Bovie Movie

In an abandoned house, detective Louis Burke confronts a maniac called the Sandman. Although the Sandman nearly kills Burke, Burke manages to stop him with a bullet. Sixteen months later, Burke joins a task force put together by the governor to investigate a series of unexplained deaths in the Harrison Penitentiary. While Burke poses as an inmate, attorney Amanda Beckett acts the role of his wife. In the penitentiary, Burke is forced to survive in an environment so dismal and filthy that it makes a public restroom in New York City look like a room in a five star hotel. Burke does succeed in befriending a few of the inmates, including Hawkins and Priest, who help him with the investigation. More inmates are mysteriously murdered. Burke’s cell-mate is killed, and prison guard DeGraff puts Burke in solitary confinement, where he’s interrogated and beaten. As if that’s not enough, the Sandman ends up at Harrison. As it turns out, the prisoners are being murdered for their body organs. Back on the outside, Beckett attends a party given by Vogler, the state’s attorney general. Just as she’s preparing to tell him about the murders at the prison, Beckett receives a call from her assistant, who identifies Vogler’s henchman Keane as the man behind the murders, which also involve Dr. Gottesman, the surgeon who harvests the organs to be sold to people who are in desperate need of them. The assistant’s suspicions are confirmed when Vogler tries to kill Beckett. Burke begins an escape from the penitentiary, pursued by the Sandman and hundreds of angry inmates who have been set free and armed with the knowledge that Burke is a cop. Burke and the Sandman have brutal showdown in which Burke tries to get the Sandman out of the way so he can go after Vogler, Keane, and Gottesman.

Contemporary high schooler Marty McFly (Michael J. Fox) doesn’t have the most pleasant of lives. Browbeaten by his principal at school, Marty must also endure the acrimonious relationship between his nerdy father (Crispin Glover) and his lovely mother (Lea Thompson), who in turn suffer the bullying of middle-aged jerk Biff (Thomas F. Wilson), Marty’s dad’s supervisor. The one balm in Marty’s life is his friendship with eccentric scientist Doc (Christopher Lloyd), who at present is working on a time machine. Accidentally zapped back into the 1950s, Marty inadvertently interferes with the budding romance of his now-teenaged parents. Our hero must now reunite his parents-to-be, lest he cease to exist in the 1980s. It won’t be easy, especially with the loutish Biff, now also a teenager, complicating matters. Beyond its dazzling special effects, the best element of Back to the Future is the performance of Michael J. Fox, who finds himself in the quagmire of surviving the white-bread 1950s with a hip 1980s mindset. Back to the Future cemented the box-office bankability of both Fox and the film’s director, Robert Zemeckis, who went on to helm two equally exhilarating sequels.