Bovie Movie

If you know the Clement Clark Moore poem, you’ll know that Prancer is one of Santa Claus’ “eight tiny reindeer.” When 9-year-old Rebecca Harrell, who still believes in Santa despite the remonstrations of her parents and the taunts of her peers, stumbles across the selfsame Prancer in a remote part of the forest, no one will believe the girl. Later on, Harrell’s no-nonsense father Sam Elliot comes across a wounded reindeer, he feels it his duty to put the suffering animal out of his misery. The deer, of course, is Prancer, and it magically vanishes before Elliot’s startled eyes. Harrell nurses the deer back to health in secret, with the help of kindly doctor Abe Vigoda and her troublesome older brother John Joseph Duda. Harrell is determined to contact Santa and let him know where Prancer is, but her efforts only result in public humiliation for her father. But this is a Christmas film, and the spirit of goodwill is contagious by fadeout time, even transforming town-recluse Cloris Leachman into a warm-hearted social animal. Filmed in Indiana, Prancer isn’t quite a classic, but it’s perfect midwinter videocassette entertainment.

One woman’s rocky road to the altar gets played for laughs in this comedy, adapted from the one-woman off-Broadway show written by and starring Nia Vardalos. Toula (Vardalos) is a Greek-American woman who is in her early thirties and single, with no immediate prospects of changing that status any time soon. This bothers Toula a bit, but not half as much as it distresses her mother (Lainie Kazan) and father (Michael Constantine), who want to send her to Greece in hopes of finding a husband in the old country. Toula isn’t interested in leaving the country to find a man, but since she works in the family business — a Greek restaurant in Chicago called Dancing Zorba’s — she has to hear about it whether she likes it or not. One day, after seeing a handsome stranger in the restaurant and not having the courage to talk to him, Toula decides she needs a bit of self-improvement. Despite her dad’s misgivings, Toula signs up for a night-school class studying computers, trades in her glasses for contact lenses, gets a different job at a travel agency, and spruces herself up with a new look and a new attitude. To her very pleasant surprise, she once again encounters the handsome stranger, who soon asks her out on a date. Schoolteacher Ian Miller (John Corbett) is seemingly perfect — he’s tall, handsome, smart, good-natured, and soon in love with Toula — except for two little things: he’s not Greek, and he’s a vegetarian, both of which horrify Toula’s family. When Ian pops the question (and Toula says yes), the bride-to-be has to negotiate a reasonably peaceful meeting between Ian’s upper-class parents and her own working-class extended family. There’s also the matter of the wedding, which Toula’s mother is planning around the notion that quantity IS quality. My Big Fat Greek Wedding also features Ian Gomez (Vardalos’ real-life husband), Louis Mandylor, Andrea Martin, and Joey Fatone (from the pop group *NSYNC). Tom Hanks and Rita Wilson helped produce the film through the auspices of their production company, Playtone.