Bovie Movie

Alain Moreau (Jean-Claude Van Damme) is a French cop whose colleagues make a startling discovery — a man named Mikhail, who was killed in a high-speed chase with police, looks exactly like him. Curious about the stranger with his face, Alain is told by his mother Chantal (Stephane Audran) that Mikhail was in fact his twin brother, whom her poor family was forced to give up at birth. Alain wants to know more about the brother he never knew, but the more he learns the more troubling the news becomes; it seems that Mikhail was involved with gangsters, corrupt FBI agents, and a gang of drug dealers. In order to avenge his brother’s death and get to the bottom of his sad story, Alain assumes Mikhail’s identity and travels to New York City, where to maintain his cover he takes up with Alex Minetti (Natasha Henstridge), Mikhail’s tough-as-nails girlfriend, before finding himself hip-deep in danger with Mikhail’s associates. Maximum Risk was the first American film from noted Hong Kong action director Ringo Lam, whose City on Fire has often been cited as a key inspiration for Reservoir Dogs.

An American ex-con gets caught up in a Parisian bank heist that goes wrong in this ultra-violent thriller. Zed (Eric Stoltz), a safe-cracking expert fresh out of prison, travels to France to participate in a robbery planned by his friend Eric (Jean-Hughes Anglade). But first, Zed decides to indulge in some relaxation with a gorgeous, kind-hearted prostitute by the name of Zoe (Julie Delpy). This idyll, however, is interrupted by Eric, who leads Zed and the other criminals on a long night of drinking, drugging, and debauchery. The next day, the thieves find themselves hung over and exhausted, and the plan soon goes disastrously wrong, turning into a hostage situation. Even worse for Zed, he discovers that the lovely Zoe also works as a teller at the bank, forcing him into a tricky moral dilemma. Writer and director Roger Avary, best known as the co-screenwriter of Pulp Fiction, creates a similar combination of black comedy, extreme violence, and hip attitude. Critics of Quentin Tarantino’s films raised similar objections to Avary’s reliance on bloody violence and a detached sensibility, while the film’s fans acclaimed its fast-paced action.