Bovie Movie

Based on a novel by Dick King-Smith, author of The Sheep Pig (from which Babe was adapted), the touching and often spectacular The Water Horse: Legend of the Deep ingeniously presumes to explain the truth behind “Nessie,” i.e., the Loch Ness Monster. The story, told in present day to a couple of American tourists by a kindly gentleman (Brian Cox) in a pub, begins with a lonely boy, Angus (Alex Etel), pining for his father, who is serving in the Royal Navy during World War II. Angus, along with his sister (Priyanka Xi) and mother (Emily Watson), live on an estate that has been billeted by soldiers in the Scottish Highlands, near Loch Ness. The troop’s commander (David Morissey) has an eye for mom, suspicions about a mysterious handyman, Lewis (Ben Chaplin), who is also a war hero, and an absurd contention that the Highlands are the real frontline in the war against Germany.

Into this intriguing drama comes a completely different element, a fantastical creature of Celtic mythology that befriends Angus and is, in fact, the sea-beast who will eventually be known as the Loch Ness Monster. Trying to hide the dinosaur-like fellow, nicknamed Crusoe, Angus enlists Lewis to transfer it to the lake, where boy and serpent have extraordinary adventures together until human stupidity threatens Crusoe’s existence. A true family film, there is a lot for adults to like about the grownup story in The Water Horse. Meanwhile, the wistful relationship between Angus and Crusoe—each of whom helps the other move past obstacles toward their individual destinies—will leave children feeling both happy and melancholy in the best possible sense. Directed by Jay Russell (My Dog Skip), The Water Horse is the best of a mini-genre of films about or inspired by old Nessie.

This is the story of an isolated Alaskan town that is plunged into darkness for a month each year when the sun sinks below the horizon. As the last rays of light fade, the town is attacked by a bloodthirsty gang of vampires bent on an uninterrupted orgy of destruction. Only the small town’s husband-and-wife Sheriff team stand between the survivors and certain destruction.

A former drug-addict in her early thirties attempts to put her shady past to rest while paving the way for a brighter future in director Rowan Woods’ tale of love, trust, and redemption in modern-day Australia. Tracy Heart (Cate Blanchett) hasn’t lived her 32 years so much as she has simply survived them. Ravaged by the drug-addiction and determined to redeem herself in the eyes of her overworked single-mother Janelle (Noni Hazelhurst), Tracy makes a personal vow to open her own business and turn her life around before it’s too late and life has passed her by. Tracy’s plan is complicated, however, when three men from her past reappear with their own plans for the future. In addition to the troubling re-appearance of her ex-boyfriend Jonny (Dustin Nguyen), her criminal-minded brother Ray (Martin Henderson) seems hell-bent on making a name for himself in the underworld, and the emotional demands of troubled family friend and ex-football star Lionel Dawson (Hugo Weaving) have left the emotionally vulnerable Tracy shaken and confused. When Tracy’s modest dreams of a happy life catch the attention of feared criminal kingpin Bradley “The Jockey” Thompson (Sam Neill), she is forced to place her fragile trust in the hands of her skeptical mother and take one last trip into the past to confront her greatest fear.