Bovie Movie

Daniel Craig effortlessly makes James Bond his own, and the 21st movie in the series goes back to basics for this resoundingly entertaining spy adventure. GoldenEye director Martin Campbell has obviously been watching the Bourne franchise, and here he gives the superspy a gritty makeover, upping the violence content (the opening sequence, shot in grainy black and white, is particularly brutal). He also strips Bond of much of the slightly camp humour — thus no appearance from gadget-man Q. The plot is essentially an origins story, as a rough-around-the-edges Bond gains his two zeros (the two authorised kills he needs for his infamous licence) before tackling villain Le Chiffre (a splendidly thin-lipped Mads Mikkelsen) in a game of high-stakes poker. Craig’s humanised, more flawed interpretation of the role balances Campbell’s physical direction and co-writer Paul Haggis’s sparing wit, while Eva Green provides an alluring love interest. Apart from a chaotic and overlong last act, this is a triumphant new beginning. 

Gladiator director Ridley Scott once again finds inspiration in the past with this exciting mix of action, adventure and history lesson. Orlando Bloom stars as 12th-century French blacksmith Balian, who loses his family and is invited to the Holy Land by a Crusader father (Liam Neeson) previously unknown to him. The uneasy peace in Jerusalem between the Christians, under King Baldwin IV (Edward Norton), and the neighbouring Muslim forces of Saladin (a wonderful Ghassan Massoud) is threatened by fanatics, prompting Balian to defend the city against overwhelming odds. A story of western forces in the Middle East has obvious contemporary resonance, but Scott steps skilfully through the minefield, stressing the desirability of co-existence and tolerance and the dangers of fundamentalism. While Bloom is rather unconvincing as a leader of men, the siege is breathtaking, the characters colourful, and there’s even some intelligent dialogue.