Bovie Movie

In this adventure drama, four men passed over by the space program get one last chance to be heroes and live out their dreams. Frank Corvin (Clint Eastwood), Hawk Hawkins (Tommy Lee Jones), Jerry O’Neill (Donald Sutherland), and Tank Sullivan (James Garner) were top pilots within an elite Air Force squadron and on the fast track to becoming the first Americans in space in the early 1950s. However, when NASA was established, the pilots were cut out of the loop; Corvin went on to become an aerospace engineer, Hawkins continued on as a freelance pilot, O’Neill became an astrophysicist with a sideline in designing roller coasters, and Sullivan took up preaching as a Baptist minister. Years later, a Russian satellite’s guidance system has started to malfunction, and it is expected to crash into the Earth within a matter of weeks. The system is identical to the one Corvin designed for Skylab, so NASA head Bob Gerson (James Cromwell) asks Corvin to help him with the emergency mission to repair the satellite. Corvin agrees under one condition — that he be sent up to do the repairs himself, with Hawkins, O’Neill, and Sullivan as his crew. Clint Eastwood directed Space Cowboys while also starring as Frank Corvin; his supporting cast includes Marcia Gay Harden, Courtney B. Vance, Loren Dean, and William Devane.

Robert Altman directed this bittersweet ensemble piece about an eccentric and entangled group of family and friends living in the Deep South. Jewel Mae “Cookie” Orcutt (Patricia Neal) is the widowed matriarch of a small-town Mississippi family, which includes her nieces Camille (Glenn Close), a pretentious would-be artist staging an amateur production of Salome at a local church, and Cora Julianne Moore), her less than enthusiastic leading lady. Willis (Charles S. Dutton), the caretaker of Cookie’s rambling mansion, tries to persuade her sweet but aimless grand-niece, Emma (Liv Tyler), to move in with her, but she’s more interested in her on-again, off-again romance with local cop Jason (Chris O’Donnell). Typical of Altman’s work, Cookie’s Fortune weaves together a number of different plot lines with relaxed grace, and features an impressive cast, including Ned Beatty, Lyle Lovett, and Courtney B. Vance.

The first of several films based on Tom Clancy’s “Jack Ryan” technothrillers, Hunt for Red October stars Alec Baldwin as eccentric CIA analyst Ryan and Sean Connery as Soviet submarine commander Marko Ramius. Ramius sets the plot in motion when he murders his political adviser, burns his orders, and steers his sub Red October towards American waters, hoping to defect. The CIA, aware that the Red October was about to embark on an evasive mission to demonstrate its ability to avoid detection and fire its nuclear missiles upon U.S. installations, believes that Ramius is insane, and that he plans to start World War III. To cover their own behinds, the Russians back up the CIA’s suspicion. Only Jack Ryan believes that Ramius’ mission is not as apocalyptic as it seems — and it is Ryan who is assigned to infiltrate the Red October to prove his theory. The sort of film that in an earlier era would have been called a “thinking man’s thriller,” The Hunt for Red October ushered in a new series of Hollywood-produced post-Cold War adventure films, including 1995’s Crimson Tide.

If you met Adolph Hitler when he was just a struggling cartoonist, wouldn’t you have done the world a big favor by murdering him? That philosophical question provides the linchpin of this black comedy. Jude (Cameron Diaz), Pete (Ron Eldard), Paulie (Annabeth Gish), Marc (Jonathan Penner), and Luke (Courtney B. Vance) are five graduate students who are confirmed members of the political left, participate in small-scale activism, and share a house together. One night, Pete is stuck in the middle of nowhere, and Zack (Bill Paxton), a truck driver, gives him a lift home. The housemates are just about to sit down to dinner, so to show his gratitude, Pete asks Zack to join them. However, it soon becomes obvious that Zack doesn’t share the group’s political views, and when he states that he thinks Hitler had the right idea, the argument turns into a fight, with Zack brandishing a knife. The trucker is accidentally killed in the scuffle, and rather than report the death to the police, his body is buried in the backyard vegetable garden. However, the event prompts much discussion among the housemates — if Zack was a hateful bigot, isn’t the world better off without him? And wouldn’t killing other ignorant hatemongers improve society all the more? Before long, the group is having a weekly dinner party in which they invite a special guest — including an anti-environmental activist (Jason Alexander), a right-wing religious leader (Charles Durning), a sexist who doesn’t believe there’s such a thing as rape (Mark Harmon), and a teenager campaigning against sex education in schools (Erin Bryn) — and serve them some wine, which happens to be laced with arsenic. While the group’s attempt at community improvement does wonders for their tomato plants, the recent disappearances eventually attract the attention of the local sheriff (Nora Dunn). The Last Supper was the first feature for director Stacy Title, who won an Academy Award for her short subject Down on the Waterfront; screenwriter Dan Rosen appears in a supporting role as a police deputy.