Bovie Movie

A professional collaboration between a popular lyricist and a washed-up musician takes a decidedly personal turn as the pair gradually finds their relationship developing into something much deeper in a romantic comedy directed by Marc Lawrence and starring Drew Barrymore and Hugh Grant. Alex Fletcher (Grant) may have been all the rage in the 1980s, but these days he’s lucky to get a gig playing at the local county fair. Just when it seems as if things couldn’t get any more bleak for the dejected has-been rocker, reigning pop diva Cora Corman (Haley Bennett) offers Alex the opportunity of a lifetime — write and record a duet to be sung with her and watch his career receive a much-needed boost as the nostalgia-crazed public laps it up. Little does Cora realize that not only has it been years since Alex has written a song, but he’s never actually written a single lyric. Now, if he hopes to make the comeback needed to save him from a life of complete and utter obscurity, Alex will have to craft a radio-friendly hit in a matter of mere days. Luckily for Alex, his quirky plant-keeper Sophie Fisher (Barrymore) has quite a way with words and may possess just the kind of songwriting talent needed to make such a hit happen. Unfortunately the beguiling Sophie is still reeling from a recent break-up with newly famous novelist Sloan Cates (Campbell Scott), and she isn’t quite sure if she’s ready for any kind of collaboration right now — romantic or otherwise. Despite Alex’s hesitation to commit and Sophie’s reluctance to collaborate, the pair quickly discovers that a little chemistry can go a long way in healing the wounds of the past and laying the foundation for a much-deserved future of happiness and success.

Based on Helen Fielding’s hugely popular novel, this romantic comedy follows Bridget (Renee Zellweger), a post-feminist, thirty-something British woman who has a penchant for alcoholic binges, smoking, and an inability to control her weight. While trying to keep these things in check and also deal with her job in publishing, she visits her parents for a Christmas party. They try to set her up with Mark (Colin Firth), the visiting son of one of their neighbors. Snubbed by Mark, she instead falls for her boss Daniel Hugh Grant), a dashing lothario who begins to send her suggestive e-mails that soon lead to a dinner date proposition. Daniel reveals that he and Mark attended college together, during which time Mark had an affair with his fianc?e. When Bridget finds Daniel cavorting with an American colleague, she decides to change her life with a new job as a TV presenter. At a dinner party, she bumps into Mark again, who expresses his affection for her; when Daniel claims he wants Bridget back, the two fight over who deserves her affections the most. Popular British performers Gemma Jones, Jim Broadbent, and Shirley Henderson appear in the supporting cast.

This acclaimed British comedy centers on the intermittent romance between a charming (if slightly bumbling) Englishman and a beautiful American woman, who seem to always run into each other at weddings. Indeed, it is at the first of the title’s four weddings that Charles (Hugh Grant) and Carrie (Andie McDowell) meet, enjoying a brief but fleeting connection. The spark is rekindled several months later, when they unexpectedly meet at another wedding. Unfortunately, however, Carrie has become engaged to another, a fact that complicates matters for them both. The story may seem simple, but the film is elevated by screenwriter Richard Curtis’ ear for witty dialogue and a colorful supporting cast. Director Mike Newell’s sympathetic attention to character keeps the proceedings believable, and prevents the film’s more serious moments from seeming mawkish. These elements, along with Grant’s star-making performance as Charles, helped the film achieve unexpected international success, including an Academy Award nomination for Best Picture.

Ten years before Jane Austen’s novel Sense and Sensibility was transformed into a lavish theatrical feature by director Ang Lee, the property was adapted as a rather less lavish but no less entertaining British TV miniseries. Irene Richard and Tracy Childs starred as Elinor and Marianne Dashwood, two attractive sisters from a prominent British family. When the Dashwoods go broke after the death of their father, the flighty Marianne and the more reserved (and, need we add, more intelligent) Elinor go on an exhaustive search for proper, and properly wealthy, husbands. Sense and Sensibility was served up in three 60-minute portions by the BBC.

