Bovie Movie

Hostel director Eli Roth’s genre-friendly Raw Nerve film group makes its gore-soaked splash with director Tim Sullivan’s kitchy remake of Hershell Gordon Lewis’ southern-fried splatter-fest. A drunken group of hard partying college-kids are in for a Spring Break they’ll never forget when they take a tragic detour through the small southern town of Pleasant Valley. Greeted by the overzealous mayor (Robert Englund) and promised a wild time at the town’s annual barbecue celebration, the initially-hesitant teens soon agree to spend the night when the citizen’s down-home hospitality simply becomes too much to resist. But things are not what they seem in the timeless town of Pleasant Valley, and as the thrill seeking students begin to disappear one-by-one in the most gruesome of fashions, it soon becomes obvious that they are to be the main ingredient in Pleasant Valley’s most tasty tradition.

Forget terrorists or hijackers — there’s a handful of deadly assassins aboard a jet liner and they don’t even have arms or legs in this airborne thriller. Neville Flynn (Samuel L. Jackson) is an FBI agent handling what seems like a routine assignment — serving as bodyguard for Sean Jones (Nathan Phillips), a Hawaiian surfer dude who is flying to California to testify in a high-profile criminal trial after witnessing mobster Eddie Kim (Byron Lawson) murdering one of his underlings. However, Flynn’s job gets a lot more challenging when he discovers Kim’s associates don’t want Jones to talk, and have devised a unique way to ensure his silence. A cache of highly dangerous poisonous snakes has been hidden on board the jet, and is released using a timed mechanism once the flight is well underway. The snakes quickly attack several members of the flight crew and are eagerly eying the passengers when Flynn decides its time to get medieval on the reptiles. Also starring Rachel Blanchard, Benjamin McKenzie, and Mark Houghton, Snakes on a Plane was produced under the title of Pacific Air Flight 121, but in several interviews Samuel L. Jackson expressed his enthusiasm for the script’s original title, Snakes on a Plane, and the high-concept moniker quickly made the film’s title and theme a favorite with bloggers and on Internet fan sites all over the world.

A real-life series of killings that held Los Angeles, CA, in the grip of fear during the late ’70s provides the inspiration for this tense crime drama. Kenneth Bianchi (C. Thomas Howell) is a nebbishy security guard who lives with his mother in Rochester, NY, and dreams of becoming a police officer. After Bianchi’s application to join the Rochester police is turned town, he takes his mother’s advice and moves out to Glendale, CA, where she arranges for him to stay with his cousin, Angelo Buono (Nicholas Turturro), who works in auto repair. When he’s unable to get a position with the Glendale Police Department, Bianchi steps outside the law and, claiming to have a degree in psychology and a license to practice, sets up shop as a counselor. While Bianchi never had much luck with women in Rochester, Buono gives him some advice and sets him up on a few dates; soon Bianchi has a string of girlfriends, though things become complicated when one of his steady girls, Claire Shelton (Allison Lange), becomes pregnant and moves in with him. As Bianchi becomes increasingly obsessed with sex, he and his cousin join forces to set up a prostitution ring, which quickly earns them the enmity of a group of career criminals. When Bianchi and Buono discover that they have been double crossed by one of the hookers in their stable, the two men rape and murder the woman in the back of a car; Bianchi discovers he enjoys the thrill of killing, and soon he and Buono begin committing a string of sexually tinged murders throughout the Los Angeles area, with the press soon dubbing the culprit “The Hillside Strangler.” The Hillside Strangler was one of two identically titled films based on the same true story that were released in 2004; the other was directed by Chris Fisher and starred Clifton Collins Jr. and Tomas Arana as Bianchi and Buono.

Some folks say that “what happens in Vegas stays in Vegas,” and for five pals on a trip to Sin City to give their best friend one last taste of the wild life before settling down, they better hope that the old adage holds true. Anything can happen in Las Vegas on any given day; give a group of wild young men an entire weekend, and the possibilities are overwhelming. Bachelor Party, Vegas stars Kal Penn (Harold and Kumar Go to White Castle), Vincent Pastore (The Sopranos), Jaime Pressly (My Name Is Earl), and Donald Faison (Scrubs).

Adapted by Lillian Hellman from Sidney Kingsley’s Broadway play, Dead End concerns itself with several denizens of New York’s East River district. Here the elite and the slum-dwellers rub shoulders due to the close proximity of the riverfront tenements with the East Side luxury hotels. Slum girl Drina Gordon (Sylvia Sidney) tries to prevent her younger brother Tommy (Billy Halop) from wasting his life as a member of the local street gang. Tommy and the other kids idolize Baby Face Martin (Humphrey Bogart), a onetime East- sider who has hit the “big time” as a notorious gangster. Dodging the cops, Martin makes a sentimental journey to the neighborhood to visit his mother (Marjorie Main) and his old girlfriend Francie (Clare Trevor). But Martin’s mother coldly tells him to get lost, while Francie reveals herself to be a consumptive prostitute. Despite his depressed state, Martin is still admired by the local kids; this displeases sign painter Dave Connell (Joel McCrea), who hopes to escape the slums via his romance with wealthy Kay Burton (Wendy Barrie). Attempting to kidnap a rich boy who’d earlier been beaten up by the street kids, Martin is prevented from making the snatch by Dave, who shoots Martin down. Receiving a large reward, Dave decides to give the money to Drina so that she can afford a lawyer to defend her brother Tommy, who has wrongfully been accused of masterminding the beating of the rich kid. His outlook on life altered by this unselfish act, Dave gives up his mercenary romance with Kay Burton, choosing instead the poverty-stricken Drina. The film introduces the Dead End Kids–Billy Halop, Leo Gorcey, Gabe Dell, Huntz Hall, Bernard Punsley and Bobby Jordan–all of whom were veterans of the Broadway version of Dead End and would be metamorphosed into the East Side Kids and The Bowery Boys.

