Bovie Movie

Viewers familiar with the 1996 Mel Gibson blockbuster Ransom may be disappointed that there are no smirking villains, car chases, or bloody fistfights in the original 1956 version of the same story. Even so, the earlier Ransom! has much to offer on a purely dramatic level. Based on the Richard Maibaum-Cyril Hume TV play Fearful Decision, the film stars Glenn Ford as self-made industrialist David Stannard. When his son is kidnapped and held for 500,000 dollars ransom, Stannard at first sets about to cooperate with the abductors and to raise the necessary funds. Somewhere along the line, however, Stannard’s outrage erupts and boils over. Buying air time on a local TV station, he pulls out the half-million dollars, then informs the kidnappers that they’ll never get their hands on a single penny. He further threatens to use the money as a reward for the kidnappers’ capture, dead or alive, should any harm befall his son. Despite the protests of his wife, Edith (Donna Reed), and the admonishments of his friends, family, business associates and even the police, Stannard sticks fast to his decision…but will he live to regret it? The boy’s abductors are never seen in Ransom!; instead, the film concentrates on the multitude of ramifications (including a few political ones) stemming from David Stannard’s bold stance. As such, the 1956 Ransom! is in its own way as tense and exciting as the more elaborate 1996 remake.

An ex-cop trying to stay away from trouble finds it literally crashing into his backyard in this crime thriller. Dave Robicheaux (Alec Baldwin) is a former New Orleans police detective who, after kicking an addiction to alcohol and confronting some serious problems with his partners, has left law enforcement behind to run a bait shop in a small Louisiana bayou town. One day, Dave and his wife Annie (Kelly Lynch) see a small plane plummet from the sky and crash into the swamp; the pilot dies, but Dave is able to rescue a young Hispanic girl from the wreckage. Dave and Annie take the child in, but as they try to find out more about the plane crash and who the little girl might be, they discover that she’s actually an illegal alien from Salvador and that the pilot was involved with a local drug ring. Dave, constitutionally unable to let a mystery go unsolved, begins asking enough questions and making enough trouble that he finds himself on the bad side of his old High School friend Bubba Rocque (Eric Roberts). Bubba is a local crime boss who controls the area’s drug traffic, keeps a boxing ring in his front yard, and has a wife Claudette (Teri Hatcher) who enjoys greeting her guests naked. Dave’s inquiries eventually become too much for Bubba and his henchmen, and in the midst of a violent raid on their home, Annie is killed. Dave becomes obsessed with bringing Bubba and his men to justice and gets some unexpected help from Robin Gaddis (Mary Stuart Masterson), an exotic dancer with a heart of gold. While it was originally scheduled for release in 1994, Heaven’s Prisoners didn’t arrive on theater screens until two years later, by which time Teri Hatcher had risen to stardom on the TV series Lois and Clark: The New Adventures of Superman.

A filmmaker tries to sort out the scattered emotional baggage of his love life in Entropy. Jake Walsh (Stephen Dorff) is a film director who attends a fashion show with some friends and meets a French model named Stella (Judith Godreche). The attraction between the two is immediate, and after a brief courtship they’re living together. However, between his career in film and her career as a model, they don’t spend as much time together as they’d like, and they begin to drift apart; when Stella one day announces she’s pregnant, Jake displays no particular enthusiasm for the idea of raising a child, and Stella ends up having an abortion. Eventually, the two break up and Jake finds himself married to a woman he barely knows, not quite sure what happened. As he muddles through his romantic problems, Jake also has to deal with the often puzzling hierarchy and the bizarre office politics of Hollywood. A rare independent effort from Phil Joanou, who previously directed State of Grace, Final Analysis and a wealth of popular music videos, Entropy was the opening night attraction at the 1999 Los Angeles Independent Film Festival.

In Final Analysis, Richard Gere stars as Isaac Barr, a San Francisco psychiatrist whose alluring patient Diana Baylor (Uma Thurman) is being treated for traumatic memories. In order to find out more about her trauma, Diana suggests that Isaac speak to her sister and question her about what went on between them in the past. But when Isaac sets eyes on Diana’s sister Heather (Kim Basinger), they become involved in a torrid and steamy sex affair. Unfortunately, Heather is married to psychotic sadist Jimmy Evans (Eric Roberts).

