Bovie Movie

An unremarkable administrative assistant finds her life going to the dogs both literally and figuratively in actor/screenwriter-turned-director Mike White’s dark comedy drama. An inexplicably cheerful office worker whose somewhat sad excuse for a life seems to revolve around her pet beagle Pencil, Peggy (Molly Shannon) seems to relate better to her four-legged friend than she does to most humans. Most of her person-to-person interaction revolves around doting on other people’s children and treating her co-workers to daily donuts, and Peggy just doesn’t find much solace in the company of her know-it-all sister-in-law Bret (Laura Dern) or her anxiety-prone boss Robin (Josh Pais). When Peggy’s dog Pencil is taken before his time, the devastated dog-lover is wracked with guilt. Now desperate to fill the gaping void that has suddenly opened in her life, Peggy agrees to a date with her gun-nut neighbor Al (John C. Reilly) that ends in disaster when she begins to suspect that the boorish brute may have in fact poisoned her ill-fated pooch. Later, after adopting every dog at the local pound and transforming herself into an overzealous animal-rights activist, the increasingly unhinged Peggy reaches out to asexual activist Newt (Peter Sarsgaard) in a last-grasp attempt at forming a human connection that is met with casual indifference.

Nicolas Cage and Laura Dern play a pair of lovers on the run in David Lynch’s surrealist road movie Wild at Heart. Cage’s Sailor Ripley is a violent ex-convict with an Elvis Presley fixation who falls in love with Dern’s Lula Pace Fortune, the daughter of a rich, but mentally unstable, Southern belle named Marietta (Diane Ladd, Dern’s real-life mother). Just after Sailor is released from prison, where he was jailed for brutally killing one of Marietta’s thugs, he and Lula take off on a wild cross-country trip, pursued by his parole officer, her mother, criminals, bounty hunters, and detectives. Along the way, Sailor and Lula have a lot of sex, share their pasts, share their respective obsessions for Elvis and The Wizard of Oz, and meet a lot of bizarre characters, including a seedy ex-marine (Willem Dafoe) who persuades Sailor to participate in a bank robbery.

Lonely Hearts is a modern film noir in which a lonely woman meets and falls for a man whom she refuses to let go. Alma (Beverly D’Angelo) is a wallflower who lives with her mother and works at a Social Security office. In her desperation to make some sort of social life for herself, she answers a personal ad and meets Frank (Eric Roberts) with whom she falls in love. Frank turns out to be a con man and a swindler, but Alma is obsessed with him. She begins to help him by posing as his sister while he cons other women, until she and Frank are forced to flee when one of the victims hires a private detective. Beverly D’Angelo plays Alma with the perfect mixture of both predator and victim and director Andrew Lane understands and directs his actors well, making Lonely Hearts a very well-thought-out and executed thriller despite a somewhat languid pacing.

The true story of one woman’s effort to keep her family afloat under difficult circumstances comes to the screen in this bittersweet comedy drama. Evelyn Ryan (Julianne Moore) was a woman of intelligence, talent, and pluck living in the small town of Defiance, OH, in the 1950s. Evelyn was married to Kelly Ryan (Woody Harrelson), a man who gave her ten children but not much else; Kelly had a severe drinking problem, struggled to hold on to a job, and tended to spend his money as soon as he earned it. It was seemingly up to Evelyn to support the family, but with ten kids to look after, taking a job outside the home hardly seemed practical. But the resourceful Evelyn discovered a way to bring some extra money into the household — at a time when a number of companies held contests to find new advertising jingles for their products, Evelyn had a genius for coming up with slogans and winning contests, and for the better part of a decade Evelyn kept food on the table and a roof over her head by dreaming up jingles, tag lines, and ad headlines and winning contests with her handiwork, often selling the merchandise she won to pay the bills. The Prize Winner of Defiance, Ohio was based on the best-selling memoir by Terry Ryan, who was the sixth of Evelyn Ryan’s ten kids.

Director Joe Johnston takes over the creative reins from Steven Spielberg for this third installment in the thriller franchise. Sam Neill returns as Dr. Alan Grant, a scientist who’s tricked by wealthy couple Paul and Amanda Kirby (William H. Macy and Tea Leoni) into a fly-over of Isla Sorna. The object of their sightseeing tour is one of the Costa Rican islands populated by ferocious, genetically bred dinosaurs and the “site B” setting of Jurassic Park 2: The Lost World (1997). After their plane crash-lands, it’s revealed that the Kirbys are actually seeking their teenage son, lost on the island after a paragliding accident. Trapped on Isla Sorna, Grant and his companions discover some painful truths the hard way. Among their discoveries: some of the scaly monsters possess more advanced communicative abilities than previously believed, the dreaded Tyrannosaurus Rex has a larger and more lethal competitor, and flying Pteranodons pose an even graver threat than some of their land-locked brethren. Jurassic Park III is the first in the series not to be based upon a novel by original author Michael Crichton.

Director David Lynch crafted this hallucinogenic mystery-thriller that probes beneath the cheerful surface of suburban America to discover sadomasochistic violence, corruption, drug abuse, crime and perversion. Kyle Maclachlan stars as Jeffrey Beaumont, a square-jawed young man who returns to his picture-perfect small town when his father suffers a stroke. Walking through a field near his home, Jeff discovers a severed human ear, which he immediately brings to the police. Their disinterest sparks Jeff’s curiosity, and he is soon drawn into a dangerous drama that’s being played out by a lounge singer, Dorothy Vallens (Isabella Rossellini) and the ether-addicted Frank Booth (Dennis Hopper). The sociopathic Booth has kidnapped Dorothy’s young son and is using the child as a bargaining chip to repeatedly beat, humiliate and rape Dorothy. Though he’s drawn to the virginal, wholesome Sandy Williams (Laura Dern), Jeff is also aroused by Dorothy and in trying to aid her, he discovers his dark side. As the film nears its conclusion, our hero learns that many more indivduals are tacitly involved with Frank, including a suave, lip-synching singer, Ben (Dean Stockwell), who is minding the kidnapped boy. Director Lynch explored many similar themes of the “disease” lying just under the surface of the small town, all-American fa?ade in his later television series Twin Peaks (1990-91).