Bovie Movie

Director John Landis helmed this Cold War farce starring Dan Aykroyd and Chevy Chase as Austin Millbarge and Emmett Fitz-Hume — two loser misfits who dwell in the lower ranks of the Central Intelligence Agency. Convinced despite much evidence to the contrary that they’re prime secret agent material, both men keep taking service exams in an effort to win promotion. Caught cheating on their latest round of tests, Austin and Emmett expect to be fired but are instead made full field agents and ushered into intense training. Little do they know that it’s all a ruse and that they’re about to be dumped in Pakistan to throw Russian spies off the scent of two real agents with an important clandestine assignment. A spoof of the “road” pictures popularized by Bing Crosby and Bob Hope, the film features a cameo by the latter as his golf-playing self.

Writer and director Woody Allen returns to the Manhattan of the past with this romantic comedy set in 1940, the era of fedora hats and gumshoe detectives. Allen stars as C.W. Briggs, an insurance investigator whose razor-sharp instincts have just led to the successful conclusion of another case, the recovery of a stolen Picasso. While he’s a valued employee, Briggs is under fire from efficiency expert Betty Ann Fitzgerald (Helen Hunt) for his antiquated attitudes and refusal to accept modern crime-solving techniques such as fingerprinting. C.W. claims he puts himself directly into the criminal mind, a skill that will do him no good when he and Betty Ann are hypnotized at a Rainbow Room gathering one night by the magician Volton (David Ogden Stiers). As a parlor trick to entertain their co-workers, Volton makes C.W. and Betty Ann believe they’re a couple that’s deeply in love. But the performer secretly keeps up the ruse after the party’s over, calling C.W. to whisper a magic code word and ordering the detective to rob wealthy homes with security systems that C.W. himself has designed. With no memory of his thieving activities, a frustrated C.W. can’t solve the high-profile jewel burglaries, while he and Betty Ann struggle with their odd new attraction for each other, made more complicated by the fact that Betty Ann is romantically involved with their boss (Dan Aykroyd).

Loose Cannons may be a wacky buddy-cop comedy, but it starts with a chilling premise. It seems that a film is discovered that depicts the final moments of Adolf Hitler’s life. The climax features young German officer Von Metz, who is seen putting Hitler to death. Von Metz (Robert Prosky) is now running for chancellor of West Germany. If this film gets out, his political career is finished, so Von Metz has arranged for the murder of anyone who has seen the film. The killings have taken place in the Washington area and Mac (Gene Hackman) and Ellis (Dan Aykroyd) are sent to investigate the crimes. Mac is a middle-aged veteran of the force, a professional who gets things done. But Ellis is a different ball of wax. Suffering from a multiple personality disorder, he has spent two years in a Benedictine monastery to recover from his problems. But he is far from cured — as Mac discovers, whenever Ellis is confronted by violence, he blacks out and begins to assume the characters of popular culture icons like Popeye, Captain Kirk, and the Road Runner.

Based on John Grisham’s novel Skipping Christmas, Christmas With the Kranks revolves around Nora (Jamie Lee Curtis) and Luther Krank’s (Tim Allen) decision to put their normally fanatical enthusiasm for the holidays aside for a tropical cruise. With their daughter in Peru with the Peace Corps, the Kranks believe it just isn’t worth it; thus, no presents, Christmas trees, or decorations of any kind will adorn their house to the great consternation of their neighbor Vic (Dan Aykroyd). Just as it looks like Christmas will be successfully skipped, Blair (Julie Gonzalo) throws a major kink into her plans when she suddenly has a change of heart and announces she’ll be coming home for Christmas after all. The film ran into troubles early on in production when Ben Affleck’s similar sounding bomb Surviving Christmas won the race to the theaters, forcing the filmmakers to depart from the book title in favor of the catchy Kranks one.

Bill Murray, Dan Aykroyd, Harold Ramis and Ernie Hudson star as a quartet of Manhattan-based “paranormal investigators”. When their government grants run out, the former three go into business as The Ghostbusters, later hiring Hudson on. Armed with electronic paraphernalia, the team is spectacularly successful, ridding The Big Apple of dozens of ghoulies, ghosties and long-legged beasties. Tight-lipped bureaucrat William Atherton regards the Ghostbusters as a bunch of charlatans, but is forced to eat his words when New York is besieged by an army of unfriendly spirits, conjured up by a long-dead Babylonian demon and “channelled” through beautiful cellist Sigourney Weaver and nerdish Rick Moranis. The climax is a glorious sendup of every Godzilla movie ever made-and we daresay it cost more than a year’s worth of Japanese monster flicks combined. Who’d ever dream that the chubby, cheery Stay-Puft Marshmallow Man would turn out to be the most malevolent threat ever faced by New York City? When the script for Ghostbusters was forged by Dan Aykroyd and Harold Ramis, John Belushi was slated to play the Bill Murray role; Belushi’s death in 1982 not only necessitated the hiring of Murray, but also an extensive rewrite. The most expensive comedy made up to 1984, Ghostbusters made money hand over fist, spawning not only a 1989 sequel but also two animated TV series (one of them partially based on an earlier live-action TV weekly, titled The Ghost Busters.

