Bovie Movie

A turning point in 20th century war history is the focus of this fact-based account of the 1942-1943 battle of Stalingrad, in which the Germans were finally defeated by Russian influence — one of the bloodiest battles in World War II history. The film stars Jude Law as Vassili, a marksman from the Urals who is transported to Stalingrad in 1942, and a master German sniper, Major Koenig (Ed Harris). Koenig, an expert German sniper, is determined to eliminate his formidable opponent by any means necessary; meanwhile, Vassili has joined forces with Danilov (Joseph Fiennes), a young Russian political adversary, who is impressed by Vassili’s skills and raises his profile in the Soviet Union. Both Vassili and Danilov become involved with Tanya (Rachel Weisz), whose Jewish parents have been captured by the Germans and have forced her to take up with the men on a sniper expedition. Koenig and Vassili begin to develop traps for each other, until fate inevitably must bring the two sharpshooters together. This large-scale production, financed mostly by Teuton companies, also features Bob Hoskins as Nikita Krushchev and Ron Perlman as an aging Russian sniper.

This big-budget sequel from writer/director Stephen Sommers navigates much of the same cliffhanger territory as George Lucas and Steven Spielberg’s Indiana Jones franchise. It is 1933, eight years after the events of The Mummy (1999). Legionnaire Rick O’Connell Brendan Fraser has married his Egyptologist girlfriend Evelyn Carnahan (Rachel Weisz) and the couple has settled in London, where they’re raising their young son Alex (Freddie Boath). The family’s domestic tranquility is shattered when the 3,000-year-old mummified corpse of Imhotep (Arnold Vosloo), which has been shipped to the British Museum, is resurrected once again to resume his evil quest for immortality. In the meantime, another ancient threat emerges in the form of the Scorpion King (professional wrestler Dwayne Johnson, aka. the Rock), a mighty warrior frozen in time with his supernatural army. In order to save his family, Rick is forced to seek a mythical pyramid of gold, facing marauding bands of pygmy skeletons, among other hazards. The Mummy Returns co-stars John Hannah, Oded Fehr, and Patricia Velasquez.

Loosely adapted from the classic 1932 horror film starring Boris Karloff, The Mummy is set in Egypt, where over 3,000 years ago the high priest Imhotep (played by Arnold Vosloo) was given the all-important assignment of preparing the recently dead for their journey into the afterlife. However, Imhotep made one terrible mistake - he became smitten with Anck-Su-Namun, the mistress of the Pharaoh himself. Driven mad by jealousy and love, Imhotep murdered the Pharaoh, and his punishment was to be buried alive and suffer the torment of an eternal life in his wretched tomb. In 1925, a band of adventurers seeking fame and fortune - led by Rick O’Connel (Brendan Fraser), an American expatriate who has joined the foreign legion, and Evelyn Carnarvon (Rachel Weisz), an amateur archeologist - find a previously unknown burial site in Egypt. The team starts to dig, hoping to find lost riches, but instead they disturb the tomb of Imhotep, and soon the cursed priest rises from his grave to wreck vengeance on humanity. The Mummy was written and directed by Stephen Sommers, whose previous cinematic journeys into the past include The Jungle Book and The Adventures Of Huck Finn.

London’s most frequently eligible bachelor gets some lessons in growing up from a maladroit 12-year-old boy in this third big-screen adaptation of a Nick Hornby novel, directed and co-written by siblings Chris and Paul Weitz of American Pie fame. About a Boy concerns the parallel coming-of-age stories of the thirtysomething Will (Hugh Grant), a layabout “serial nice guy” living a posh, carefree lifestyle off his deceased father’s fortune; and the preteen Marcus (Nicholas Hoult), a bright but awkward youth who’s tired of his mom Fiona’s (Toni Collette) depressed, boyfriend-less state. Their paths collide when Will, deciding that single mothers are the easiest romantic conquests on the dating scene, fabricates a two-year-old son and joins a group called S.P.A.T. (Single Parents Alone Together). Marcus is wise to Will’s scheme, however, and through some incessant pestering and blackmail, he contrives for Will to date Fiona. Though Will doesn’t hit it off immediately with either Marcus or his mother, he gradually begins to open up to the people around him — so much so that he attracts the attention of another attractive single mom (Rachel Weisz). A U.S./U.K. co-production of Robert DeNiro’s Tribeca Films and Tim Bevan and Eric Fellner’s Working Title (the company responsible for the Grant-related Four Weddings and a Funeral and Bridget Jones’s Diary), About a Boy was co-written by What’s Eating Gilbert Grape creator Peter Hedges.

Industrial Light and Magic special-effects wizard Stefen Fangmeier makes the leap into the director’s chair with this coming-of-age fantasy concerning a young boy whose discovery of a mysterious dragon egg leads him on a predestined journey to become a Dragon Rider and defend his peaceful world against an evil king. Based on the best-selling novel by Christopher Paolini, Eragon tells the tale of the titular character (Ed Speleers), a humble farm boy living in the land of Alagaësia, whose life is forever changed when he discovers that he has been chosen to fight the most powerful enemy his world has ever known. Jeremy Irons, John Malkovich, and Djimon Hounsou co-star in a film produced by Davis Entertainment and adapted from the novel by screenwriters Peter Buchman, Larry Konner, and Mark Rosenthal.

Requiem for a Dream director Darren Aronofsky switches gears from drug-induced urban malaise to abstract science fiction with this time-tripping symbolic tale of a man’s thousand-year quest to save the woman he loves. Moving between representational stories and images, this meditation on life and death focuses on the concept of the mythical Tree of Life that is said to bestow immortality to all who drink of its sap. In one of the film’s allegorical timelines, a 16th century Spanish conquistador played by Hugh Jackman sets out to find the tree in order to save his queen (Rachel Weisz) from the Inquisition. Another conceptual story finds Jackman centuries later, struggling with mortality as a modern-day scientist desperately searching for the medical breakthrough that will save the life of his cancer-stricken wife, Izzi. The third and most abstract concept finds Jackman as a different incarnation of the same character-idea, this time questing for eternal life within the confines of a floating sphere transporting the aged Tree of Life through the depths of space. Still more avant-garde than his breakthrough film Pi, The Fountain finds Aronofsky almost completely abandoning conventional story structure in favor of something more cinematically abstract. Though the film was originally slapped with an R by the MPAA, Aronofsky & co. re-edited it to conform to a PG-13 rating.

An ordinary man with an extraordinary gift must save the planet from evil in this action-packed fantasy. Unknown to most people, the world is crowded with spirits both good and evil who walk among us in human guise. One of the few who can see these spirits is John Constantine (Keanu Reeves), but the responsibility of his vision is more than he can stand, and he tries to kill himself. Saved from death, Constantine must now atone for his actions by acting as a guardian in the middle ground between Paradise and Hell. Constantine also makes the acquaintance of Angela Dodson (Rachel Weisz), a police detective who becomes aware of his unusual gift while looking into the death of her sister; he leads her into the unknown world of the spirits and soon circumstances demand that they join forces in a desperate bid to save humanity from evil. Constantine also features Tilda Swinton, Peter Stormare, and Gavin Rossdale, the latter best known as the lead singer of the rock group Bush.