Bovie Movie

In the small town of Knapely, Yorkshire, England, Annie Clarke (Julie Walters) has just lost her husband, who was ill with leukemia. Inspired in his speech to the local Women’s Institute, where he said that “the flowers of Yorkshire are like the women of Yorkshire”, and “the last phase of the women of Yorkshire is always the most glorious”, her best friend Chris Harper (Helen Mirren) decides to make a calendar with twelve local middle-age women nude to raise funds for the wing of leukemia treatment in the local hospital. The calendar becomes well succeeded, making them famous and affecting their lives.

A Masterpiece Theatre remake of the 1970 screen adaptation of E. Nesbit’s beloved children’s book, The Railway Children follows the fortunes of three resourceful children in turn-of-the-century England. An affluent family, the Waterburys fall upon difficult times when Mr. Waterbury (Michael Kitchen) is hauled away by the police for reasons not readily apparent. Forced to move to a small village, the family is held together by Mrs. Waterbury (Jenny Agutter, who played one of the Waterbury children in the 1970 film version), who ekes out a living by selling her stories to magazines. The three Waterbury siblings — Bobbie (Jemima Rooper), Peter (Jack Blumenau), and Phyllis (Clare Thomas) — try to help their mother make ends meet and take to spending time by the railroad, where they meet a host of eccentric acquaintances. Among them are the Station Master (Clive Russell), and a magnanimous railroad maven (Richard Attenborough), both of whom take a shine to the children.

William Shakespeare (Joseph Fiennes) is on a cold streak. Not only is he writing for Philip Henslowe (Geoffrey Rush), owner of “The Rose,” a theatre whose doors are about to be closed by sadistic creditors, but he’s got a nasty case of writer’s block. Shakespeare hasn’t written a hit in years. In fact, he hasn’t written much of anything recently. Thus, the Bard finds himself in quite a bind when Henslowe, desperate to stave off another round of hot-coals-to-feet application, stakes The Rose’s solvency on Shakespeare’s new comedy, “Romeo and Ethel, the Pirate’s Daughter.” The problem is, “Romeo” is safely “locked away” in Shakespeare’s head, which is to say that not a word of it is written. Meanwhile, the lovely Lady Viola (Gwyneth Paltrow) is an ardent theatre-goer — scandalous for a woman of her breeding — who especially admires Shakespeare’s plays and, not incidentally, Bill himself. Alas, she’s about to be sold as property into a loveless marriage by her mercenary father and shipped off to a Virginia tobacco plantation. But not before dressing up as a young man and winning the part of Romeo in the embryonic play. Shakespeare soon discovers the deception and goes along with it, using the blossoming love affair to ignite his muse. As William and Viola’s romance grows in intensity and spirals towards its inevitable culmination, so, too, does the farcical comedy about Romeo and pirates transform into the timeless tragedy that is Romeo and Juliet.