Bovie Movie

Music teacher Christine Radcliffe thought Karel Novak to have been killed in the war. She loves him more than ever and insists they marry. At their reception her benefactor and former lover offers Karel the chance to solo his new cello concerto. Hollenius torments Christine and she shoots him. The concert is a success and Karel promises to stand by Christine.

George Lucas draws the Star Wars film series to a close with this dark sci-fi adventure which sets the stage for the events of the first film and brings the saga full circle. After a fierce battle in which Obi-Wan (Ewan McGregor) and Anakin (Hayden Christensen) join Republic forces to help free Chancellor Palpatine (Ian McDiarmid) from the evil Count Dooku (Christopher Lee) and his minions, Anakin is drawn into Palpatine’s confidence. Palpatine has designs on expanding his rule, and with this in mind he plants seeds of doubt in Anakin’s mind about the strength and wisdom of the Jedis. Anakin is already in a quandary about how to reveal to others the news of his secret marriage to Padmé Amidala (Natalie Portman) now that she is pregnant, and visions which foretell her death in childbirth weigh heavy on his mind. As Anakin finds himself used by both the Jedis and the Republic for their own purposes — particularly after Mace Windu (Samuel L. Jackson) expresses his distrust of the young Jedi — he turns more and more to the Force for help, but begins to succumb to the temptations of its dark side. Many of the Star Wars series regulars returned for Star Wars: Episode III — Revenge of the Sith, including Frank Oz as the voice of Yoda, Anthony Daniels as C-3PO, Kenny Baker as R2-D2, and Peter Mayhew as Chewbacca.

In 1977, George Lucas released Star Wars, the ultimate sci-fi popcorn flick-turned-pop-culture myth machine. It quickly became the biggest money-making film of all time and changed the shape of the film industry. After two successful sequels (1980’s The Empire Strikes Back and 1983’s Return of the Jedi) that extended the story of the first film, Lucas took some time off to produce movies for others, with mixed success. In 1999, Lucas returned to the Star Wars saga with a new approach — instead of picking up where Return of the Jedi left off, Star Wars: Episode I — The Phantom Menace would be the first of a trilogy of stories to trace what happened in the intergalactic saga before the first film began. Here, Obi-Wan Kenobi (Ewan McGregor) is a young apprentice Jedi knight under the tutelage of Qui-Gon Jinn (Liam Neeson); Anakin Skywalker (Jake Lloyd), who will later father Luke Skywalker and become known as Darth Vader, is just a nine-year-old boy. When the Trade Federation cuts off all routes to the planet Naboo, Qui-Gon and Obi-Wan are assigned to settle the matter, but when they arrive on Naboo they are brought to Amidala (Natalie Portman), the Naboo queen, by a friendly but opportunistic Gungan named Jar Jar. Qui-Gon and Obi-Wan plan to escort Amidala to a meeting of Republic leaders in Coruscant, but trouble with their spacecraft strands them on the planet Tatooine, where Qui-Gon meets Anakin, the slave of a scrap dealer. Qui-Gon is soon convinced that the boy could be the leader the Jedis have been searching for, and he begins bargaining for his freedom and teaching the boy the lessons of the Force. The supporting cast includes Pernilla August as Anakin’s mother, Terence Stamp as Chancellor Valorum, and Samuel L. Jackson as Jedi master Mace Windu. Jackson told a reporter before The Phantom Menace’s release that the best part about doing the film was that he got to say “May the Force be with you” onscreen.

Sex and love. Some seek it, some need it, some spurn it and some pay for it, but we’re all involved in it. Set on one afternoon on Hampstead Heath, London, the film investigates the minutiae of seven couples. What makes us tick?

An amoral young man wends his way into the lives of a handful of damaged souls in this adaptation of British Beat Generation writer Alexander Trocchi’s first novel. Written for the screen and directed by David Mackenzie, Young Adam begins with the discovery of a barely dressed woman’s corpse by two barge workers, Joe (Ewan McGregor) and Leslie (Peter Mullan). A taciturn drifter, Joe hoists the body ashore with little distress, and the ensuing police investigation does little to ruffle his day-to-day existence on the barge. But his behavior becomes more and more erratic, and as he begins a torrid affair with Leslie’s downtrodden wife Ella (Tilda Swinton), flashbacks reveal a similarly cruel encounter he once had with a young woman named Cathie (Emily Mortimer). Young Adam premiered at the 2003 Cannes Film Festival before securing berths at the Toronto and New York Film Festivals later that year.

