Bovie Movie

Directed by Martyn Burke, Avenging Angelo centers around the life of bodyguard Frank (Sylvester Stallone) and his client, neurotic socialite Jennifer (Madeleine Stowe). Frank must constantly fight his emotions in order to maintain a strictly professional relationship with Jennifer, who has recently broken if off with her unfaithful husband. Matters are complicated further when Frank accidentally leads the sworn enemies of Jennifer’s father, Mafia bigwig Angelo (Anthony Quinn), to her doorstep. Things are looking up for Jennifer, or so she thinks, when she meets Marcello (Raoul Bova), whom she believes to be a novelist. Unfortunately, Marcello is not what he claimed to be, and she finds herself in danger once more. With Frank by her side, she takes on the mob, and eventually, her feelings. Avenging Angelo was the late Anthony Quinn’s final role.

An intense film about time travel, this sci-fi entry was directed by Terry Gilliam, a member of the comedy troupe Monty Python. The film stars Bruce Willis as James Cole, a prisoner of the state in the year 2035 who can earn parole if he agrees to travel back in time and thwart a devastating plague. The virus has wiped out most of the Earth’s population and the remainder live underground because the air is poisonous. Returning to the year 1990, six years before the start of the plague, Cole is soon imprisoned in a psychiatric facility because his warnings sound like mad ravings. There he meets a scientist named Dr. Kathryn Railly (Madeleine Stowe) and Jeffrey Goines (Brad Pitt), the mad son of an eminent virologist (Christopher Plummer). Cole is returned by the authorities to the year 2035, and finally ends up at his intended destination in 1996. He kidnaps Dr. Railly in order to enlist her help in his quest. Cole discovers graffiti by an apparent animal rights group called the Army of the Twelve Monkeys, but as he delves into the mystery, he hears voices, loses his bearings, and doubts his own sanity. He must figure out if Goines, who seems to be a raving lunatic, holds the key to the puzzle.

In Blink, a woman regaining her eyesight after a double cornea transplant operation glimpses the killer of her upstairs neighbor and then must fight for her life as the killer stalks her. Emma Brody (Madeline Stowe), a musician in an Irish folk-rock band was blinded as a result of childhood abuse by her mother. Her doctor, Ryan Pierce (Peter Friedman) performs an operation to restore her vision, but soon Emma is suffering from retroactive hallucinations in which she sees things that have happened hours, or even days, before. As she was the only witness to the murder, her credibility soon comes into question, but she is believed by Detective Hallstrom (Aidan Quinn) who has been tracking what he believes to be a serial killer. Hallstrom also believes that Emma may hold the key to the murderer’s motives.

Director Michael Mann based this lushly romantic version of the James Fenimore Cooper novel more on his memory of the 1936 film version (starring Randolph Scott) than on Cooper’s novel (in fact, Philip Dunne’s 1936 screenplay is cited as source material for this film). Set in the 1750s during the French and Indian War, the story concerns Hawkeye (Daniel Day-Lewis), the European-born adopted son of Mohican scout Chingachgook (Russell Means). Hawkeye and his party, which also includes the Mohican Uncas (Eric Schweig), joins up with a group of Britons who have recently arrived in the Colonies. The group consists of Cora Munro (Madeleine Stowe) and her younger sister, Alice (Jodhi May), who are rescued from a Huron war party by Hawkeye. Hawkeye’s band accompanies them to the British Fort William Henry, which is being besieged by a French and Huron force. The fort falls to the French, and Colonel Munro (Maurice Roeves) surrenders to French General Montcalm (Patrice Chéreau). The terms of the surrender are that the British merely abandon the fort and return to their homes. However, the French’s bloodthirsty ally, the Huron warrior Magua (Wes Studi), has made no such agreement, and, as the British retreat from the fort, he plans to massacre them in a terrible Huron attack.

Randall Wallace directs Mel Gibson in the Vietnam War drama We Were Soldiers, which comes to DVD with a widescreen anamorphic transfer that preserves the original theatrical aspect ratio of 2.35:1. Closed-captioned English soundtracks are rendered in both DD-EX 5.1 and Dolby Digital Surround, while a French soundtrack has also been recorded in Dolby Digital Surround. English subtitles are accessible. Supplemental materials include a commentary track recorded by the director, ten deleted scenes with director commentary, and a making-of featurette. This is a strong disc from Paramount.