Bovie Movie

Self-made billionaire Thomas Crown is bored of being able to buy everything he desires. Being irresistible to women, he also does not feel any challenge in that area. But there are a few things even he can’t get, therefore Thomas Crown has a seldom hobby: He steals priceless masterpieces of Art. After the theft of a famous painting from Claude Monet, the only person suspecting Thomas Crown is Catherine Banning. Her job is to get the picture back, no matter how she accomplishes her mission. Unfortunately, Catherine gets involved too deeply with Thomas to keep a professional distance to the case. Fortunately, Thomas seems to fall for her, too.

Los Angeles detective Jake Gittes is hired by a woman claiming to be a Mrs. Mulwray to spy on her husband. Shortly after Gittes is hired, the real Mrs. Mulwray appears in his office threatening to sue if he doesn’t drop the case immediately. Gittes pursues the case anyway, slowly uncovering a vast conspiracy centering on water management, state and municipal corruption, land use and real estate, and involving at least one murder.

Jack Crabb is about 100 years old as the film begins. A collector of oral histories asks him about his past. He recounts being captured and raised by indians, becoming a gunslinger, marrying an indian, watching her killed by General George Armstrong Custer, and becoming a scout for him at Little Big Horn.

“His code name is Condor. In the next 24 hours, everyone he trusts will try to kill him.” As the ads ominously announced, a low-level spook confronts the unfathomable in Sydney Pollack’s 1975 political thriller, adapted from the James Grady novel Six Days of the Condor. CIA researcher Joe Turner (Robert Redford) returns from lunch to find the entire staff of his small New York office assassinated. When he meets his boss (Cliff Robertson) at another location to tell him what happened, someone tries to shoot Turner as well. On the run from the cops and his agency, a desperate Turner resorts to holing up with innocent civilian Kathy (Faye Dunaway), who becomes his only ally. Joe decides to save himself the only way possible: by going to The New York Times. But will it work? One of a cycle of conspiracy films from the 1970s that also included The Parallax View (1974) and Redford’s All the President’s Men (1976), Three Days of the Condor pits a working Everyman (albeit a CIA everyman) against a far-reaching conspiracy, as it also criticizes the CIA during a period of increasing publicity about federal wrongdoing, from the Pentagon Papers through Watergate and other congressional investigations; the challenge of negotiating New York City, shot on location, becomes one more sign of the forces that Joe must face. With its timely subject matter, taut suspense, and sympathetic Redford hero, Three Days of the Condor became a substantial hit. Balancing the conspiracy cycle’s pessimism with a margin of attenuated hope, Three Days of the Condor suggests that one man can still discover the truth, but whether it helps him remains to be seen.

A man with no memory struggles to make sense of the troubling details that are still stuck in his mind in this psychological thriller. Frank (Val Kilmer) wakes up in a small town in the New Mexico desert with a severe head wound and most of his memory wiped away. However, Frank is somehow convinced that someone is planning to assassinate the President of the United States, and that Chloe (Neve Campbell), the woman who is claiming to be his girlfriend, is some sort of imposter. When Frank learns that the president is indeed passing through town that day, he tries to warn Sheriff Kolb (Sam Shepard) that something sinister if afoot; as it happens, Kolb believes him, though he’s more than a bit busy dealing with a hard-fought election campaign against former Deputy Cash (Noble Willingham). Blind Horizon was screened at the 2004 South by Southwest Film Festival.

Two recent college graduates hatch an ingenuous scheme to increase their income while having a bit of naughty fun on the side in this sexy comedy that proves just how wild lonely housewives can be when left unattended. For Spence and Hogan, the carefree days of college come crashing to an end when they are forced to go to work for a group of heartless divorce lawyers who seem to take great joy in tormenting the dejected young slackers. Subsequently presented the opportunity to start a club in which older women can discreetly experience the joys of being with a younger man, these two put-upon legal workers set about rounding up a group of their most libidinous young men to launch a successful start-up business that thrives on pleasure. Faye Dunaway, Carrie Fisher, Izabella Scorupco, and Joanie Lauer star in a scorching age-disparity comedy from cinematographer and special effects artist-turned-director Christopher Duddy.

A bored small-town girl and a small-time bank robber leave in their wake a string of violent robberies and newspaper headlines that catch the imagination of the Depression-struck Mid-West in this take on the legendary crime spree of these archetypal lovers on the run.

They’re beautiful, they’re brilliant, and they can kick your butt — the most glamorous private eyes in the world are back in action in this big-screen adaptation of the popular ’70s television series. Natalie (Cameron Diaz) is the smart but silly one, Dylan (Drew Barrymore) is the tough but fun-loving one, and Alex (Lucy Liu) is the classy but hard-as-nails one, and they work for a man named Charlie (voice of John Forsythe), who never meets his employees face to face. Along with their helper Bosley (Bill Murray), the Angels are sent into action when electronics genius Eric Knox (Sam Rockwell) is kidnapped, with the nefarious Roger Corwin (Tim Curry) as the prime suspect. But they soon learn even bigger danger is afoot — the kidnappers have gotten their hands on Knox’s latest invention, a system that can monitor voice communication from anywhere in the world, virtually ending the notion of private conversation. Charlie’s Angels also stars Crispin Glover, Luke Wilson, Kelly Lynch, and Tom Green.

In the 15th century, France is mired in the 100 Years War when a humble voice appears, claiming to have been instructed by the Lord to lead the French army into battle and defend their land against the British. The voice belongs to Jeanne d’Aragon, a teenage girl from a tiny village, and, to the surprise of many, her story does not fall on deaf ears. Wearing the armor of a soldier, the girl known as Joan of Arc leads the French troops in what she believes is a holy battle. Joan would soon be tried for heresy for her actions, but history would vindicate her with sainthood. The Messenger: The Story of Joan of Arc stars Milla Jovovich as Joan of Arc, Faye Dunaway as Yolande d’Aragon, and Dustin Hoffman as The Grand Inquisitor. Directed by Luc Besson, The Messenger was originally titled Joan of Arc but added the prefix to avoid confusion with the 1999 TV movie of the same name, which starred Leelee Sobieski.