Bovie Movie

Director Mark L. Lester modeled this police action drama on the Hong Kong style, guaranteeing plenty of over-the-top action sequences. Dolph Lundgren stars as police detective Chris Kenner, an American raised in Japan. He is given a new partner, Johnny Murata (Brandon Lee, making his Hollywood debut), a Japanese raised in America. The two are made for each other — Chris doesn’t appreciate American culture, while Johnny doesn’t much like Japanese culture. One thing they both enjoy are the martial arts, of which they are experts. The two are assigned to L.A.’s Little Tokyo, trying to nab the notorious Yoshida (Carey-Hiroyuki Tagawa), a drug manufacturer using a local brewery as his distribution center. Yoshida, a member of the Yakuza, has brought the residents of Little Tokyo to their knees. But Chris has personal reasons for wanting to get Yoshida — as a child he witnessed Yoshida murdering his parents. When Yoshida rapes and kidnaps Minako (Tia Carrere), a beautiful lounge singer, it’s the last straw and Chris and Johnny set out for Yoshida’s heavily guarded home for a big showdown.

Jackie Chan has often played a fish out of water, but he’s rarely found himself so far upstream as in this comic adventure, in which he puts his fighting skills to the test in the Old West of the 1850s. Lo Fong (Roger Yuan), onetime captain of the Chinese Imperial Guard, has traded upholding the law for smuggling opium. Needing some operating capital, Lo Fong kidnaps the Emperor’s daughter, Princess Pei Pei (Lucy Liu), and takes her to America. When the Emperor sends his best men to find her, Chon Wang (Chan), one of the Emperor’s less distinguished guards, insists on joining them; he feels at fault for Lo Fong’s capturing the Princess, and he wants to make amends. However, while the rescue party scours the West, Chon Wang gets separated from the group and soon becomes lost. When he crosses paths with Roy O’Bannon (Owen Wilson), a bright but arrogant train robber, the two become unlikely allies. While Shanghai Noon was billed as Jackie Chan’s follow-up to Rush Hour, his first successful American-made feature, it was actually filmed in Canada, as was Chan’s breakthrough film in America, the Hong Kong-backed Rumble in the Bronx.