Bovie Movie

This crowd-pleasing medieval adventure tale is very loosely inspired by Geoffrey Chaucer’s The Canterbury Tales and mixes the anachronistic elements of modern-day rock music and colloquialisms with a period setting and characters. Heath Ledger stars as William Thatcher, a low-born 14th century squire who, in a fit of inspired spontaneity, replaces his deceased employer as the competitor at a jousting competition. Jousting is a pastime only permitted to knights, who are of noble birth, but Thatcher wins and decides to continue his new pursuits. With the help of his two fellow squire friends Wat and Roland (Alan Tudyk and Mark Addy) and none other than the gambling-addicted Geoffrey Chaucer (Paul Bettany), Thatcher has soon adopted a false identity and is winning one joust after another on his way to a championship in London. His victories inspire the affection of a female fan, Jocelyn (Shannyn Sossamon), and the ire of a competitor, Count Adehmar (Rufus Sewell), but Thatcher’s ruse is threatened with exposure. A Knight’s Tale is the sophomore directorial effort of acclaimed screenwriter Brian Helgeland, who won an Oscar for his work on L.A. Confidential (1997) and debuted behind the camera with the troubled production of Payback (1999).

William Shakespeare (Joseph Fiennes) is on a cold streak. Not only is he writing for Philip Henslowe (Geoffrey Rush), owner of “The Rose,” a theatre whose doors are about to be closed by sadistic creditors, but he’s got a nasty case of writer’s block. Shakespeare hasn’t written a hit in years. In fact, he hasn’t written much of anything recently. Thus, the Bard finds himself in quite a bind when Henslowe, desperate to stave off another round of hot-coals-to-feet application, stakes The Rose’s solvency on Shakespeare’s new comedy, “Romeo and Ethel, the Pirate’s Daughter.” The problem is, “Romeo” is safely “locked away” in Shakespeare’s head, which is to say that not a word of it is written. Meanwhile, the lovely Lady Viola (Gwyneth Paltrow) is an ardent theatre-goer — scandalous for a woman of her breeding — who especially admires Shakespeare’s plays and, not incidentally, Bill himself. Alas, she’s about to be sold as property into a loveless marriage by her mercenary father and shipped off to a Virginia tobacco plantation. But not before dressing up as a young man and winning the part of Romeo in the embryonic play. Shakespeare soon discovers the deception and goes along with it, using the blossoming love affair to ignite his muse. As William and Viola’s romance grows in intensity and spirals towards its inevitable culmination, so, too, does the farcical comedy about Romeo and pirates transform into the timeless tragedy that is Romeo and Juliet.