Bovie Movie

Bette Midler, Sarah Jessica Parker, and Kathy Najimy romp around like coked-up versions of The Three Stooges in the frantic Disney romp Hocus Pocus. The film begins in 1693 where three witches — Winifred (Bette Midler), Sarah (Sarah Jessica Parker), and Mary (Kathy Najimy) — are preparing a potion that will grant them immortality and eternal youth. But before they finish mixing their cocktail, the people of Salem capture them and execute them for practicing witchcraft. Before their deaths, they vow to return to Salem 300 years hence on Halloween to exact their revenge. Three hundred years later, a skeptical, newly transplanted Californian, Max (Omri Katz), explores the ruins of the legendary witches’ house and dares the witches to manifest themselves. Disregarding the warnings of his sister Dani (Thora Birch) and girlfriend Allison (Vinessa Shaw), Max lights the Candle of Black Flame. With that, the witches reappear to wreak havoc on the town. The kids take off with the witches’ spellbook and a musty tome of hexes and recipes. The sorceresses, who will die by the morning light if they don’t recite the incantation for immortality, have to get the books by whatever means they can. So, Winifred, Sarah, and Mary hop on their broomsticks for a chase through Halloween night.

When speaking of Laurel and Hardy’s first feature film Pardon Us, Stan Laurel described it as “a three-story building on a one-story base”-in other words, a 2-reeler stretched and bloated into 6 reels. Much the same could be said of Blake Edwards’s Blind Date, though one wonders if Stan Laurel could have even gotten two reels out of its wafer-thin premise. At the outset, yuppie Bruce Willis is warned not to let his blind date, southern belle Kim Basinger, drink anything stronger than lemonade. So what does Willis do the first chance he gets? That’s right, kids; he plies poor Basinger with champagne. And then he wonders why his life rapidly goes to hell in a handbasket. In his first starring movie role, Bruce Willis manages to find all sorts of nuances in his one-note role, while Kim Basinger is very funny when she’s blotto-at least, for the first five minutes or so. John Laroquette costars as a character straight out of a 1920s bedroom farce; he’s also pretty good, even though his dialogue is numbingly unamusing. Blake Edwards is famous for his ability to make a lot out of a little…but there has to be a limit somewhere.