Bovie Movie

Paul Greengrass (The Theory of Flight) wrote and directed this powerful look at January 30, 1972 — better known as “Bloody Sunday.” Ivan Cooper (James Nesbitt) attempts to organize a peaceful protest after Protestant leaders imprison Catholics without a trial. His actions conflict with hard-line IRA members who have no interest in a “peaceful” response, as well as the military men responsible for keeping the peace who are led by Major General Robert Ford (Tim Pigott-Smith) and Brigadier Patrick Maclellan (Nicholas Farrell). By the end of the day, the military will fire on the protestors and kill 13 people. The events of this day still haunt the peace process in Ireland. Bloody Sunday was screened at the 2002 Sundance Film Festival.

The tale of King Arthur and the Knights of the Round Table is always ripe for retelling. In this rendition, the sexy Richard Gere is Sir Lancelot, threatening to supersede the aging King Arthur (Sean Connery) by winning the love of his young wife Guinivere (Julia Ormond). This update of the age-old legend succeeds on the strength of Gere’s happy-go-lucky sex appeal, Ormond’s gorgeous period costuming, and Connery’s unbeatable wry nobility. The script focuses on the triangle of the three principals: the older man’s reluctance to relinquish his love and power to the younger man destined to supplant him; the young woman torn between her loyalty to her aged husband and her love for his rival; the young man balancing the demands of loyalty to his sovereign with the rewards of true love. This beautiful production forgoes the legend’s usual elements of magic and fantasy, leaving Merlin the Magician completely out of the picture.

The second of Zucker-Abraham-Zucker’s theatrical-feature spoofs (Airplane was the first, discounting the patchwork Kentucky Fried Movie), Top Secret! lampoons practically every film genre. Specifically, however, this is a hybrid of an “Elvis” movie and a World War II “underground resistance” thriller. In his film debut, Val Kilmer plays Nick Rivers, a Presley-like American rock idol sent behind the Iron Curtain on a goodwill tour. Before long, he is involved in a complex espionage scheme thanks to beautiful Lucy Gutteridge, the daughter of a scientist (Michael Gough) held captive by the Communists. Also essential to the action is flamboyant resistance leader Christopher Villiers, who behaves like Victor Mature in Betrayed (1954) and talks like James Mason. Adhering to Z-A-Z’s cheerful disregard for people, places and events, the East Germans are depicted as Nazis, while the Underground is comprised of Frenchmen. The plot is mainly an excuse for the Z-A-Z team’s fondness for joke-a-minute lampoonery, skewering cinematic targets ranging from The Blue Lagoon (1980) to The Wizard of Oz (1939). As in Z-A-Z’s other efforts, Top Secret! scores its biggest yocks when invoking cliches that we never realized were cliches-and falls on its face whenever attempting a too-obvious gag (the biggest clinker: that pigeon statue in the park). Everyone has his or her favorite bits in this film: our faves include the resistance fighter named Deja Vu (”Haven’t we met somewhere before?”), Kilmer’s horrible nightmare while being tortured (he arrives too late to take final exams), the army-booted cow, the sensitive Pinto, and the East German National Anthem, sung to the tune of the Shorewood (Wisconsin) High School marching song. But let’s say no more: comedy of this nature is designed to be seen, not written or read about.

Hazard of Hearts was adapted for television from a 1948 bodice-ripper by Barbara Cartland. Set (where else?) in 1810 England, the film stars Helena Bonham Carter as the obligatory innocent young lass with a dynamite figure. Falling in love with a Rochester-like Marquis (Marcus Gilbert), Helena is whisked off to the mysterious Castle Mandrake (”played” by England’s Belvoir Castle and Burghley House). Here, our heroine is menaced by Diana Rigg, the Marquis’ evil, possessive mother. First broadcast December 27, 1987, Hazard of Hearts was buried in the ratings by NBC’s repeat showing of Terms of Endearment (1983) and ABC’s telecast of Stir Crazy (1980).