Bovie Movie

In Paul Verhoeven’s wild sci-fi action movie Total Recall, Arnold Schwarzenegger plays a 21st-century construction worker who discovers that his entire memory of the past derives from a memory chip implanted in his brain. Schwarzenegger learns that he’s actually a secret agent who had become a threat to the government, so those in power planted the chip and invented a domestic lifestyle for him. Once he has realized his true identity, he travels to Mars to piece together the rest of his identity, as well as to find the man responsible for his implanted memory. Verhoeven has created a fast, furious action film with Total Recall, filled with impressive stunts and (literally) eye-popping visuals. Though the film bears only a passing resemblance to the Philip K. Dick short story it was based on (”We Can Remember It For You Wholesale”), the movie is an entertaining, if very violent, ride.

Point of Origin, produced by HBO, marks the feature directorial debut of accomplished cinematographer Newton Thomas Sigel (Three Kings, X-Men). The film is based on an actual serial arson investigation that took place in Glendale, CA, in the late ’80s and early ’90s. Ray Liotta stars in the film as John Orr, a skilled arson investigator with a sixth sense for finding the “point of origin,” the place where a fire was started. Orr also has a knack for locating the devices used to start the fires. Keith Lang (John Leguizamo), his ambitious young prot?g?, calls Orr “Professor.” Orr is stumped by a series of big fires, some fatal, which seem to have been set by the same arsonist. A commission is appointed to investigate the case, headed up by ATF agent Mike Matasso (Colm Feore) and fireman Mike Camello (Cliff Curtis). Orr uses his influence to get Lang appointed to the panel. But Matasso and Orr are immediately at odds with each other, as the ATF man seems to resent Orr’s efforts to maintain control of the investigation. Orr is also dealing with his troubled marriage to Wanda (Bai Ling) and is having an affair with the volatile Kate (Illeana Douglas). As he gets deeper into the case, trying to get inside the head of the criminal, Orr begins to worry that the arsonist has some kind of personal involvement with him. Then the commission uncovers a link to an earlier string of fires, and uncovers evidence that the arsonist may actually be a fireman. The actual investigators, Matasso and Camello, have cameos in the film, and Camello also served as one of the film’s technical advisors. These events were also the basis for Joseph Wambaugh’s book Fire Lover: A True Story.

Loose Cannons may be a wacky buddy-cop comedy, but it starts with a chilling premise. It seems that a film is discovered that depicts the final moments of Adolf Hitler’s life. The climax features young German officer Von Metz, who is seen putting Hitler to death. Von Metz (Robert Prosky) is now running for chancellor of West Germany. If this film gets out, his political career is finished, so Von Metz has arranged for the murder of anyone who has seen the film. The killings have taken place in the Washington area and Mac (Gene Hackman) and Ellis (Dan Aykroyd) are sent to investigate the crimes. Mac is a middle-aged veteran of the force, a professional who gets things done. But Ellis is a different ball of wax. Suffering from a multiple personality disorder, he has spent two years in a Benedictine monastery to recover from his problems. But he is far from cured — as Mac discovers, whenever Ellis is confronted by violence, he blacks out and begins to assume the characters of popular culture icons like Popeye, Captain Kirk, and the Road Runner.

Detroit cop Axel Foley (Eddie Murphy) has seemingly smoothed out his differences with his Beverly Hills superior Bogomil (Ronny Cox), but there’s trouble ahead for both men, not to mention two other holdovers from the first Cop film, officers Rosewood (Judge Reinhold) and Taggart (John Ashton). The “untouchable” heavy this time out is masterminding a series of violent robberies, committed by leather-freak hoods Dean Stockwell and Brigitte Nielsen. Unaccumstomed to this nastiness, Bogomil entreats street-smart Foley to help find the miscreants. But mean-spirited chief of police Lutz (Allen Garfield) will brook no interference from outsiders-especially the profanely insouciant Mr. Foley.

This loosely fact-based oater attempts to mimic the youthful heartthrobs in Western garb formula of Young Guns (1988), as well as the cheeky humor and some plot elements of Butch Cassidy and the Sundance Kid (1969). Colin Farrell stars as Jesse James, who returns home from the Civil War to his small hometown to find that a crooked railroad baron (Harris Yulin) has been illegally forcing the residents from the homesteads to make way for a new rail line. Enraged, James leads a band of outlaws including his brother Frank (Gabriel Macht), Cole Younger (Scott Caan), and Younger’s brothers Bob (Will McCormack) and Jim (Gregory Smith) on a criminal spree of bank robbing. Although their Robin Hood-style tactics soon make them local heroes, the James-Younger gang members find themselves pursued by the dogged Allan Pinkerton (Timothy Dalton), the world’s first “private eye.” Along the way, Jesse also finds romance with Zee Mimms (Ali Larter), the daughter of a local doctor (Ronny Cox).