Bovie Movie

Opening with a silent “movie” of Butch Cassidy’s Hole in the Wall Gang, George Roy Hill’s comically elegiac Western chronicles the mostly true tale of the outlaws’ last months. Witty pals Butch (Paul Newman) and Sundance (Robert Redford) join the Gang in successfully robbing yet another train with their trademark non-lethal style. After the pair rests at the home of Sundance’s schoolmarm girlfriend, Etta (Katharine Ross), the Gang robs the same train, but this time, the railroad boss has hired the best trackers in the business to foil the crime. After being tailed over rocks and a river gorge by guys that they can barely identify save for a white hat, Butch and Sundance decide that maybe it’s time to try their luck in Bolivia. Taking Etta with them, they live high on ill-gotten Bolivian gains, but Etta leaves after their white-hatted nemesis portentously arrives. Their luck running out, Butch and Sundance are soon holed up in a barn surrounded by scores of Bolivian soldiers who are waiting for the pair to make one last run for it.

Who do you send after a gang of stump-dumb crooks? Who else but the most intellectually-challenged police force in America, in the sixth installment of the Police Academy series. The Wilson Heights Gang, three thieves whose success as criminals is in inverse proportion to their outwardly-displayed intelligence and criminal talent, are managing to terrorize the city in spite of themselves. The increasingly feeble Commandant Lassard (George Gaynes) and his much-put-upon second-in-command Capt. Harris (G.W. Bailey) are instructed to bring the crooks to justice; of course, with the Police Academy regulars as their task force, that’s much easier said than done. Bubba Smith, Michael Winslow, Leslie Easterbrook, Marion Ramsey, and Bruce Mahler are on hand once again as the comical cops; Peter Bonerz, a former regular on The Bob Newhart Show, stepped in as director.

Disney’s The Little Mermaid was the first in a series of blockbusters that restored the venerable firm’s reputation as the world’s premiere animated-feature factory. The title character is a precocious teenager named Ariel, the daughter of Triton, king of the Sea. Against her dad’s wishes, Ariel journeys beyond her own world to the surface, where she falls in love with Prince Eric, a handsome human. Foolishly, the little mermaid enters into an agreement with evil sea witch Ursula in order to become human herself. The wistfully melancholy ending of the original Hans Christian Andersen story is dispensed with in favor of a joyously happy ending-but not before a spectacular climactic confrontation between Ursula and Triton. The obligatory Disney comic relief is handled by such freshly minted characters as Sebastian the Crab, who, courtesy of voiceover artist Samuel E. Wright, sings the film’s Oscar-winning “Under the Sea.” Other voices are provided by Broadway star Jodi Benson (as Ariel) and such Hollywood reliables as Buddy Hackett, Pat Carroll, Kenneth Mars, and Rene Auberjonois. The enormous box-office take of The Little Mermaid made possible such future Disney cartoon ventures as Beauty and the Beast, Aladdin, Pocahontas, and The Hunchback of Notre Dame.