Bovie Movie

Miguel Pinero became a leading figure in New York’s art scene during the 1970s as a poet, actor, and playwright whose vibrant, often pointed, work spoke directly to the lower classes and to disenfranchised minorities. As a founder of the influential Nuyorican Poets Cafe, his poetry soon became recognized as a forerunner to rap and hip-hop music. TV screenwriter turned director Leon Ichaso spins this impressionistic biographical look at this artist. Raised in an abusive family, Pinero (Benjamin Bratt) turns to streets for solace. Soon he is engaging in petty crime, drug dealing, and addiction. When he finds himself in Sing-Sing, he turns his experiences in prison into the play Short Eyes, which eventually garners him seven Tony awards in 1974. Uncomfortable with his new fame, he clings to his girlfriend, Sugar (Talisa Soto), and his childhood buddy, Miguel Algarin (Giancarlo Esposito), who is a literature professor and who co-founded the Nuyorican Cafe. Though Pinero makes cameos on such shows as Kojak, his art begins to suffer as he starts to succumb to his drug addictions. This film was screened at the 2001 Toronto Film Festival.

Two former government agents square off as they search for the most deadly new weapon on Earth in this white-knuckle thriller. Sever (Lucy Liu) was once a top agent with the Defense Intelligence Agency, but she quit when her son was killed in a bungled raid organized by Gant (Gregg Henry), and has sworn to take vengeance against him and his colleagues. When Sever learns that Gant and his team are in possession of a remarkable new weapon — a microscopic device injected into the victim’s bloodstream which is benign until triggered, then kills immediately without leaving a trace — she is determined to get her hands on it, whatever the cost. However, Gant has turned rogue, and FBI agent Julio Martin (Miguel Sandoval) has been ordered to find him and recover his new weapon. Martin needs the best man he can find for the job, and calls upon Jeremiah Ecks (Antonio Banderas), a former FBI tracker, to do the job. Ecks quit the Bureau when his wife was killed, but Martin informs Ecks that his spouse is actually alive and in hiding, and if he can bring in Gant, she will be returned to him. But Ecks has to face the most formidable adversary of his life in Sever, a master of mayhem bent on revenge. Ballistic: Ecks vs. Sever was the first English-language feature from Thai filmmaker Wych Kaosayananda (aka Kaos), whose first feature Fah was a box-office blockbuster in his homeland.

Timothy Dalton is better in Licence to Kill than in his first James Bond endeavor (The Living Daylights), but he still seems uncomfortable on the right side of the law. This time around, Bond is working on his own rather than on behalf of the British Secret Service. His American friend Felix Leiter (David Hedison), an agent of the Drug Enforcement Administration, has been seriously injured by drug dealer Robert Davi, and 007 is out for blood. There is precious little time for the usual Bondian quippery and directorial campiness, resulting in a marked increase in bloodletting (including the “implosion” of secondary villain Anthony Zerbe). A climactic highway chase involving an oil tanker and a helicopter is stretched slightly beyond its value, but is still one of the best action setpieces in any Bond film. Licence to Kill was a refreshingly serious change of pace for the series, albeit one that tended to lessen Bond’s box-office value.