who rules a seedy Mexican border town. Bucho and his men make the mistake of angering El Mariachi (Antonio Banderas), a former musician who now carries an arsenal in his guitar case. Bucho was responsible for the death of El Mariachi’s girlfriend and put a bullet through his fretting hand, making him unable to play the guitar. Bent on revenge, the musician-turned-killing machine arrives in town to put Bucho out of business, though he finds few allies except for Carolina (Salma Hayek), who runs a bookstore that doesn’t seem to attract many readers. Desperado features supporting performances from Cheech Marin as a cynical bartender, Steve Buscemi as the cantina patron who sets up the story, and Quentin Tarantino as a man with a really terrible joke to tell.

F. Gary Gray directed this suspenseful action thriller based on a real case experienced by police in St. Louis. The James DeMonaco/Kevin Fox screenplay follows an accused man who is forced to commit crimes in order to prove himself innocent of murder. After Chicago police hostage negotiator Danny Roman (Samuel L. Jackson) succeeds in rescuing a little girl menaced by her gun-wielding dad, he’s praised by both the police department and the media, and he returns to his usual cop routines with his longtime partner, promising his new wife Karen (Regina Taylor) he’ll make it home for dinner every night. Then his partner, who had evidence of embezzlement within the police department, is killed. Since Danny arrives at the crime scene only seconds later, he’s the main suspect, and Chief Al Travis (John Spencer) asks him to turn in his gun and badge. Danny invades the Chicago Internal Affairs Division headquarters and tries to get the truth from Inspector Terence Niebaum (J.T. Walsh) while holding two assistants and Commander Frost (Ron Rifkin) as hostages. He then calls for an outsider from another precinct, hostage negotiator Chris Sabian (Kevin Spacey). When Sabian arrives, the two compete for control, while Danny attempts to prove to him that he’s been falsely accused. The film is dedicated to J.T. Walsh, who died not long after the production wrapped.

The first motion picture produced by DreamWorks SKG, The Peacemaker (1997) was a spy thriller that married the exotic locations and derring-do of James Bond with the high-tech obsession and post-Cold War politics of Tom Clancy. Greedy Russian military officers crash two trains into each other, the warheads aboard one causing a nuclear blast. The accident is a cover for the theft of some of the weapons for sale to terrorists and rogue governments. In the U.S., intelligence officer Lt. Col. Tom Devoe (George Clooney), isn’t fooled. Neither is Dr. Julia Kelly (Nicole Kidman), the acting head of a White House task force on nuclear smuggling. Devoe and Kelly team up to find the nukes, and they are able to stop the transfer of the weapons in a raid at the Iranian border, but one warhead is missing. It’s in the hands of Dusan Gavrich (Marcel Iures), a grief-stricken terrorist planning to call the world’s attention to the war in the former Soviet Union with a nuclear explosion in Manhattan. Although fictional, The Peacemaker was based on the magazine article “One Point Safe” by Andrew Cockburn and Leslie Cockburn, a factual investigative news report about nuclear weapons smuggling in Russia.

Russian filmmaker Vadim Perelman makes his feature-film debut with the psychological drama House of Sand and Fog, based on the novel by Andre Dubus III. Ben Kingsley plays Massoud Amir Behrani, an Iranian immigrant living the United States. Even though he was a high-ranking official in Iran, he works several menial jobs in order to provide his wife, Nadi (Shohreh Aghdashloo), and his son, Esmail (Jonathan Ahdout), with an apartment in California. He buys a California bungalow, thinking he can fix it up, sell it again, and make enough money to send Esmail to college. However, the house is the legal property of former drug addict Kathy (Jennifer Connelly). After losing the house in an unfair legal dispute with the county, she is left with nowhere to go. Wanting her house back, she hires a lawyer (Frances Fisher) and befriends a police officer (Ron Eldard). Neither Kathy nor Behrani have broken the law, so they find themselves involved in a difficult moral dilemma.

Music video and TV commercials director Antoine Fuqua made his feature directorial debut with this action thriller starring Hong Kong superstar Chow Yun-Fat. Chinese immigrant John Lee (Yun-Fat) has a violent past as a professional killer. It brings him only remorse, but it makes him the ideal assassin. In exchange for his family’s safety, Lee is forced to take a job with a powerful underworld figure, Asian crime kingpin Terence Wei (Kenneth Tsang), who wants Lee to settle a deadly vendetta against police detective Stan Zedlov (Michael Rooker) by killing Zedlov’s seven-year-old son. At the last minute, with the boy in his sights, Lee chooses to face Wei’s vengeance rather than go through with the killing. In addition to making Lee a target, the decision also endangers his mother and sister back in Shanghai. Planning a return to China, he visits document forger Meg Coburn (Mira Sorvino) to get a phony passport, but they are interrupted by Wei’s army of killers, and a lengthy chase and gun battle is set in motion.

Director Fuqua stressed to his team that the aim was to design a “Taxi Driver for the 1990s,” with production beginning February 10, 1997 in downtown Los Angeles, and the first shoot at the historic Mayan Theater, refurbished into the trendy nightclub for the film’s stylish opening scene with hundreds of extras carousing while Lee guns down Romero (Carlos Leon) at close range. The eight-story, nearly condemned Giant Penny building in the heart of L.A. served as locations for a police station interior, a hotel room, and Meg Coburn’s office, and a chaotic gunfight was filmed amid the spray, brushes, and hoses of Joe’s Car Wash in LA. The art department transformed one area into a Chinatown-like streetscape of damp, narrow alleys, and blinking red neon lights, site of a night filming where Yun-Fat shot off 546 rounds with two guns, one in each hand, while the repetitive action left his hands blistered and shaking. More gunplay was at a video arcade replicated at the original Lawry’s center just north of downtown L.A., and Lee’s tranquil Buddhist temple was fashioned under this same roof. In addition to physical training, Mira Sorvino, who had never handled a gun prior to this film, took weapons training to prepare for her role. Sorvino majored in Asian studies at Harvard, speaks Mandarin, and lived for eight months (1988-89) in Beijing, where she studied Chinese, taught English, and saw Chinese films, including Hong Kong action films. She felt The Replacement Killers brought her a step closer to her goal of making a film in Mandarin and working with a Chinese director.