Bovie Movie

Filmed on location in Montreal and New York, The Bone Collector is a suspense thriller that combines Rear Window and Seven. Two cops on the trail of a brutal serial killer must see as one, act as one, and think as one before the next victim falls. Lincoln Rhyme (Denzel Washington) is an intelligent forensics detective who was paralyzed in the line of duty. The author of several books, he has a keen eye for detail and nose for clues that have made him a legend in the law enforcement community. Amelia Donaghy (Angelina Jolie) is a street-smart policewoman in her twenties. On her last day as a street cop, before being transferred to a desk job, Amelia discovers a badly mutilated corpse. Rhyme is asked to investigate the case, but he declines. To him, it is an open-and-shut case not worth his time. But when he takes a close look at the evidence, he is intrigued, as the photos reveal complex messages in their details. The lunatic, who might be a taxi driver (a Scorsese allusion), amuses himself by paying homage to legendary murders in his own gruesome acts. Amelia is assigned to assist Rhyme, and she must be the eyes and ears of the quadriplegic detective. And they must capture the killer before he strikes again. Written by Jeremy Iacone and based on a book of the same title by Jeffrey Deaver, The Bone Collector was directed by the Australian thriller specialist Phillip Noyce, who directed such films as Clear and Present Danger and Dead Calm.

Manny (Ray Romano), Sid (John Leguizamo), and Diego (Denis Leary) may have made it through the big freeze, but when the ice begins to melt, the heroic trio must warn the other inhabitants of their peaceful valley of the coming flood in directors Chris Wedge and Carlos Saldanha’s sequel to the computer-animated 2002 hit Ice Age. As the ice age winds to an end, the animals of the Earth have taken warmly to the melting paradise that surrounds them. Despite the false comfort of a lush valley teeming with vegetation, however, great danger looms just over the horizon. When Manny, Sid, and Diego realize that the miles of liquefying ice overlooking their valley will soon turn from a gentle trickle to a violent force of nature capable of destroying anything and everything unfortunate enough to be in its path, they quickly set out to spread the word and get their endangered friends out of harm’s way.

Adam Shankman’s adaptation of the stage musical Hairspray, itself an adaptation of the non-musical John Waters film of the same name, stars Nikki Blonsky as Tracy Turnblad, an overweight high-school student whose only dream is to be on a local Baltimore teen dance program. While her father (Christopher Walken) tells her to follow her dreams, her mother Edna (John Travolta in drag) reminds her that she doesn’t look like the girls on that show. After impressing the show’s host (James Marsden), Tracy earns a coveted spot on the program, but when she becomes a popular addition to the cast, she earns the wrath of the prettiest girl in school — a girl whose mother (Michelle Pfeiffer) just happens to operate the local television station. Tracy’s visit to detention hall opens her eyes to the racial tension on the show, as does the budding relationship between her best friend (Amanda Bynes) and an African-American boy named Seaweed (Elijah Kelley). Thus empowered, Tracy attempts to integrate the races on her favorite program.

A man looking for a woman just like himself ends up with someone quite different in this farcical comedy. Peter Sanderson (Steve Martin) is a lawyer who is having trouble getting his life back on track after his wife, Kate (Jean Smart), divorces him; he’s also adjusting to his new status as a single father. Looking for companionship, Peter tries an internet dating site and virtually meets “lawyer-girl,” an attractive and single fellow attorney. Peter makes a date with her, but the woman who arrives at his door turns out to be Charlene Morton (Queen Latifah), who not only isn’t a lawyer, she turns out to be an escaped convict. Charlene is also a brash and brassy African-American, while Peter is perhaps the most tightly wound white guy in L.A. Charlene explains to Peter that she’s strung him along because she’s innocent of the crime for which she was convicted, and she needs a top-notch attorney to help prove her case. Peter isn’t the least bit interested at first, but Charlene isn’t the sort of woman to take “no” for an answer, and in time she wears him down and agrees to help. As Charlene moves into Peter’s home, she helps him to loosen up and unleash his inner groove, which quite surprises Kate, and her down-to-earth advice comes in handy for Peter’s son and daughter. But Charlene may end up going too far when Peter is asked to entertain Mrs. Arness (Joan Plowright), a wealthy woman looking for a new law firm. Bringing Down the House also features Eugene Levy as Howie, one of Peter’s friends who takes a keen interest in Charlene, and Betty White as one of Peter’s neighbors.

Informed that he has only a short time to live, salesman Alec Guinness decides to enjoy his last months to the fullest. He withdraws all his savings from the bank and heads to a posh hotel. Here he makes more contacts and opens more professional doors than he’d ever done before, thanks to his willingness–at long last–to take risks. He also spends every penny that he’s earned in life. Then he discovers that the doctor’s diagnosis was in error, and that he’s in no danger of imminent death. An ironic ending caps this fast-paced black comedy. Last Holiday was co-written and co-produced by J. B. Priestly, author of many other “if I had to do it all over again” pieces, notably An Inspector Calls.