Bovie Movie

Denis Leary plays an unfortunate cat burglar, who is abandonded by his partner in the middle of a heist, and is forced to take an irritating Connecticut couple (Kevin Spacey, Judy Davis) hostage. He soon finds that he took more than he bargained for when the couple’s blackmailing son and despicable in-laws step into the picture. Before long they’re driving him nuts with their petty bickering and family problems. The only way for him to survive is to be their referee and resolve their differences, before he can be nabbed by the police.

This film is based on an innovative short film made for MTV about a guy living in a horrible downtown apartment filled with scores of mischievous, smart-alecky roaches. The story chronicles the adventures of Joe (Jerry O’Connell), a hapless rube from the rural Midwest who journeys to the wilds of New York City. Mugged repeatedly on his arrival, his luck seems to turn when he finds an affordable apartment in a very dubious neighborhood. Unfortunately, his landlord (Don Ho) is more interested in evicting or, if need be, murdering his tenants, so that the building can be turned into a (highly profitable) penitentiary. Joe finds the allies he needs in his apartment’s cockroaches, who sing and dance their way into his heart. This film should be of interest for fans of 1930s musicals; it makes reference to Busby Berkeley’s elaborate dance phantasmagorias and the odd water ballets of Esther Williams. Many of the scenes utilized real roaches who were “choreographed” via tiny filament harnesses and other devices. Animal rights activists will be pleased to note that no roaches were intentionally harmed during filming.

Radio legend and 3-D pioneer Arch Oboler brings his story, Alter Ego, to the screen in a low-budget yarn that benefits from a strong cast and direction. Joan Ellis (Phyllis Thaxter) hears a voice in her head (in flashbacks) shortly before she is to be married. She flees to another city and even takes up with another man to rid herself of the voice, but random words bring it back at unexpected moments. The voice ultimately tells her to kill her husband-to-be, and when a psychiatrist (Edmund Gwenn) determines on the eve of her execution that Joan is possessed by a split personality, a struggle ensues to see which one will survive. Oboler uses radio techniques and tense scripting to bring his thriller to visual life.