Detroit cop Axel Foley (Eddie Murphy) has seemingly smoothed out his differences with his Beverly Hills superior Bogomil (Ronny Cox), but there’s trouble ahead for both men, not to mention two other holdovers from the first Cop film, officers Rosewood (Judge Reinhold) and Taggart (John Ashton). The “untouchable” heavy this time out is masterminding a series of violent robberies, committed by leather-freak hoods Dean Stockwell and Brigitte Nielsen. Unaccumstomed to this nastiness, Bogomil entreats street-smart Foley to help find the miscreants. But mean-spirited chief of police Lutz (Allen Garfield) will brook no interference from outsiders-especially the profanely insouciant Mr. Foley.

Based on the best-selling novel by James Ellroy, this award-winning crime drama explores both the dark side of the Los Angeles police force and Southern California’s criminal underbelly in the early ’50s, when Hollywood was still seen as America’s capital of sophistication, glitter, and glamour. Dudley Smith (James Cromwell) is the head of the LAPD and is loyal to his officers and eager to turn a blind eye to violence or corruption within his department, as long as it’s the “bad guys” who are getting hurt. Bud White (Russell Crowe) is a police detective whose violent and cynical nature is often at war with his basic sense of decency and justice. Ed Exley (Guy Pearce) is a beat cop-turned-detective whose strict by-the-book philosophy and willingness to blow the whistle on other officers is balanced by a shrewd and opportunistic understanding of the internal politics of the department. And Jack Vincennes (Kevin Spacey) is a flashy “Hollywood” detective who serves as technical advisor for the TV series Badge of Honor. He is also in cahoots with Sid Hudgeons (Danny DeVito), publisher of the scandal sheet Hush Hush, who throws kickbacks to Vincennes in exchange for being brought along when showbiz figures get busted. White, Exley, and Vincennes find themselves drawn into a tangled and sticky web of violence and betrayal following a multiple murder at a coffee shop that is believed to be part of an effort by Mickey Cohen (Paul Guilfoyle) to consolidate his hold on organized crime in L.A. This lead appears to be connected to the discovery of a bizarre pornography and call-girl ring operated by Pierce Patchett (David Strathairn), whose women are given plastic surgery so that they more closely resemble well-known movie stars. White’s role in the investigation is complicated when he falls for Lynn Bracken (Kim Basinger), one of Patchett’s prostitutes, who is the spitting image of Veronica Lake. L.A. Confidential was nominated for nine Academy Awards and won two, with Curtis Hanson (who directed) and Brian Helgeland honored for Best Adapted Screenplay and Kim Basinger taking home a statuette as Best Supporting Actress.

Based on Carl Hiaasen’s satirical novel, Striptease tells the story of Erin (Demi Moore), who has just gotten a divorce from Darrell (Robert Patrick), the sleazy ex-con she foolishly married. However, the judge’s memories of Darrell’s days as a football hero win him custody of their daughter, and Erin, concerned for her child’s safety, is determined to fight the decision. Erin has just lost her position as a secretary for the FBI, so, to cover her legal bills, she takes a job as an exotic dancer at a strip club called the Eager Beaver. While she has no experience taking off her clothes in front of an audience, Erin soon makes friends with the fellow dancers and finds a protector in the club’s burly but good-hearted bouncer, Shad (Ving Rhames). She also makes a few fans among the regulars at the club, most notably David Dillbeck (Burt Reynolds), a drunken lout with a bottomless appetite for sleaze — who also happens to be a conservative congressman with ties to right-wing religious groups. One of Erin’s admirers snaps a photo of her with the congressman when a brawl breaks out at the club, and he suggests that it would make fine blackmail material. However, when the man with the photo turns up dead, Erin discovers that Dillbeck’s people play a bit rougher than she expected. The home video version of Striptease contains two minutes of footage that was clipped from the theatrical release in order to win the film an R rating.

In this action drama, Harrison Ford plays James Marshall, a onetime combat hero in the Vietnam War who is now President of the United States. While visiting the former Soviet Union, Marshall gives a speech in which he supports a get-tough attitude against both terrorists and a right-wing general and war criminal from Kazakhstan imprisoned in Moscow, earning him few friends in the Eastern Bloc. While flying back to the United States aboard Air Force One, Marshall and his staff discover that one of the journalists returning with them is actually Ivan Korshunov (Gary Oldman), a Kazakhstani terrorist, who hijacks the plane with three associates and holds the president hostage — with his wife and daughter on board. Marshall must use his strength and intelligence to keep the terrorists at bay and devise a plan to allow his family to escape to safety, while on the ground the vice-president (Glenn Close), the secretary of defense (Dean Stockwell), and the attorney general (Philip Baker Hall) grapple over what to do and how much control to take in this crisis. Slam-bang action sequences and plot twists fly fast and furious in this nail-biter from director Wolfgang Petersen, who previously generated suspense under water (rather than in the air) with Das Boot.