When two testosterone-fueled firemen attempt to register as domestic partners in order to bypass the bureaucratic red tape preventing one of them from naming his own two children as his life-insurance beneficiaries, their low-key ruse turns into headline news in this quirky matrimonial comedy starring Adam Sandler and Kevin James. Chuck Levine (Sandler) and Larry Valentine (James) are two New York City firefighters whose longtime friendship has endured many a five-alarm fire. All that widower Larry wants is to ensure that his two children will be taken care of if anything should happen to him on the job, and all that single blaze-battler Chuck wants is to carry on with his carefree life of noncommitment. Having once rescued Larry from certain death in a particularly fearsome inferno, beholden Chuck feels forever indebted to his brave friend and has vowed to repay the favor when the time is right. When Larry discovers that the only means of circumventing the civic red tape that could throw his children’s futures into jeopardy is to take Chuck as his lawfully wedded husband, his obligated pal reluctantly agrees to step up to the alter with the understanding that the arrangement will be a well-kept secret between themselves and the justice of the peace. A potentially fatal flaw in their presumably foolproof plan is soon revealed, however, when an overzealous bureaucrat decides to question Chuck and Larry’s partnership. Subsequently forced to embark on a mandatory honeymoon and pose as starry-eyed newlyweds, Chuck and Larry quickly discover just how important it can be to stick by a friend in his or her time of need. Jessica Biel, Steve Buscemi, Ving Rhames, and Dan Aykroyd co-star in a comedy from The Benchwarmers director Dennis Dugan.

The second of the George Lucas/Steven Spielberg Indiana Jones epics is set a year or so before the events in Raiders of the Lost Ark (1984). After a brief brouhaha involving a precious vial and a wild ride down a raging Himalyan river, Indy (Harrison Ford) gets down to the problem at hand: retrieving a precious gem and several kidnapped young boys on behalf of a remote East Indian village. His companions this time around include a dimbulbed, easily frightened nightclub chanteuse (Kate Capshaw), and a feisty 12-year-old kid named Short Round (Quan Ke Huy). Throughout, the plot takes second place to the thrills, which include a harrowing rollercoaster ride in an abandoned mineshaft and Indy’s rescue of the heroine from a ritual sacrifice. There are also a couple of cute references to Raiders of the Lost Ark, notably a funny variation of Indy’s shooting of the Sherpa warrior.

The spirit of the mega-hit Ghostbusters (1984) is intentionally recalled with this effects-heavy sci-fi comedy from the same director, Ivan Reitman, co-starring Dan Aykroyd and debuting on the 17th anniversary of the earlier film’s release. When a meteor bearing single-celled organisms crashes to the Earth, the life forms are initially confined to a cave. Before long the creatures are evolving at an exponentially rapid rate, resulting in fearsome aliens running amok and possibly spelling mankind’s doom, or at least the end of man’s domination over life on Earth. Investigating the phenomenon is a community college professor, Ira Kane (David Duchovny), his geologist friend Harry Block (Orlando Jones), wannabe fireman Wayne Green (Seann William Scott), and government scientist Allison Reed (Julianne Moore). Evolution also stars Ted Levine, Ethan Suplee, and Katharine Towne.

The classic 1955-59 sitcom The Phil Silvers Show (also known as “You’ll Never Get Rich” in its first few episodes) became this high concept comedy with an all-star cast. Steve Martin stars as U.S. Army Master Sergeant Ernest G. Bilko, a conniving motor pool supervisor who uses his position to finance various get-rich-quick schemes, including illegal gambling, at a Kansas military base. His commanding officer, Colonel Hall (Dan Aykroyd) is mostly oblivious to Bilko’s antics. Trouble arrives when the master sergeant’s old rival, Major Thorn (Phil Hartman), appears. It seems that Thorn, the butt of several past Bilko capers, is eager to settle the score by spearheading a review of Bilko’s records and stealing away his fianc?e Rita (Glenne Headley), who may have been left at the altar one too many times. At the same time, military engineer Major Ebersole (Austin Pendleton) is testing a new high-tech “hover tank” that may not be quite ready for deployment. Directed by light comedy specialist ($Jonathan Lynn, who brought a similar touch to My Cousin Vinny (1992) and Greedy (1994), the updated Sgt. Bilko costarred Cathy Silvers, daughter of the TV show’s late star, as Lieutenant Monday.

Ivan Reitman’s sequel to the phenomenally successful Ghostbusters is looser and more self-assured than the original. The film opens with a title reading “Five Years Later” and finds the ghostbusters living in hard times. A restraining order has forbidden the boys to partake in paranormal warfare, and as a result they have had to seek other lines of work. Ray (Dan Aykroyd) and Winston (Ernie Hudson) spend their time performing at children’s’ birthday parties, and Egon (Harold Ramis) is busy conducting experiments investigating the effect of human emotions on the environment, leaving ghostbusting behind. Venkman (Bill Murray) and Dana (Sigourney Weaver) have split up. Venkman now hosts a local cable show called “The World of the Psychic.” Dana, now divorced and the mother of a little baby named Oscar, works as an art restorer in a museum — and this is where the plot kicks in. While Dana is restoring a portrait of a 16th-century tyrant by the name of Vigo the Carpathian, the portrait becomes hexed. The evil Vigo wants to return to life by taking over the body of Dana’s little child. Vigo has enlisted Dana’s boss, Janosz Poha (Peter MacNicol), to compel Dana to cooperate. Soon dirty sludge and slime flow through the streets of Manhattan, and the ghostbusters have to reunite to save the city from a funky paranormal evil.