Can a beautiful and internationally famous American actress find happiness with a frumpy British bookstore clerk? She can — at least for a while, it seems — in Notting Hill. William Thacker (played by Hugh Grant) is a bookseller at a shop in the Notting Hill district in West London, who shares a house with an eccentric Welsh friend, Spike (Rhys Ifans). One day, William is minding the store when in strolls Anna Scott (Julia Roberts), a lovely and well-known actress from the United States who is in London working on a film. She buys a book from William, and she is polite and charming in the way a famous actress would be with a star-struck sales clerk. Their relationship would logically end there, if William didn’t run out a few minutes later to buy some juice. While dashing back to the shop, he bumps into Anna on the street, spilling juice all over her blouse. Since he lives nearby, William politely offers to let her stop by his house to clean up; since William seems harmless enough, Anna agrees. When Anna has to stop back to pick up a bag she left at William’s house, they kiss — just in time for Spike to show up. A romance slowly blooms as his friends and family (not to mention the world at large) wonder out loud what he’s doing dating a movie star. Notting Hill reunites Hugh Grant with producer Duncan Kenworthy and screenwriter Richard Curtis, who previously worked together on the international hit Four Weddings And A Funeral.

London’s most frequently eligible bachelor gets some lessons in growing up from a maladroit 12-year-old boy in this third big-screen adaptation of a Nick Hornby novel, directed and co-written by siblings Chris and Paul Weitz of American Pie fame. About a Boy concerns the parallel coming-of-age stories of the thirtysomething Will (Hugh Grant), a layabout “serial nice guy” living a posh, carefree lifestyle off his deceased father’s fortune; and the preteen Marcus (Nicholas Hoult), a bright but awkward youth who’s tired of his mom Fiona’s (Toni Collette) depressed, boyfriend-less state. Their paths collide when Will, deciding that single mothers are the easiest romantic conquests on the dating scene, fabricates a two-year-old son and joins a group called S.P.A.T. (Single Parents Alone Together). Marcus is wise to Will’s scheme, however, and through some incessant pestering and blackmail, he contrives for Will to date Fiona. Though Will doesn’t hit it off immediately with either Marcus or his mother, he gradually begins to open up to the people around him — so much so that he attracts the attention of another attractive single mom (Rachel Weisz). A U.S./U.K. co-production of Robert DeNiro’s Tribeca Films and Tim Bevan and Eric Fellner’s Working Title (the company responsible for the Grant-related Four Weddings and a Funeral and Bridget Jones’s Diary), About a Boy was co-written by What’s Eating Gilbert Grape creator Peter Hedges.

A woman finds herself attempting to foil one office romance while debating if she should take a chance on another in this romantic comedy. Lucy Kelton (Sandra Bullock) is a top-flight attorney who has risen to the position of Chief Legal Counsel for one of New York’s leading commercial real estate firms, the Wade Corporation. However, Lucy’s job has one significant drawback — George Wade (Hugh Grant), the eccentric and remarkably self-centered head of the firm. George seems entirely incapable of making a decision without Lucy’s advice, whether it actually involves a legal matter or not, and while she’s fond of George, being at his beck and call 24 hours a day has brought her to the end of her rope. In a moment of anger, Lucy gives her two weeks notice, and George reluctantly accepts, under one condition — Lucy has to hire her own replacement. After extensive research, Lucy picks June Carter (Alicia Witt), a Harvard Law graduate determined to make a career for herself. Lucy soon begins to suspect, however, that June plans to hasten her rise up the corporate ladder by winning George’s hand, leaving Lucy to wonder if she should warn George about his beautiful but calculating new attorney — and whether she should tell George that she has finally realized she’s in love with him. Two Weeks Notice was written and directed by Marc Lawrence, who had previously scripted two other box-office hits for Sandra Bullock: Miss Congeniality and Forces of Nature.