Bovie Movie

A raw, powerful story of two young men, a Wyoming ranch hand and a rodeo cowboy, who meet in the summer of 1963 sheepherding in the harsh, high grasslands of contemporary Wyoming and form an unorthodox yet life-long bond—by turns ecstatic, bitter and conflicted.

Right after taking out Ra’s Al Ghul’s plan and the mysterious disappearance of Dr. Jonathan Crane AKA Scarecrow, Batman continues his seemingly-endless effort to bring justice to Gotham’s crime and corrupt with the help of Lt. James Gordon and new appointed District Attorney Harvey Dent. But this time, The Dark Knight faces a rising psychopathic criminal called The Joker, who’s eerie grin makes him more dangerous than what he has yet to unleash. It becomes an agenda to both enemies that only one of them remains and are willing to break every part of what they believe in to stop the other.

This crowd-pleasing medieval adventure tale is very loosely inspired by Geoffrey Chaucer’s The Canterbury Tales and mixes the anachronistic elements of modern-day rock music and colloquialisms with a period setting and characters. Heath Ledger stars as William Thatcher, a low-born 14th century squire who, in a fit of inspired spontaneity, replaces his deceased employer as the competitor at a jousting competition. Jousting is a pastime only permitted to knights, who are of noble birth, but Thatcher wins and decides to continue his new pursuits. With the help of his two fellow squire friends Wat and Roland (Alan Tudyk and Mark Addy) and none other than the gambling-addicted Geoffrey Chaucer (Paul Bettany), Thatcher has soon adopted a false identity and is winning one joust after another on his way to a championship in London. His victories inspire the affection of a female fan, Jocelyn (Shannyn Sossamon), and the ire of a competitor, Count Adehmar (Rufus Sewell), but Thatcher’s ruse is threatened with exposure. A Knight’s Tale is the sophomore directorial effort of acclaimed screenwriter Brian Helgeland, who won an Oscar for his work on L.A. Confidential (1997) and debuted behind the camera with the troubled production of Payback (1999).

A free-spirited art student and a roguish poet find their addiction to each other taking a back seat to their taste for heroin in director Neil Armfield’s intensely personal tale of recreational drug use gone bad. When Candy (Abbie Cornish) and Dan (Heath Ledger) first fell in love, they both thought they had found all they ever needed in life. Despite financial hardships, the pair sustained themselves on the vibrant life force that burned blindingly bright as it promised an invincible future. Their intoxicating romance a blissful altered state of which heroin played only a minor role in the beginning, Candy and Dan soon decide to strengthen their bond by marrying and starting a family. Their manufactured Eden gradually becomes an uncontrollable inferno, however, as Candy’s parents slowly pull away due to the pain of witnessing their daughter’s slow slide into oblivion, and even chemistry professor Casper (Geoffrey Rush), who was at first complicit in their experimentation, admits that Candy and Dan’s blind devotion to the drug is now forever ingrained into their commitment to one and other. As the marriage deteriorates right along with Candy’s increasingly fragile mental state, Dan must make the difficult decision to either rescue her or pull away in hopes that the clarity of separation will finally empower her to break free of the addiction that binds her.

Decked out in powdered wig and pasty “dandy” makeup, Richard Chamberlain stars as legendary Venetian lover Giovanni Casanova (1725-1798) in this made-for-television biopic. The teleplay by George Macdonald Fraser (of “Flashman” fame) follows Casanova as his reputation for being catnip to women builds throughout the 18th century. His sexual exploits cost him several important social and professional posts, and eventually land him in a Venice prison on a morals charge. Casanova’s escape attempt provides a strong second act for this 3-hour effort, which also offers an amusing “con job” practiced by Casanova on a willing countess (Faye Dunaway). Frank Finlay co-stars as a nobleman who conducts a decades-long feud with our rakish hero. Filmed in Spain and Italy, Casanova debuted on March 1, 1987.

The true story of the kids who created modern skateboard culture is recreated in this drama. In the early ’70s, skateboards were seen as a fad of the 1960s that had all but died out, but in a rough-and-tumble Venice, CA, community known as “Dogtown,” that was about to change. Tony Alva (Victor Rasuk), Stacy Peralta (John Robinson), and Jay Adams (Emile Hirsch) were three guys who liked to surf the rugged beaches around Venice and hung out at the Zephyr Surf Shop, a store run by Skip Engblom (Heath Ledger) that stocked gear for adventurous surfers and skateboarders. With the advent of new urethane wheels that connected with concrete in a way old metal and rubber wheels could not, Tony, Stacy, and Jay began exploring ways to translate radical surf style to skateboarding, and the guys invented a new way to state inside the smooth, round surfaces of empty pools, employing vertical moves and edge flips that added a new and dramatic spin to skating. It didn’t take long for word to spread about the wild new style of the Z-Boys, and they quickly became local celebrities, and later nationwide skating stars, though sudden fame took its toll on these young men. The true story of Lords of Dogtown was previously the basis of the acclaimed documentary Dogtown and Z-Boys, directed by former Z-Boy Stacy Peralta, who like Tony Alva served as a consultant on this project.

Six incarnations of Bob Dylan: an actor, a folk singer, an electrified troubadour, Rimbaud, Billy the Kid, and Woody Guthrie. Put Dylan’s music behind their adventures, soliloquies, interviews, marriage, and infidelity. Recreate 1960s documentaries in black and white. Put each at a crossroads, the artist becoming someone else. Jack, the son of Ramblin’ Jack Elliott, finds Jesus; handsome Robbie falls in love then abandons Claire. Woody, a lad escaped from foster care, hobos the U.S. singing; Billy awakes in a valley threatened by a six-lane highway; Rimbaud talks. Jude, booed at Newport when he goes electric, fences with reporters, pundits, and fans. He won’t be classified.

Two men who have made a career out of spinning remarkable stories find themselves bringing them to life in this inventive fantasy inspired by the creators of some of the world’s best-loved fairy tales. Will Grimm (Matt Damon) and his brother Jake Grimm (Heath Ledger) earn their living by traveling from village to village and vanquishing strange supernatural beasts that have been menacing the populace. Or at least that’s what their clients think has been happening; as it happens, Will and Jake are confidence men who cleverly stage the ghostly attacks and then take payment for making the creatures they fabricated go away. One day, the brothers arrive in a town and offer to help its people drive away evil spirits, unaware that the community is bordered by a genuine enchanted forest, and that young girls in the village have been disappearing at a frightful rate. The Grimm Brothers must now learn how to deal with real magic, with the help of the lovely but fearless Angelika (Lena Headey). Directed by Terry Gilliam, The Brothers Grimm also stars Monica Bellucci, Peter Stormare, and Jonathan Pryce.