Bovie Movie

The bumbling cops of Comedy Central’s hit television series take a trip to Miami Beach for a national police convention. After the trip there turns out to be much more difficult than anticipated, the bumbling crew must leap into action when the convention center becomes the target of a biological terrorist attack. Lieutenant Jim Dangle (Thomas Lennon) must keep together his motley and inept crew in order to save everyone from the disaster, and keep peace on the streets of the popular Florida city. The film features the same cast from the popular Comedy Central series of the same name.

The Jewel of the Nile takes up where Romancing the Stone left off, with romance novelist Joan Wilder (Kathleen Turner) traveling around the world with her boyfriend, Jack Colton (Michael Douglas). But Joan is becoming bored with Jack and all the romantic attention; as she asks, “How much romance can one woman take?” Invited by Omar (Spiros Focas), a wealthy Arabian potentate, to travel with him to his homeland, Joan readily accepts. Jack decides to pass on the trip, preferring instead to sail through the Mediterranean. It turns out that Omar wants to usurp the role of an Arab holy man known as “The Jewel of the Nile” (Avner Eisenberg), and Joan finds herself thrown in prison with the hapless spiritual leader. Jack comes to the rescue, teaming up with the slapstick bad guy from Romancing the Stone, Ralph (Danny DeVito). Together, the foursome have to cross North Africa in order to escape Omar’s minions.

With an insane asylum standing in for everyday society, Milos Forman’s 1975 film adaptation of Ken Kesey’s novel is a comically sharp indictment of the Establishment urge to conform. Playing crazy to avoid prison work detail, manic free spirit Randle P. McMurphy (Jack Nicholson) is sent to the state mental hospital for evaluation. There he encounters a motley crew of mostly voluntary inmates, including cowed mama’s boy Billy (Brad Dourif) and silent Native American Chief Bromden (Will Sampson), presided over by the icy Nurse Ratched (Louise Fletcher). Ratched and McMurphy recognize that each is the other’s worst enemy: an authority figure who equates sanity with correct behavior, and a misfit who is charismatic enough to dismantle the system simply by living as he pleases. McMurphy proceeds to instigate group insurrections large and small, ranging from a restorative basketball game to an unfettered afternoon boat trip and a tragic after-hours party with hookers and booze. Nurse Ratched, however, has the machinery of power on her side to ensure that McMurphy will not defeat her. Still, McMurphy’s message to live free or die is ultimately not lost on one inmate, revealing that escape is still possible even from the most oppressive conditions.

In this first sequel to 1989’s Batman, the Caped Crusader (Michael Keaton) is up against the Penguin (Danny DeVito), the hideously deformed scion of a wealthy Gotham City family. The Penguin plots with evil businessman Max Schreck (Christopher Walken) to become mayor and then turn Gotham into a cathedral of crime. Upon overhearing these plans, Schreck’s mousy secretary Selena Kyle (Michelle Pfeiffer) is tossed from a high-rise window by her boss. Rescued by a covey of kittens, Selena transforms into the leather-clad Catwoman. In this guise, she teams with the Penguin and Schreck to divvy up their ill-gotten gains and help discredit Batman-but she also has her own scores to settle. Paul “Pee-Wee Herman” Reubens, Vincent Schiavelli and Jan Hooks play significant bits, while Pat Hingle and Michael Gough make returns as, respectively, Commissioner Gordon and Alfred the Butler.

Disney’s animation team dipped into the rich well of ancient mythology for this musical comedy. The son of Greek gods Zeus (voice of Rip Torn) and Hera (Samantha Eggar), Hercules (voice of Josh Keaton) is stolen as a boy by the minions of Hades (voice of James Woods), lord of the underworld. Forced to live among humans, Hercules is turned into a half-god and half-mortal after drinking a forbidden potion brewed by Hades’ right hand men, Pain (voice of Bob Goldthwait) and Panic (voice of Matt Frewer). Now Hercules has the remarkable strength of a god, but is trapped in the body of a human, and before he learns how to use his power properly he goes through a typically adolescent awkward period. In order to become a god and return to his home on Mount Olympus, Hercules must prove himself a true hero on Earth. With the assistance of Philotes (voice of Danny De Vito), a plucky satyr known as “Phil,” the grown-up Hercules (voice of Tate Donovan) learns to use his strength to his advantage and becomes a famous and benevolent protector of those around him, successfully battling a variety of gods and monsters. However, Hades, wanting to cut Hercules down to size, sends his secret weapon after him — Megara (voice of Susan Egan), a seductively beautiful woman under Hades’ control, who is to win Hercules’ heart and render him helpless against the forces of the underworld. Acclaimed British cartoonist Gerald Scarfe served as production designer for this project, while Alan Menken wrote the musical score. Incidentally, for the Spanish language version of the film, Latin pop singer Ricky Martin provided the singing voice of Hercules, two years before he became a chart-topping sensation in America with his hit single “Livin’ la Vida Loca.”

