Bovie Movie

Superstars Mel Gibson and Danny Glover return with director Richard Donner for Lethal Weapon 3, the third in the phenomenally successful action series. In this film, Roger Murtaugh (Danny Glover) is only eight days away from retirement and his partner Martin Riggs (Mel Gibson) once again manages to get them both into hot water with the both LAPD and the bad guys, who this time are Jack Travis (Stuart Wilson) and a gang of hoodlums selling armor-piercing bullets. Joe Pesci returns as the fast-talking schmuck Leo Getz. A new addition to the cast is Rene Russo as Lorna Cole, a sergeant from internal affairs sent to investigate Riggs and Murtaugh, but who ultimately ends up falling in love with the caffienated Riggs.

Jerry Fletcher (Mel Gibson) is a New York City cab driver who seems to have absorbed every bit of crackpot information passed along as “suppressed news” that’s surfaced on talk radio or the Internet in the past 20 years. Anti-United Nations militia men who are actually U.N. operatives? NASA scientists engineering earthquakes? Oliver Stone’s secret life as a government agent discrediting conspiracy theorists? Jerry’s heard ‘em all and believes most of them, and even publishes his own journal of forbidden information, with a subscription list that now totals five people. In short, Jerry seems like just another New York City lunatic, and while he spends a fair amount of his spare time following Alice Sutton (Julia Roberts), a government attorney, Alice regards him as harmless; he once intervened while she was being mugged, and he’s been acting like her benign if whacked-out protector ever since. However, one day Jerry is kidnapped and worked over by CIA operatives; he is convinced that one of the theories he uncovered must be for real — but he has no idea which one. He tries to get Alice to help him, and before long both are drawn into a dangerous web that leads to a startling revelation of just how Jerry got this way. Mel Gibson gives a fine comic performance, and those with a taste for alternative media will have fun dissecting which of the theories Jerry spouts are “real” (or at least appeared before this film was made) and which were the invention of the screenwriters.

Directing his first film since 1998’s Lethal Weapon 4, Richard Donner helmed this big-budget adaptation of Michael Crichton’s novel of the same name. Featuring a script by first-time screenwriter George Nolfi, Timeline begins in France in the near future. A group of students from Yale are there studying a medieval site, when their professor, played by Billy Connolly, mysteriously goes missing. To make matters more enigmatic, the students are then taken back to the United States by a shadowy technology company called ITC, led by Robert Doniger (David Thewlis). The eccentric Doniger explains that because of a machine that his company built, their professor is trapped in 14th century France. In order to rescue him, two of the students, Chris Hughes (Paul Walker) and Kate Erickson (Frances O’Connor), along with Andre Marek (Gerard Butler), an archeological site manager, must travel to France, circa 1357, amid archaic war, deadly diseases, and other unexpected pitfalls. Meanwhile, David Stern (Ethan Embry), a third student, stays behind to keep an eye on the shady Doniger.

Lethal Weapon 2 reteams Mel Gibson and Danny Glover as, respectively, “loose cannon” LA detective Martin Riggs and Riggs’ partner, the cautious family man Roger Murtaugh. The villain this time is a South African diplomat (Joss Ackland) who doubles as a drug dealer. Though Riggs knows what’s going on thanks to characterless character witness Joe Pesci, he can’t touch the villain because of “diplomatic immunity.” After perils too numerous to mention, Riggs and Murtaugh shoot it out with the heavies on the deck of a South African cargo ship. Lethal Weapon 2, of course, contains as one of its comic high-points a now famous suspense scene: Mel Gibson agonizingly attempting to extricate a terrified Danny Glover from a booby-trapped toilet seat. Gibson, Glover, Donner and Joe Pesci would be reunited three years later for Lethal Weapon 3 and in 1998 for Lethal Weapon 4.

The plot of this action film begins in 1996, with Los Angeles in a violence-crazed conflagration. One of the LAPD’s most notorious cops, John Spartan (Sylvester Stallone), known as “the demolition man,” is in hot pursuit of blonde-haired psychopath Simon Phoenix (Wesley Snipes), who is so nasty he even kills sometimes just because he feels cranky. John captures Simon, but not before Simon kills innocent hostages. John is blamed for the deaths of the hostages, and both he and Simon are cryogenically frozen to remove their brand of ultra-violence from a society that is simply just too violent. The film shifts to the future world of 2032, where Los Angeles has become a megalopolis called San Angeles. There is no poverty, Arnold Schwarzenegger was (at one time) president of the United States, and Taco Bell is the sole survivor of the Franchise Wars. Into this peaceful and bland society, Simon is summarily defrosted by reigning benevolent dictator Dr. Cocteau (Nigel Hawthorne) to have Simon murder Edgar Friendly (Denis Leary), the leader of a group of underground rebels. But Cocteau bites off more than he can chew when the melted-down Simon proceeds to go on a murder-and-looting spree. Reluctantly, Cocteau defrosts John to hunt down his old adversary. As John adjusts to self-driving cars and having sex wearing helmets, he pairs up with Lenina Huxley (Sandra Bullock), a bored cop with a nostalgic fascination for 20th-century culture.

Lethal Weapon director Richard Donner helms this action-adventure yarn in which Robert Rath (Sylvester Stallone), a veteran, burned-out hit man for hire who’s looking to leave his profession, meets a younger, crazier, more ambitious competitor, Miguel Bain (Antonio Banderas), who is out to best Rath and make him a target in the process. Rath signs on for one last hit, but complications ensue when he falls in love with the mark, a beautiful, mysterious woman named Electra (Julianne Moore). Bain sets out to murder Electra as well, and the chase leads the two assassins into a deadly game of wits that takes them from Seattle to Puerto Rico. Critics and audiences both turned away from this thriller, which was co-scripted by Bound writer/directors Larry and Andy Wachowski and L.A. Confidential screenwriter Brian Helgeland.