Bovie Movie

Jerry and Rachel are two strangers thrown together by a mysterious phone call from a woman they have never met. Threatening their lives and family, she pushes Jerry and Rachel into a series of increasingly dangerous situations, using the technology of everyday life to track and control their every move.

A vacationing couple makes a terrifying discovery about the motel room they have just checked into in this thriller scripted by Mark L. Smith and directed by Nimr?d Antal (Kontroll). Their car broken down and their prospects for finding a tow-truck driver at such a late hour slim to none, David (Luke Wilson) and Amy Fox (Kate Beckinsale) decide to make the best of their situation by resting out the night at a nearby motel. Left with few choices of entertainment for the evening, the pair soon settles down to enjoy one of the low-budget slasher films sitting atop their motel room VCR. Upon realizing that all of the films seem to have been shot in the very same room they currently occupy, David and Amy suddenly become the stars of a particularly sadistic fright flick. As hidden cameras track their every move, the hapless couple attempt to turn the tables on their would-be killer before they meet the same grim fate as the poor souls being butchered on television. Frank Whaley and Ethan Embry co-star in a thriller that’s sure to keep leery travelers sticking to the main highway.

A day trader (Embry) and his fiancée (Robertson) get caught up in high stakes gambling.

Two twenty-something stoner roommates — one a Korean American investment banker; the other an Indian American medical school candidate — go through a life changing journey, as they spend a night roaming the state of New Jersey in search of White Castle hamburgers.

Directing his first film since 1998’s Lethal Weapon 4, Richard Donner helmed this big-budget adaptation of Michael Crichton’s novel of the same name. Featuring a script by first-time screenwriter George Nolfi, Timeline begins in France in the near future. A group of students from Yale are there studying a medieval site, when their professor, played by Billy Connolly, mysteriously goes missing. To make matters more enigmatic, the students are then taken back to the United States by a shadowy technology company called ITC, led by Robert Doniger (David Thewlis). The eccentric Doniger explains that because of a machine that his company built, their professor is trapped in 14th century France. In order to rescue him, two of the students, Chris Hughes (Paul Walker) and Kate Erickson (Frances O’Connor), along with Andre Marek (Gerard Butler), an archeological site manager, must travel to France, circa 1357, amid archaic war, deadly diseases, and other unexpected pitfalls. Meanwhile, David Stern (Ethan Embry), a third student, stays behind to keep an eye on the shady Doniger.

Based on a true incident from 1960, White Squall is the story of the tragic sinking of the Albatross, a prep school educational two-masted schooner, during a Caribbean storm. Screenwriter Todd Robinson wrote the script after meeting one of the tragedy’s survivors, Chuck Gieg. In the film, Gieg (Scott Wolf) is the narrator. He and his fellow students, whose parents have paid handsomely for their schooling, which combines classroom work with real-life adventure, are introduced to their grizzled seafaring captain, Christopher Sheldon (Jeff Bridges). Gieg is initially skeptical of Sheldon’s authority, but he gradually comes to see the captain as a model of manhood. The other boys aboard include Frank Beaumont (Jeremy Sisto), a self-absorbed snob; Dean Preston (Eric Michael Cole), a troublemaker and bully; Tod Johnston (Balthazar Getty), a returning student; and the na?ve Tracy Lapchick (Ethan Embry). John Savage plays the pompous English teacher aboard the ship. Various incidents establish the boys’ insecurities and relationships with the authorities — and foreshadow their eventual fate. The killer squall comes up quietly but soon turns deadly, and the boys are forced to go beyond their privileged upbringings and deal with real danger.

After establishing herself as a bankable star with the fish out of water comedy Legally Blonde, Reese Witherspoon returns in what could be described as a “fish back in water” comedy. Melanie Carmichael (Witherspoon) is a successful New York fashion designer who is dating Andrew Hennings (Patrick Dempsey), a wealthy socialite whose mother, Katherine Hennings (Candice Bergen), is the Big Apple’s mayor. One day, Andrew pops the big question and asks Melanie to marry him; Melanie is overjoyed, but unknown to Andrew, Melanie has some unfinished business to take care of first. Despite her polished uptown image, Melanie grew up poor in the deep South, and as a teenager she married her high school sweetheart Jake Perry (Josh Lucas). Things went sour and Melanie moved East, reinventing herself along the way, but Jake never bothered to legally end their marriage. Now Melanie has to return to her hometown of Pigeon Creek, AL, to tell her parents (Fred Ward and Mary Kay Place) the news and convince Jake to grant her a divorce; however, the more time she spends with her old flame, the more she feels sparks flying between them again, while she also learns her Eastern affectations don’t fly with everyone back home.