The central “gimmick” of the comedy-adventure Twins is established early on. Unbeknownst to one another, king-sized Arnold Schwarzenegger and gnomeish Danny De Vito are twin brothers. Even better: Schwarzenegger is a mild-mannered, bookish type, while De Vito is a vitriolic troublemaker. The film takes satiric jabs at the notion of “perfect” genetics, and makes several pointed comments concerning the dangers of youthful pre-conditioning by insensitive parents.

This quirky science fiction comedy is a characteristic feature by iconoclastic director Tim Burton, known to moviegoers for Beetlejuice, Edward Scissorhands, and The Nightmare Before Christmas. The storyline affectionately harkens back to the deadpan sincerity of such ’50s and ’60s science-fiction films as The Day the Earth Stood Still and War of the Worlds. Flying saucers have been reliably seen over the capitals of the world, and the whole world awaits with bated breath to see what will transpire. Among those waiting is the President of the United States (Jack Nicholson), who is assured by his science advisor (Pierce Brosnan) that the coming aliens are utterly peaceful. This advice is hotly contested by the military (led by Rod Steiger), who advices the President to annihilate them. When the aliens land, they are seen to be green, garish, and very cheerful. But appearances prove deceiving when the “friendly” aliens abruptly disintegrate the entire U.S. Congress. Hollywood notables appear in vast quantities in roles (and sub-plots) of all sizes in this zany feature.

When the spirit of Christmas compels a small-town New Englander to decorate his home with enough lights to make it visible from space, much more is set to be decked than just the halls in this holiday comedy featuring Danny DeVito and Matthew Broderick as two warring neighbors determined to outdo each other in creating the best lighting display on the planet. Christmas is without question the most wonderful time of the year for Cloverdale, MA optometrist Steve Finch (Broderick). Unfortunately, the same can’t be said for Steve’s wife, Kelly (Kristin Davis), and the pair’s two children, Madison (Alia Shawkat) and Carter (Dylan Blue). Despite Steve’s annual holiday zeal, the rest of the Carters have grown to resent the seemingly endless family rituals leading up the Winterfest carnival over which their terminally cheerful patriarch presides. Though it seems that nothing in the world could dampen the spirits of the local “King of Christmas,” Steve soon finds his royal status challenged when used-car salesman Buddy Hall (Danny DeVito) moves in next door and covers his house with enough festive lights to make it visible from the deepest crater of the moon. His Yuletide thunder effectively stolen, Steve resorts to desperate measures in regaining his crown when Buddy’s lavish decorations make him a local celebrity, his wife strikes up a warm friendship with the neighbor’s outspoken better half, Tia (Kristin Chenoweth), and even the kids seem to warm to the car salesman’s air-headed twin daughters, Ashley and Emily (Sabrina and Kelly Aldridge).

Warner Bros. attempted to revitalize its animation division with this family adventure that blended live action and animation in the style of Who Framed Roger Rabbit (1988), reportedly coming in with a price tag of $100 million. Basketball legend Michael Jordan stars as himself, a retired sports hero trying his hand at baseball and failing miserably. Meanwhile, the Looney Tunes gang, led by Bugs Bunny, are kidnapped by aliens called the Nerdlucks. It seems that the Nerdlucks’ theme park, Moron Mountain (a barely-veiled dig at Disney) is failing to attract customers. The space invaders are convinced that the appearance of Bugs and his pals Porky Pig and Speedy Gonzalez will beef up business. Bugs makes his captors a deal — they’ll play a game of basketball for their freedom. When the Nerdlucks stack the deck by pilfering the talent of NBA superstars Charles Barkley and Patrick Ewing, the Warner Bros. heroes enlist the aid of Jordan, who returns to the court to help the classic characters. While he prepares to play, Jordan is aided by fellow celebrity Bill Murray. Director Joe Pytka previously created many of the television commercials that featured Jordan as a paid endorser.

The last film to be co-directed by Jim Abrahams, David Zucker, and Jerry Zucker, Ruthless People stars Bette Midler (capitalizing on her comeback performance in Down and Out in Beverly Hills) as Barbara, a spoiled rich woman who is kidnapped by the kindly Ken and Sandy Kessler (Judge Reinhold and Helen Slater). Barbara’s forceful husband Sam (Danny DeVito) has ripped off the Kesslers and they decide to hold Barbara for ransom. Sam, who hates his wife, refuses to pay. Eventually Barbara befriends the Kesslers and together they figure out how to exact revenge upon the obnoxious Sam. Bill Pullman makes his film debut here as a very dim, would-be criminal.