Bovie Movie

In the third sequel to the hit comedy Police Academy, Commandant Lassard (George Gaynes) decides that the police force is overworked and understaffed, and he comes up with the idea of recruiting civilian volunteers to work side-by-side with his officers. Of course, with the hapless Carey Mahoney (Steve Guttenberg) in charge of training the new Neighborhood Watch groups, one might reasonably expect things will not go smoothly; meanwhile, the duplicitous Capt. Harris (G.W. Bailey) sets his sights on Lassard’s job, and he schemes to get his aging boss out of the way. Series regulars Bubba Smith, Michael Winslow, Bob Goldthwait, and Tim Kazurinsky are on board, as is Sharon Stone, who moved on to bigger and better things a few years later.

In Paul Verhoeven’s wild sci-fi action movie Total Recall, Arnold Schwarzenegger plays a 21st-century construction worker who discovers that his entire memory of the past derives from a memory chip implanted in his brain. Schwarzenegger learns that he’s actually a secret agent who had become a threat to the government, so those in power planted the chip and invented a domestic lifestyle for him. Once he has realized his true identity, he travels to Mars to piece together the rest of his identity, as well as to find the man responsible for his implanted memory. Verhoeven has created a fast, furious action film with Total Recall, filled with impressive stunts and (literally) eye-popping visuals. Though the film bears only a passing resemblance to the Philip K. Dick short story it was based on (”We Can Remember It For You Wholesale”), the movie is an entertaining, if very violent, ride.

New Yorkers get a crash course in the more dangerous aspects of moving to the country and buying a “handyman’s special” in this thriller from award-winning director Mike Figgis. Cooper and Leah Tilson (Dennis Quaid and Sharon Stone) are a wealthy couple who have grown tired of the high stress of life in New York City and are looking to move to someplace with more breathing room. Upstate, they find a mansion in the village of Cold Creek which has fallen into disrepair after it was repossessed. Convinced the house has great possibilities, The Tilsons buy it, and with a little hard work Cooper, Leah, and their two children are soon living in their dream home. Unknown to The Tilsons, the house used to belong to a lifelong Cold Creek resident named Dale Massie (Stephen Dorff), a ne’er-do-well who ended up behind bars. After he’s released from prison, Massie makes it clear to the new owners that he wants his home back, and before long Cooper and Leah begin learning the disturbing truth about the history of the mansion — and that many Cold Creek residents don’t take kindly to new arrivals. Cold Creek Manor also stars Juliette Lewis and Christopher Plummer.

When the mysterious death of a major athlete prompts Scotland Yard detective Roy Washburn (David Thewlis) to order the investigation of best-selling crime novelist Catherine Tramell (Sharon Stone), criminal psychiatrist Dr. Michael Glass (David Morrissey) is slowly drawn into Tramell’s seductive world of lies and sexual intrigue in director Michael Caton-Jones belated sequel to Paul Verhoeven’s 1992 erotic thriller. Upon relocating from San Francisco to London, alluring crime novelist Tramell once again finds herself pursued by authorities when all clues point to her being somehow involved in the death of a popular sports superstar. Intellectually intrigued by his new subject and undeniably drawn to her physically, Dr. Glass finds it increasingly difficult to resist the cunning black widow’s devious web of deception and physical temptation. When the professional boundaries between Glass and Trammel come shattering down in a shower of unbridled lust, Dr. Glass is forced to make a difficult decision that could mean the end of both his professional career, and his life.

French/Israeli filmmaker Eyal Sivan has fashioned an unusual documentary about the Holocaust from video footage (originally shot for American television) of the 1961 trial of Nazi war criminal Adolf Eichmann. Using sophisticated editing techniques and digital image manipulation to give the visuals a distinctive look, Un Specialiste/The Specialist focuses less on Eichmann as the monstrous architect of one of the 20th century’s most heinous crimes, and more on a subtly terrifying notion: Eichmann was a seemingly ordinary and mild-mannered fellow who was also capable of planning the mass evacuation of Jews and other “undesirables” to extermination camps, denying any legal responsibility with the words: “That was unfortunate, but it wasn’t my fault.” Along with extensive footage of Eichmann’s testimony, Sivan also devotes significant screen time to testimony of survivors of the death camps. Un Specialiste/The Specialist was screened at the 1999 Berlin Film Festival’s as part of a special program entitled “Documents Against Forgetting.”

The inner-workings of a corrupt Las Vegas casino are exposed in Martin Scorsese’s story of crime and punishment. The film chronicles the lives and times of three characters: “Ace” Rothstein (Robert De Niro), a bookmaking wizard; Nicky Santoro (Joe Pesci), a Mafia underboss and longtime best friend to Ace; and Ginger McKenna (Sharon Stone, in a role she was born to play), a leggy ex-prostitute with a fondness for jewelry and a penchant for playing the field. Ace plays by the rules (albeit Vegas rules, which, as he reminds the audience in voiceover, would make him a criminal in any other state), while Nicky and Ginger lie, cheat, and steal their respective ways to the top. The film’s first hour and a half details their rise to power, while the second half follows their downfall as the FBI, corrupt government officials, and angry mob bosses pick apart their Camelot piece by piece.

This cold, stylish erotic-thriller grossed over $100 million at the box-office despite vigorous protests at its depiction of gays and women. The shocking opening sequence features a graphic sexual encounter involving a rock-star bound with a white Hermes scarf by an unidentified blond woman. Despite the fact that the scene ends with a bloody icepick murder (horrifyingly realized by makeup artist Rob Bottin), Hermes scarves quickly sold out at stores nationwide. This seeming paradox is at the heart of the film’s appeal, as it mixes perverse sexuality and erotic bloodshed in a manner common to European thrillers (director Paul Verhoeven had done it himself in 1979’s marvelous De Vierde Man) but mostly taboo in America. The plot concerns Catherine Tramell (Sharon Stone), a successful bisexual mystery writer who may also be a ruthless murderer. Everyone close to Catherine dies, and troubled policeman Nick Curran (Michael Douglas) must find out why. In the process, Nick becomes sexually involved with both Catherine and police psychiatrist Beth Gardner (Jeanne Tripplehorn), while the bodies begin piling up and Catherine turns the cat-and-mouse game around on Nick. Verhoeven and screenwriter Joe Eszterhas — who was paid $3 million for the script — keep the tension ratcheted up throughout, even during the frequent sex scenes, which carry a violent edge reminiscent of the Italian thrillers of Dario Argento. The film’s most notorious scene, a police interrogation in which Catherine makes drooling idiots out of her captors by revealing that she is not wearing underwear, became a cultural touchstone and was widely imitated and parodied. Sharon Stone, meanwhile, was embarrassed to the point that she claimed Verhoeven had aimed lights on strategic locations without her knowledge. George Dzundza and Dorothy Malone co-star.