Two guys looking for a respite from their bumpy romantic lives find themselves in the midst of a very confusing situation in this broad comedy. Jerry (Cuba Gooding Jr.) is a guy who thinks he’s found the love of his life in Felicia (Vivica A. Fox), his beautiful longtime girlfriend. Jerry decides to propose to Felicia, and arranges for a hot-air balloon ride in order to create the ideal setting to pop the question. However, Felicia not only turns him down, she announces that she’s leaving him for another man. Jerry sinks into a deep depression, until his best friend Nick (Horatio Sanz), who has been having his own romantic problems, suggests they take a vacation cruise on an ocean liner, forgetting their troubles while they make time with bikini-clad babes. Jerry is game, but after an angry misunderstanding with a travel agent, Nick and Jerry discover they’ve been booked on a tour specifically for gay men. Jerry and Nick are forced to pose as lovers to ward off the indefatigable advances of aging playboy Lloyd (Roger Moore), which cramps their style when the ship’s captain rescues a boatload of buxom Swedish swimsuit models. Jerry’s spirits rise when he meets Gabriella (Roselyn Sanchez), a beautiful dancer who is part of the ship’s entertainment staff. Jerry, however, now has to walk a fine line between maintaining his cover and convincing Gabriella that despite outward appearances, he’s not gay. Boat Trip was the first feature film from director Mort Nathan, best known for his work as a writer for television.

In the ’70s, Roy Munsen (Woody Harrelson) was a bowling phenomenon. He was none too sharp about picking friends, though, and the champion he had to beat, “Big Ern,” takes him under his supposedly friendly wing. Big Ern (Bill Murray) shows him the high-living lifestyle, and induces him to go on the road with him, hustling small-town bowlers. A couple of the men he bilks take exception to the scam, and show their displeasure with Roy by mangling his hand. Twenty years later, Roy (who now has a hook in place of his hand), earns his living as a salesman. On a visit to a bowling alley, he cannot help but notice the incredible talents of an Amish boy, Ishmael (Randy Quaid). Bowling is not part of the Amish lifestyle, but Ishmael occasionally sneaks into the bowling alley and plays a frame or two. Roy takes Ishmael under his wing, and together they begin a quest for bowling success. This comedy is directed by Peter and Robert Farrelly, who also directed Dumb and Dumber. Like those comedies, it contains a lot of gross-out jokes and bathroom humor.

The Farrelly Brothers set this romantic comedy in their home state of Rhode Island. In 1985, when teen-nerd Ted Stroehmann (Ben Stiller) challenges a high-schooler who’s bullying retarded Warren Jenson (W. Earl Brown), his concern prompts Warren’s sister, the dazzling and desirable Mary Jenson (Cameron Diaz) to choose Ted as her senior prom date, a fact Ted’s pals find hard to believe. However, on prom night, Ted gets his penis caught in his zipper, so the much-desired date never happens. Living in Providence and waxing nostalgic 13 years later, Ted hires Pat Healy (Matt Dillon) to locate Mary, and the creepy private investigator finds her in Miami, where she lives with her tan-shriveled roommate Magda (Lin Shaye). After Pat develops a stalker-style fixation on the lovely, unattached Mary, he lies to Ted, telling him that she’s now an overweight mother confined to a wheelchair. Employing professional eavesdropping equipment, Pat gathers a dossier on Mary’s life and future plans, information that forms the basis for more lies when Pat begins dating her. Sure enough, Mary falls for Pat, although her friend Tucker (Lee Evans) is very suspicious of Pat’s claim to be a Harvard-educated architect. Meanwhile, Ted learns the truth but continues to encounter offbeat obstacles as he accelerates to Miami in hopes of finding happiness with his true love. Former Modern Lovers singer Jonathan Richman vocalizes a narrative ballad of onscreen commentary in the Cat Ballou (1965) tradition. Most of the cast sings and frolics to Build Me Up, Buttercup by The Foundations during the closing credits.

Cute but geeky high-school student Samantha Martin (Hilary Duff) is knocked off her feet by her father’s untimely death, which leaves his diner and Samantha’s well-being in the care of Fiona (Jennifer Coolidge), Sam’s thoroughly wicked stepmother. Not one to take on such menial tasks as dishwashing and mopping floors, Fiona exploits Sam’s dependence as a method of hoisting any dirty work off her own shoulders. School is hardly a break for Samantha, particularly when Shelby (Julie Gonzalo) is around; spoiled, wealthy, and popular, Shelby treats Samantha nearly as badly as Fiona does. Samantha’s life is irrevocably changed, however, by two events: a makeover of epic proportions and a sudden electronic correspondence with a mysterious young man. Due to a misplaced cell phone and a series of fateful coincidences, Samantha and her Prince Charming develop a romance through text messages and e-mails, and ultimately promise to meet face-to-face at the biggest school dance of the year. Of course, getting there doesn’t go smoothly, and Samantha may miss her chance to meet her dream date — none other than Austin (Chad Michael Murray), the most popular boy in school.