Bovie Movie

“His code name is Condor. In the next 24 hours, everyone he trusts will try to kill him.” As the ads ominously announced, a low-level spook confronts the unfathomable in Sydney Pollack’s 1975 political thriller, adapted from the James Grady novel Six Days of the Condor. CIA researcher Joe Turner (Robert Redford) returns from lunch to find the entire staff of his small New York office assassinated. When he meets his boss (Cliff Robertson) at another location to tell him what happened, someone tries to shoot Turner as well. On the run from the cops and his agency, a desperate Turner resorts to holing up with innocent civilian Kathy (Faye Dunaway), who becomes his only ally. Joe decides to save himself the only way possible: by going to The New York Times. But will it work? One of a cycle of conspiracy films from the 1970s that also included The Parallax View (1974) and Redford’s All the President’s Men (1976), Three Days of the Condor pits a working Everyman (albeit a CIA everyman) against a far-reaching conspiracy, as it also criticizes the CIA during a period of increasing publicity about federal wrongdoing, from the Pentagon Papers through Watergate and other congressional investigations; the challenge of negotiating New York City, shot on location, becomes one more sign of the forces that Joe must face. With its timely subject matter, taut suspense, and sympathetic Redford hero, Three Days of the Condor became a substantial hit. Balancing the conspiracy cycle’s pessimism with a margin of attenuated hope, Three Days of the Condor suggests that one man can still discover the truth, but whether it helps him remains to be seen.

Opening with a silent “movie” of Butch Cassidy’s Hole in the Wall Gang, George Roy Hill’s comically elegiac Western chronicles the mostly true tale of the outlaws’ last months. Witty pals Butch (Paul Newman) and Sundance (Robert Redford) join the Gang in successfully robbing yet another train with their trademark non-lethal style. After the pair rests at the home of Sundance’s schoolmarm girlfriend, Etta (Katharine Ross), the Gang robs the same train, but this time, the railroad boss has hired the best trackers in the business to foil the crime. After being tailed over rocks and a river gorge by guys that they can barely identify save for a white hat, Butch and Sundance decide that maybe it’s time to try their luck in Bolivia. Taking Etta with them, they live high on ill-gotten Bolivian gains, but Etta leaves after their white-hatted nemesis portentously arrives. Their luck running out, Butch and Sundance are soon holed up in a barn surrounded by scores of Bolivian soldiers who are waiting for the pair to make one last run for it.

Two generations of a damaged family are brought together in this emotional drama. Einar Gilkyson (Robert Redford) was a once successful rancher whose spread went to seed after he developed a serious drinking problem. Now on the wagon, Einar looks after what’s left of his spread with his friend Mitch (Morgan Freeman), a one-time cowhand who never fully recovered after being mauled by a bear. Einar once had a son named Griffin, but he died in a car wreck while Griffin’s wife, Jean (Jennifer Lopez), was driving; Einar never forgave her for the death, and he had never met the granddaughter she was carrying until she arrived at his doorstep 11 years later. Jean has become involved with a violent man named Gary (Damian Lewis), and seeks refuge on Einar’s ranch for the safety of her daughter, Griff (Becca Gardner). Einar reluctantly takes in Jean and Griff, giving them a place to stay as Jean looks for work and tries to put her life back together. But old trouble makes its way back to town in two ways — Gary tracks down Jean and wants to make her pay for leaving him, while the bear who attacked Mitch comes down from the mountains looking for new prey. An Unfinished Life was adapted from the novel of the same name by Mark Spragg.