Bovie Movie

Bertram Pincus is a man whose people skills leave much to be desired. When Pincus dies unexpectedly, but is miraculously revived after seven minutes, he wakes up to discover that he now has the annoying ability to see ghosts. Even worse, they all want something from him, particularly Frank Herlihy who pesters him into breaking up the impending marriage of his widow Gwen. That puts Pincus squarely in the middle of a triangle with spirited result.

The Hoover family is the dictionary definition for the word “dysfunctional”. The dad Richard is a man who gives lectures on winners and losers, the wife is Sheryl, a chain-smoking, frazzled wife and working mother whose idea of a home cooked meal frequently consists of a bucket of chicken. Her gay brother Frank recently attempted suicide. The grandpa is Edwin, a drug addict. The son is Dwayne a rebel who has vowed not to talk until he gets into the Air Force. And then there is Olive, a seven-year old girl who dreams of going to the Little Miss Sunshine pageant. So what happens when they do?

Sleepless in Seattle director Nora Ephron originally made a name for herself as the writer of romantic comedies such as Heartburn and When Harry Met Sally. She continues the genre with You’ve Got Mail, marking her second collaboration with actors Tom Hanks and Meg Ryan. The story brings romance and courtship into the electronic age of the World Wide Web via e-mail and chat rooms. Joe Fox (Hanks) and Kathleen Kelly (Ryan) live and work blocks from each other on New York City’s Upper West Side. Their lives are practically intertwined. They both shop at the same place, frequent the same coffee shop, and even own competing bookstores on the same street. They also both have significant others of their own. Joe has the overly hyper book editor Patricia Eden (Parker Posey), while Kathleen lives with the scholarly newspaper columnist Frank Navasky (Greg Kinnear). Then they meet in a chat room. Though they keep their identities secret (they’re known only by screen names “NY152″ and “Shopgirl”), they tell each other everything about their lives, including their private feelings, which slowly turn into affection for each other. When Joe decides to open a new branch of his “Foxbooks” chain that risks putting Kathleen’s “Shop Around the Corner” out of business, the tension between them escalates. Surely her boutique business will be lost to the conglomerate with a built-in newsstand and coffee bar. When Joe sees Kathleen waiting for him in the restaurant where they agreed to meet up, he puts two and two together, but cannot face her, given their agreement not to reveal each others’ names and professions. How can he reveal himself to her now, knowing that he is the cause of her misery? Hopefully, love will conquer all.

Don Anderson (Greg Kinnear) is the Mickey’s food restaurant chain’s Marketing Director. He is the inventor of the “Big One” the hamburger best seller of Mickey’s. An independent research reports the presence of cow’s feces in the Big One. So Don is sent to Cody, Colorado, to verify if the slaughterhouse, main supplier of Mickey’s, is efficient as it appears and the production process is regular. During his investigations he discovers the horrible truth behind a simple hamburger; the reality is not like we think it is. Don discovers that the mass production system involves from the temp workers like Amber (Ashley Jonhson), to the exploitation of Mexican irregular immigrants. It is not only the meat that is crush in the mincing machine, but all our society.

Successful and single businesswoman Kate Holbrook has long put her career ahead of a personal life. Now 37, she’s finally determined to have a kid on her own. But her plan is thrown a curve ball after she discovers she has only a million-to-one chance of getting pregnant. Undaunted, the driven Kate allows South Philly working girl Angie Ostrowiski to become her unlikely surrogate. Simple enough … After learning from the steely head of their surrogacy center that Angie is pregnant, Kate goes into precision nesting mode: reading childcare books, baby-proofing the apartment and researching top pre-schools. But the executive’s well-organized strategy is turned upside down when her Baby Mama shows up at her doorstep with no place to live. An unstoppable force meets an immovable object as structured Kate tries to turn vibrant Angie into the perfect expectant mom. In a battle of wills, they will struggle their way through preparation for the baby’s arrival. And in the middle of this tug-of-war, they’ll discover two kinds of family: the one you’re born to and the one you make.

Five men desperately try to recover their memories and piece together the traumatic events of the past several days in this independent thriller. In an abandoned warehouse, a handful of men slowly regain consciousness, but they’ve been stricken with amnesia and have no idea who they are, where they are, or what has happened to them. All five seem to have been in some sort of serious scuffle; one is tied up (Joe Pantoliano), another has been handcuffed (Jeremy Sisto), a third has a broken nose (Greg Kinnear), and the other two have their share of scrapes and bruises (Jim Caviezel and Barry Pepper). As the men compare the tiny shards of memory they can pull from their minds, one finds a newspaper from two days before which features a front-page story about the kidnapping of a wealthy and well-known businessman. The men begin to suspect that they were involved with the kidnapping, but no one is sure if they’re on the right or wrong side of the law – or if one of them might happen to be the victim. The first feature film from veteran music video director Simon Brand, Unknown also stars Peter Stormare, Bridget Moynahan and Clayne Crawford.

