Bovie Movie

Stallone plays a cop who comes undone after witnessing a brutal scene on the job. He checks into a rehab clinic that specializes in treating law enforcement officials. Soon, he finds that his fellow patients are being murdered one by one.

Mason, who lives on the streets, wants to cease his life when on the same day his two best friends die: His dog and an older man with whom he shared his food and roof. Just in time Cole, from a charity organization, can prevent his suicide and also offers him a quite well paid job as servant for a hunting party in the Rocky Mountains. Mason accepts the job and flies with them to a hut in the wilderness where they prepare everything for the four rich businessmen who want to hunt something special. Mason does not yet know that he is the victim of their sports that should lead to the basic insticts of man, but they did not count with his cleverness…

Charles S. Dutton’s feature-length directorial debut Against the Ropes is based on the real-life story of Jackie Kallen, a Jewish woman from Detroit who became a successful boxing manager. Played by Meg Ryan, Kallen works her way up in the world of boxing by believing in the fighting skills of Luther Shaw (Omar Epps). Director Dutton appears as veteran trainer Felix Reynolds, whom Kallen encourages to come out of retirement.

From writer/director David Koepp (Stir of Echoes) comes this filmed adaptation of Stephen King’s novella Secret Window, Secret Garden, one of four stories in the collection Four Past Midnight. Johnny Depp stars as Mort Rainey, a recently divorced author who decides to take some time off at his cottage. Unfortunately for Rainey, John Shooter (John Turturro), an unbalanced wannabe writer, tracks him down, claiming that Rainey plagiarized his work. Also starring Maria Bello, Charles S. Dutton, and Timothy Hutton, Secret Window is the second story from Four Past Midnight to be adapted as a film, the first being 1995’s made-for-television The Langoliers.

Acclaimed director David Fincher’s promising career was lucky to survive this astonishingly wrong-headed, almost universally despised second sequel to Alien (1979). The film careens into oblivion virtually from the beginning, as Lt. Ellen Ripley (Sigourney Weaver) is the only survivor of a crash-landing on a hellish, God-forsaken prison planet. Not only does the crash kill little Newt, completely obviating the entire point of the superior Aliens (1986), but Fincher then compounds his betrayal of that film’s fans by having Ripley attend the girl’s gruesome autopsy and barely bat an eye as the child’s chest is bloodily ripped open with a steel bonesaw. Things just go downhill from there, as the rather unthreatening rapists and murderers harass Ripley and curse a great deal before being torn apart by large fans, having their heads crushed by the unconvincing CGI alien, and finally volunteering to be murdered by the beast rather than letting the evil Company get hold of it. Fincher does the best he can with a terrible script, and there are some nice supporting turns by Charles S. Dutton, Charles Dance, and Brian Glover, but nothing could redeem the film’s first 15 minutes. By the time Ripley takes a suicidal swan-dive into a vat of molten lead, cradling a baby alien as it explodes from her chest, many viewers will not know whether to reach for the remote control or a warm bath and a razorblade. A loathsome experience by any standard, Alien 3 still made enough money for Weaver to return as a Ripley clone in Alien Resurrection (1997).

1950. Rural Alabama. Cotton harvest. It’s a make-or-break weekend for the Honeydripper Lounge and its owner, piano player Tyrone “Pine Top” Purvis. Deep in debt to the liquor man, the chicken man, and the landlord, Tyrone is desperate to lure the young cotton pickers and local Army base recruits into his juke joint, away from Touissant’s, the rival joint across the way. After laying off his regular talent, blues singer Bertha Mae, Tyrone announces to his sidekick Maceo that he has hired the famous electric guitar player, Guitar Sam, for a special one night only gig: pack em in and save the club. On the day of the show, the train arrives and Guitar Sam is no where to be found. Tyrone is forced to take drastic action. He makes a deal with Sheriff Pugh to release Sonny, the kid who hopped off a freight car here in Harmony, and turned up in the club claiming he could play the guitar as well as any Guitar Sam. Tyrone cleans Sonny up and launches a last ditch scheme to pass off the young guitar picker as Guitar Sam just long enough to cut the lights and run off with cash box. When Sonny takes the stage and launches into his first scalding electric licks, Tyrone will learn if it’s lights out for the Honeydripper or if his luck has changed: he might just be another man saved by rock n’ roll. Honeydripper features an all-star cast including Danny Glover, Charles S. Dutton, Lisa Gay Hamilton, Stacy Keach, Mary Steenburgen,Yaya DaCosta and Sean Patrick Thomas; as well as such notable musicians as Keb’ Mo’ and Dr. Mable John. It also introduces a major new talent, Gary Clark Jr. who makes his electrifying film debut as Sonny.

A criminal psychologist (Berry) awakens to find herself a patient in the institution where she works, with no memory of the murder she’s accused of committing. As she tries to regain her memory - and her freedom - a vengeful spirit manipulates her.

This little-known Robert DeNiro film is set several years after the war in Vietnam. DeNiro plays an unpredictably explosive war veteran, while Ed Harris co-stars as his army buddy, who’s trying his best to forget his Vietnamese experiences by crawling into a bottle. While visiting Harris and Harris’ sister Kathy Baker, DeNiro frightens both with his neurotic ramblings. Still, Baker is grateful that DeNiro’s presence seems to be lifting Harris out of his deep funk. She encourages DeNiro to stay on for a while, thereby setting the stage for a blossoming romance. Baker has no way of knowing that Harris’ depression has been brought about by the death of a wartime pal–a death he blames on DeNiro. Violence threatens to erupt at every turn in Jacknife, but the film refuses to play down to its audience by wallowing in the obvious.