Mark Renton (Ewan McGregor), a young man with few prospects and fewer ambitions, lives in economically depressed Edinburgh. Like most of his friends, Renton is a heroin addict who loves the drug’s blissful nothingness; financing his habit also provides excitement and challenges that his life otherwise lacks. Renton’s two best friends are also junkies: Sick Boy (Jonny Lee Miller), a snappy dresser obsessed with James Bond, and Spud (Ewan Bremner), a guileless nerd who suggests Pee Wee Herman’s debauched cousin. Renton and his pals also hang out with Begbie (Robert Carlyle), a borderline psychotic who loathes junkies even though he drinks like a fish. After one too many brushes with the law, Renton kicks heroin and moves to London, where he finds a job, a flat, and something close to peace of mind. However, Sick Boy, Begbie, and Spud all arrive at his doorstep on the trail of a big score, leading Renton back into drugs and crime.

Two London brothers (McGregor and Farrell) are hard-up for cash, and both have girls to look out for, too (Atwell and Williams). When rich Uncle Howard (Wilkinson) comes to town and agrees to help them out, he admits his finances are under investigation, and he asks them to do him a favor and “take care of” an old business relation to keep his trouble under wraps - he says that they’re family, and since he always takes care of them, the least they could do is help him out this once, as they’re the only ones he can trust. The film follows their struggle with the immorality of this request and how each brother chooses to deal with it.

The pathetically shy LV lives the life of a recluse listening to her late fathers old records in her room and in the process driving her abusive, loud-mouthed mother, Mari Hoff, to distraction. At night, however, when her father’s ghost visits, LV sings the songs of the great divas such as Judy Garland, Marilyn Monroe and Shirley Bassey. One evening LV is overheard by one of her mother’s loathsome boyfriends, the disastrous dead-end talent scout Ray Say, who recognizes her innate talent and realizes this is his last big chance for the glittering prizes. Gambling everything Ray Say forces LV to appear at a local run-down, seedy night club run by Mr. Boo. As preparations for the big event proceed apace LV meets the equally shy Billy, a pigeon-racing telephone engineer and they form a tentative, gentle friendship. The big night finally arrives and everything is in readiness the band, the club and even a big agent from London, but what about LV?

Part high-tech spy thriller and part psychological study, Eye of the Beholder was Ewan McGregor’s first feature film following his mainstream breakthrough performance in Star Wars Episode I: The Phantom Menace. The Eye (Ewan McGregor) is an agent of the British Secret Service, equipped with the latest in high-tech crime fighting gadgetry and assisted by his indefatigable collegue, Hilary (k.d. lang). The Eye’s latest assignment is a surveillance project; the son of a well-known politician has been spending a great deal of money on someone, and they would like to know who and why. A little sleuthing reveals that the mysterious person taking the cash is a woman named Joanna (Ashley Judd), but the trail gets much stickier when the Eye witnesses Joanna pulling a knife and killing the politician’s son. Normally, he’d take the shortcut to putting her behind bars, but some time ago he lost contact with his daughter when his wife left him; Joanna reminds the Eye of his daughter, and he’s too fascinated with her to bring her to justice. The Eye now follows Joanna obsessively, and discovers that she’s also involved with a blind man (Patrick Bergin) and has a history of emotional instability from being abandoned by her father at a young age. Eye of the Beholder was directed by Stephan Elliott, best known for the comedy The Adventures of Priscilla, Queen of the Desert.

The second prequel to the original Star Wars trilogy takes place ten years after the events depicted in Star Wars: Episode I — The Phantom Menace. Now 20, young Anakin Skywalker (Hayden Christensen) is an apprentice to respected Jedi knight Obi-Wan Kenobi (Ewan McGregor). Unusually powerful in the Force, Anakin is also impatient, arrogant, and headstrong — causing his mentor a great deal of concern. The pair are ordered to protect Padme Amidala (Natalie Portman), the former queen of the planet Naboo, now representing her world in the Galactic Senate. Someone is trying to assassinate her on the eve of a vote enabling Supreme Chancellor Palpatine (Ian McDiarmid) to build a military force that will safeguard against a growing separatist movement led by mysterious former Jedi Count Dooku (Christopher Lee). After another attempt on Padme’s life, Obi-Wan and Anakin separate. The young Jedi and Padme fall in love as he escorts her first to the security of Naboo and then to his home world of Tatooine, where the fate of his mother leads him to commit an ominous atrocity. Meanwhile, Obi-Wan travels to the secretive planet Kamino and the asteroid-ringed world of Geonosis, following bounty hunter Jango Fett (Temuera Morrison) and his son, Boba (Daniel Logan), who are involved in an operation to create a massive army of clones. A vicious battle ensues between the clones and Jedi on one side and Dooku’s droids on the other, but who is really pulling the strings in this galactic conflict? In late 2002, the movie was released in IMAX theaters as Star Wars: Episode II — Attack of the Clones: The IMAX Experience, with a pared-down running time of 120 minutes in order to meet the technical requirements of the large-screen format.