Bovie Movie

The third pairing of comic actors Richard Pryor and Gene Wilder was much less successful than their previous team-ups, Silver Streak(1976) and Stir Crazy (1980). Wilder plays Dave, the deaf proprietor of a newsstand and employer of blind gambler Wally (Pryor). When Wally’s bookie is shot and killed at the stand, Dave and Wally are arrested for the crime. Since the deaf Dave had his back turned and didn’t see the crime, while the blind Wally only heard it, the clues they have to offer the police are slim: Dave’s glimpse of a shapely leg and Wally’s whiff of a perfume called Shalimar. It turns out the dead man was in possession of a coin that he dropped into Dave’s tip box, which Wally is now carrying. The coin contains a valuable microchip sought by crime baron Sutherland (Anthony Zerbe), for whom hired killer Eve (Joan Severance) and her British partner Kirgo (Kevin Spacey) are working. Posing as lawyers, Eve and Kirgo spring Dave and Wally from jail, leading to a series of misadventures as the coin changes hands and the two sensory-challenged pals attempt to learn who has framed them and why.

Mary Elizabeth goes to bed alone one night, still a 21 year old virgin, and wakes up the next morning…pregnant. Possessed by the demon fetus growing within her womb, Mary Elizabeth obeys her homicidal cravings to kill…for the sake of her unborn spawn. Mary Elizabeth’s dark transformation, controlled by her unborn demon child, is driven by it’s dark cravings. Once the child is born there will be hell on earth. From this apparent immaculate conception comes edge of your seat terror.

The can’t-miss teaming of Mel Gibson and Goldie Hawn is squandered on a clumsy, illogical romantic melodrama. Running across her old boyfriend Gibson at a Wisconsin gas station, Hawn is astounded that he seems not to recognize her. How could she have known that Gibson was put into the Witness Relocation Program after testifying against a homicidal mob boss (say, don’t they usually alter your appearance when they put you in that program?) Curious over Gibson’s furtive behavior, Hawn unknowingly sets herself up as a target for the bad guys. The whole affairs culminates in an after-hours showdown at a zoo (a plot device vastly improved upon in the 1996 Arnold Schwarzenegger vehicle Eraser). While Bird on a Wire admittedly has its moments of enjoyment, most of the film is on a par with Gibson’s embarrassing, homophobic scene with a pair of epicine hairdressers. And whoever heard of the Chinatown section of Racine, Wisconsin?