Bovie Movie

Consummate entertainer Bobby Darin (1936-1973) is making a movie about his life. He’s volatile, driven by the love of performing, ambition, perfectionism, and belief that he’s living on borrowed time. He begins in the Bronx: a fatherless lad learning music and dance from his mom. His career starts slowly, then “Splish Splash” puts him at the top of the charts and on “Bandstand.” He wants to be an entertainer, not a pop star, so he aims for the Copacabana; then it’s on to the movies, where he meets and marries Sandra Dee. After, it’s balancing career, health, marriage and family life, balances he doesn’t always keep. Throughout, conversations with his boyhood self give him perspective.

David Spade plays Joe, whose search for his family has him hittin’ the road and keepin’ it real with every lowlife he meets, including a sweet hottie (Brittany Daniel), a janitor (Christopher Walken), and a pychotic cannibal (Brian Thompson) with whom he has a brief interlude. Through it all, Joe keeps on truckin’ . . . all the way to L.A., where a shock jock DJ (Dennis Miller) targets Joe as the butt of his show. But Joe’s plucky spirit encourages listeners to cheer him on and help him find a better family than the one he thought he wanted. Rock on!

A couple who live on different sides of the divide of life and death discover just how many boundaries love can cross in this romantic comic fantasy. Elizabeth (Reese Witherspoon) is a hardworking and dedicated medical resident who, after 20 hours on duty, is heading home when she falls asleep at the wheel of her car and is involved in a fatal auto accident. Several weeks later, a man named David (Mark Ruffalo) takes over the lease on Elizabeth’s apartment, but he discovers that she hasn’t quite vacated the building. Elizabeth’s body may be dead, but her spirit is still quite lively, and her ghost is insisting that the apartment is still hers…and that she wants him to move out. David brings in Darryl (Jon Heder), an eccentric man who claims to have psychic powers, to help sweep Elizabeth’s spirit out of the apartment, but she refuses to budge, certain that she can’t be completely dead, despite all evidence to the contrary. As Elizabeth and David try to share the flat, they discover that their differences aren’t as great as they once imagined, and they become attracted to one another. But will Elizabeth’s spirit stay in the land of the living long enough for their romance to go somewhere? Just Like Heaven marked Jon Heder’s first feature film role after his breakthrough appearance in the independent hit Napoleon Dynamite.

Tim Burton’s Edward Scissorhands opens as an eccentric inventor (Vincent Price) lovingly assembles a synthetic youth named Edward (Johnny Depp). Edward has all the essential ingredients for today’s standard body, with the exception of a pair of hands. For what is initially thought to be a temporary period, he is fitted with long, scissor-like extremities that, while able to trim a mean hedge, are hardly conducive to day-to-day life. When the kindly inventor dies, however, Edward is left lonely and cursed with some very heavy metal for hands. He is eventually taken in by Peg Boggs (Dianne Weist), an Avon lady who takes pity on him after seeing his bleak existence. Edward, in spite of his inherent ability to slay anyone he comes across, is a gentle soul whose only wish is to be loved. His impromptu family has, at best, a limited understanding of Edward, but he finds himself drawn to Peg’s weary but sympathetic daughter, Kim (Winona Ryder), who is dating Jim (Anthony Michael Hall), the neighborhood bully. Meanwhile, Edward finds himself a local celebrity after the town realizes that his talents include creative hedge trimming and an unrivaled ability to cut hair. His so-called friends are proven fair-weather when Edward is accused of a crime, after which his only supporters are Peg and Kim.

Marking the directorial debut of Sergio Arau, son of Like Water for Chocolate director Alfonso Arau, A Day Without a Mexican ponders the potentially catastrophic results that would occur if California-based Mexicans, who make up over a third of the state’s population, were to suddenly disappear. The mockumentary postulates that the lack of Latino gardeners, nannies, cooks, policeman, maids, teachers, farm workers, construction crews, entertainers, athletes, and the world’s largest growing consumer market would create a social, political, and economic disaster, leaving the concept of the “California Dream” in shambles. A Day Without a Mexican proved controversial even before its release: promotional billboards reading “On May 14th, there will be no Mexicans in California” caused a stir with immigrant rights groups, who believed the sign was a statement against the Latino community. The film stars Yareli Arizmendi, John Getz, Maureen Flannigan, and Muse Watson.

A thin thread of electronic data may be the only thing that can save a women and her family in this thriller. Jessica Martin (Kim Basinger) is a biology teacher who is kidnapped by Ethan (Jason Statham), a vicious criminal who has threatened to murder her husband and son if he doesn’t get what he wants. Ethan destroys the only working telephone in the cabin where she’s held, but Jessica manages to put enough of the pieces together to send out a call that’s picked up by Ryan (Chris Evans), a college student, on his cellular phone. Jessica manages to convince Ryan of the gravity of her situation, but she has no idea of where she’s being held, leaving his cell phone as the only link to her whereabouts — and his batteries are starting to wear out. Cellular was scripted by Larry Cohen, the exploitation film auteur who enjoyed a major comeback with his script for another telephone-based story, Phone Booth.