Paul (Greg Kinnear) and Jessie Duncan (Rebecca Romijn-Stamos) have barely begun the grieving process when Dr. Richard Wells (Robert De Niro) attends the funeral of the Duncans’ eight-year-old son, Adam (Cameron Bright), with a pressing question in tow. Head of the Godsend Fertility Clinic, Dr. Wells claims he can use Adam’s rapidly dying cells to clone a replica of the boy, though the necessary DNA will only be viable for another 24 hours. The process in itself is completely illegal; not only must Jessie and Paul be forced to relocate, but they will also be forced to sever all ties with friends and family in order to ensure the secret remains so. Within the space of a day, the Duncans consider the legal and ethical implications of such a procedure, ultimately deciding that their love for Adam is enough to trump the law and any high-minded philosophical questions. After resettling in an idyllic town near Dr. Wells’ clinic, Jessie is impregnated with the late Adam’s living cells, while Paul is given a beautiful home and a more than suitable job. Shortly afterward, the new Adam — seemingly identical to the original Adam in every way — is born and lives a life quite similar to his predecessor until the morning of his eighth birthday. A series of night terrors is the first thing to disturb the Duncans’ otherwise serene lifestyle. Adam’s violent visions eventually mutate to ill temper, and an aura of menace permeates the aura of a boy who had otherwise been sweetness incarnate from the day of his birth. Eventually, Paul discovers that Dr. Wells is not a pediatrician, but a geneticist, and that their playing God may have been a Faustian bargain of epic proportions.

From the producers of The Rookie and Remember the Titans comes an inspirational sports drama detailing the true story of a down-on-his-luck football fan whose dreams of standing shoulder-to-shoulder with the best of the gridiron became a once-in-a-lifetime reality when he took part in an open tryout organized by Philadelphia Eagles coach Dick Vermeil. Vince Papale (Mark Wahlberg) was a 30-year-old substitute teacher and part-time bartender who had never even played college football. When Coach Vermeil (Greg Kinnear) made the unprecedented announcement that he would be holding open tryouts for the Philadelphia Eagles, Papale would go against incredible odds to live the dream and experience every fan’s biggest fantasy. With a position on the Eagles secured and a new life path forged out of little more than determination and persistence, Papale takes to the field to experience the life-altering rush of running yards as a stadium full of cheering fans burst from their seats to support the hometown hero who proved it’s never too late to take control of your own destiny.

The life and sordid, untimely death of Hogan’s Heroes star Bob Crane are explored by director Paul Schrader in this biopic, which marks one of the few times the filmmaker has not scripted his own film. Auto Focus chronologically traces the meteoric rise of Crane’s show business career, beginning with his early success as a jokey deejay on Los Angeles morning radio in the early ’60s. A devout family man, Crane lives in Southern Californian comfort with his wife Anne (Rita Wilson) and their young children, relishing the modicum of celebrity his job provides him. His life begins to change, however, when his agent Lenny (Ron Leibman) proposes that he take a breakthrough role on the CBS POW-camp sitcom Hogan’s Heroes. Initially reluctant to take the job, Crane signs on with the production and, to his and everyone else’s surprise, the show becomes a smash hit. With celebrity comes a new set of friends, and Crane falls in with audio-visual guru John Carpenter (Willem Dafoe), a Sony sales rep who spends his days setting up home entertainment systems for the Hollywood elite, and his nights cruising strip clubs for anonymous sexual encounters. Already a pornography buff, Crane starts using his fame to secure him and Carpenter an endless parade of affairs, which they videotape and then obsessively review. It isn’t long before Anne demands a divorce, and Crane marries his Hogan’s co-star Patti Olsen (aka Sigrid Valdis, here played by Maria Bello), who’s more accepting of his escapades. When the sitcom is canceled, however, Crane has trouble securing acting jobs, and recedes further and further into his life of amateur porn with Carpenter. Auto Focus premiered at the Telluride and Toronto Film Festivals before its art-house run in the fall of 2002.

Morris Buttermaker (Thornton), an alcoholic pest removal worker and former professional baseball player (for a very short time), is recruited to coach and train a failing baseball team of 12 year olds which is about to be thrown out of the league. Although the team does not win the first place in the next championship, it does achieve a great comeback.