Bovie Movie

In this Western based loosely on actual events and people, Emilio Estevez stars as William H. Bonney (aka Billy the Kid). Sought for a petty crime in Lincoln County, Billy is taken in by John Tunstall (Terrence Stamp), a British ranch owner seeking to make it in the cattle business. Tunstall employs a group of “regulators,” comprised of wayward youths he’s gathered over the years, to watch over his ranch; in turn, he teaches them how to read and reforms them into better men. Tunstall’s business interests come into conflict with those of corrupt and murderous businessman Lawrence Murphy (Jack Palance), whose widespread connections make him a power to be reckoned with. When Tunstall won’t budge from his right to pursue a living, Murphy’s henchmen stage an ambush and kill him. This triggers a vow of vengeance from the quick-tempered Billy and his five fellow regulators, who are deputized to serve arrest warrants in the murder. However, when Billy decides to gun down the suspects instead of detaining them, his loyal pals become accessories in a vigilante spree to wipe the territory clean of Murphy and his web of conspirators. Soon, the supposed lawmen are on the run from bounty hunters, henchmen, and government soldiers, from all directions of the compass. This box-office hit also stars Charlie Sheen, Kiefer Sutherland, Lou Diamond Phillips, Dermot Mulroney, and Casey Siemaszko.

Hoping to make the magic of King Kong happen again, the production team of Merian C. Cooper and Ernest B. Schoedsack came up with the 1949 special-effects smorgasbord Mighty Joe Young. Robert Armstrong reprises his Kong portrayal of Carl Denham as hot-shot showbiz entrepreneur Max O’Hara. While in Africa looking for authentic decorations for his new night club, O’Hara makes the acquaintance of Mr. Joseph Young, a ten-foot-tall ape. Unlike King Kong, Joe Young has a heart of gold, thanks in great part to his owner, a lovely lass named Jill Young (Terry Moore). Against her better judgment, Jill allows O’Hara to bring Joe back to the States as a nightclub attraction. Joe proves to be a smash as he participates in Jill’s musical act (he lifts her grand piano while she plays “Beautiful Dreamer”) and performs a tug-of-war routine with an imposing lineup of professional wrestlers (including Tor Johnson, Man Mountain Dean and Primo Carnera). But when the patrons go home each night, Joe is unhappily relegated to his cage. When a group of obnoxious drunks begin teasing Joe, the disgruntled ape breaks loose and goes on a rampage. Slated to be put to death, Joe redeems himself by rescuing a group of screaming children from an orphanage fire. Featured in the cast are Ben Johnson as the nominal romantic lead, Frank McHugh as Robert Armstrong’s assistant, and an uncredited Irene Ryan as a cocktail-lounge patron.

The turning point in the life of Ed Pekurny (Matthew McConaughey) comes thanks to the misfortunes of the NorthWest Broadcasting Company. After two years on the air, their flagship cable channel, True TV, has slid into obscurity due to competition from the The Gardening Channel. Program director Cynthia Topping (Ellen DeGeneres) brainstorms a last ditch effort to save the channel: broadcast one ordinary person’s life 24 hours a day, unedited (while he sleeps, the day’s highlights will be shown). When the network agrees to the idea, Topping must find the subject of her program. After endless auditions, she lucks upon Ed, a goofy but good-looking video store clerk. Ed has little time to get used to his new shadow, a three man video crew, before the show becomes a hit. Suddenly Ed’s a cultural icon with fan clubs, stalkers, and imitators, but the media saturation has it’s effects on his friends and family, who are now part of the program. Ed alienates his proud brother, Ray (Woody Harrelson), by falling in love with his girlfriend, Shari (Jenna Elfman). His estranged father Hank (Dennis Hopper) reappears after abandoning the family and creates tension between Ed and Ray’s mother, Jeanette (Sally Kirkland) and her wheelchair-bound second husband, Al (Martin Landau). When Ed realizes the phenomenon has turned on him, he convinces Topping to stop the ordeal, but not her boss, Whitaker (Rob Reiner). To regain his life, Ed must find a way to cancel EDtv.

A man finds himself living among the animals and enchanted spirits of the rainforest, and learns of the true consequences of human destruction in this animated adventure. Crysta (voice of Samantha Mathis) is a young fairy who is being tutored in the powers of magic by the older and wiser Magi (voice of Grace Zabriskie) in an Amazon rain forest. While their home was once on the verge of destruction thanks to the evil spirit Hexxus (voice of Tim Curry), the demon has been trapped inside a tree, and Crysta is free to play with her friends Batty Koda (voice of Robin Williams), a bat who escaped from an animal testing facility, and Pips (voice of Christian Slater), who has obvious romantic intentions toward the attractive young sprite. However, a clear-cutting crew destroys the tranquil peace of the rainforest, and when Crysta sees a runaway logging machine about to run over lumberjack Zak (voice of Jonathan Ward), she saves his life by shrinking him to her own size. However, Crysta isn’t able to bring Zak back to his normal size, so he’s forced to live among the forest creatures and learn first-hand the devastation the humans have brought to this world — especially when the loggers accidentally free Hexxus from captivity.

Having created an empire on girly shows and skin flicks, Jim Mitchell and Artie Mitchell achieved mainstream success with Behind the Green Door (1972), one of only a handful of hardcore porn movies to do so. Brothers Emilio Estevez and Charlie Sheen star in the film about the life and troubled times of porn’s dynamic duo. Opening with the 1991 fratricidal murder of Artie (Sheen) at the hands of Jim (Estevez, who also directs), the film flashes back to their father lecturing them on the importance of family. In 1967, while studying film at San Francisco State, Jim’s professor (Peter Bogdanovich) upbraids him for including numerous leering shots of half-naked women in his student works. Soon Jim along with his brother, fresh out of the Army, starts a smut studio in an old warehouse. Their business takes off, and in no time they are being harassed by the police for obscenity. Along the way, the two hire former Ivory Snow model Marilyn Chambers, get married, and snort half of the cocaine in Bolivia. After the fleeting success of Green Door, their lives spiral into a drug-addled hell. Jim eventually bottoms out, but Artie, wracked by a profound inferiority complex, slides into cocaine dementia and begins to threaten Jim’s family. Things eventually boil over, culminating in that bloody night in 1991. This film was screened at the 2000 Sundance Film Festival.

The search for life outside our solar system becomes a personal and spiritual quest for a young researcher. Ellie Arroway (Jodie Foster) is a scientist who lost her faith in God after her parents died when she was a child. However, Ellie has learned to develop a different sort of faith in the seemingly unknowable: working with a group that monitors radio waves from space, Ellie hopes that some day she will receive a coherent message from another world that will prove that there is a world beyond our own. Ellie’s hard work is rewarded when her team picks up a signal that does not appear to be of earthly origin. Ellie decodes the message, which turns out to be plans for a space craft, which she takes as an invitation for a meeting with the aliens. Ellie and her fellow researchers soon run into interference from a White House scientific advisor, David Drumlin (Tom Skerritt), who cuts off their funding and tries to take credit for their achievements. However, Ellie receives moral support from Palmer Joss (Matthew McConaughey), a spiritual teacher who advises President Clinton and tries to persuade her to accept the existence of a higher power, and financial backing from S.R. Hadden (John Hurt), a multi-millionaire willing to fund her attempts to contact the source of the message. Contact was based on a novel by Carl Sagan, who advised director Robert Zemeckis during the film’s production until his death in 1996.