Bovie Movie

Laura Prepon and Misha Collins star as the murderous pair whose deplorable crimes sent shock waves of terror rippling across Canada in director Joel Bender’s unflinching look at the crimes of Paul Bernardo and Karla Homolka. On the surface Bernardo (Collins) and Homolka (Prepon) were your average everyday Canadian couple; they had a nice house in the suburbs, a dog, lots of friends, and a bright future ahead of them. As Paul is singled out as the prime suspect in a series of particularly vicious rapes and Karla’s sister dies under mysterious circumstances, however, a horrifying truth begins to emerge that will lead the pair down a particularly dark path. Could it be that the manipulative murderer used fear and intimidation to keep his wife silent about the reprehensible atrocities he so casually committed without guilt or remorse, or was Karla Homolka in fact an equal partner who simply used her sociopathic power of manipulation to convince authorities that she truly believed she was in mortal danger all along?

Secret Agent 007 must stop a megalomaniacal technology mogul from destroying Silicon Valley in this unexceptional entry in the James Bond series. Computer baron Max Zorin (Christopher Walken) is planning to trigger a major California earthquake in order to wipe out his competitors. Bond is assigned to stop him, but first he must do battle with Zorin’s statuesque partner in crime, May Day (Grace Jones). The expected high-wire confrontations ensue, as Bond battles the villains at international landmarks like the Eiffel Tower and takes the occasional break to romance an attractive geologist. Unfortunately, nothing fresh is brought to the familiar formula, and even the well-staged action sequences prove less than exciting. Indeed, this otherwise by-the-numbers production is most notable for the fact that it marked the final appearance of Roger Moore as the dashing Bond.

A well-regarded spec script by A-list screenwriter David Koepp became this stylish thriller from director David Fincher. Jodie Foster stars as Meg Altman, a single mother of an diabetic preteen daughter, Sarah (Kristen Stewart). Meg’s going through an unhappy divorce that forces her and Sarah to move into a new home. They choose a deluxe New York brownstone that coincidentally boasts an unusual feature: a “panic room,” a vault-like hidden space capable of literally sealing itself off from the rest of the building. With its thick steel door on springs, separate ventilation and communications systems, and video monitors linked to cameras mounted throughout the home, the room is an impregnable fortress. It quickly comes in handy when the Altmans’ new residence is invaded by a trio of thieves: Junior (Jared Leto), Burnham (Forest Whitaker), and Raoul (Dwight Yoakam). Meg and Sarah are able to secure themselves in the panic room before the robbers can get to them, but it turns out that Sarah’s medication is still on the outside, the phone’s not yet connected, and the loot the gang’s seeking is inside the panic room with them. A cat-and-mouse battle of wits ensues, with Meg trying to outwit their captors over the course of one very long night, as her daughter’s health dissipates. Panic Room (2002) co-stars Ann Magnuson, Patrick Bauchau, and Koepp’s fellow screenwriter, Andrew Kevin Walker, in a cameo role.