Bovie Movie

Almost 50 years after Walt Disney brought James M. Barrie’s classic children’s tale Peter Pan to the screen in one of the best-loved animated features, the studio that bears his name revisits the story of the magical boy who doesn’t grow up in this sequel. In London during World War II, Wendy (voice of Kath Soucie) comforts her children with stories about her youthful adventures with Peter Pan (voice of Blayne Weaver) in the fantastic world of Neverland. Young Danny (voice of Andrew McDonough) loves the stories and believes that they’re real, but his older sister, Jane (voice of Harriet Owen), isn’t so certain. Jane soon discovers her mother is indeed telling the truth when she’s kidnapped by the evil Captain Hook (voice of Corey Burton) and spirited away to his lair in Neverland. Hook is still trying to capture his nemesis, Peter Pan, after all these years, and is certain he’ll come to the rescue of his old friend, Wendy; however, Hook realizes too late that he’s carried away Wendy’s daughter instead. Peter comes to the aid of young Jane, but as they do battle with Hook, he realizes it will take some work before Jane will fit in with the Lost Boys. Return to Neverland includes original songs from Jonatha Brooke and They Might Be Giants.

A smuggler is killed by a man he thought was his friend and comes back to tell the story in this sci-fi tinged action drama. John Anderson Wade (Rutger Hauer) is a black marketeer who gets on the wrong side of Merrick (Mark Dacascos), his partner in crime. A disagreement with Merrick turns deadly, and Wade ends up murdered. However, scientists from the Russian government perform experiments on Wade’s body that bring him back from the dead; Wade teams up with female kickboxer Marina (Yvonne Scio). and they set out to find Merrick and exact revenge for his brief career as a dead person. Redline has also been released under the titles Deathline and Armageddon.

A few innocent women experience a nightmare before Christmas in this bloody thriller. Billy Lenz, a severely maladjusted child, finally snaps under years of brutal treatment by his family, killing and eating them in an explosion of violence on Christmas Eve. For years, the Lenz house stands vacant, but in time it’s purchased and renovated as the new home for a college sorority. A few days before Christmas, a handful of sorority sisters — Dana (Lacey Chabert), Melissa (Michelle Trachtenberg), Kelli (Katie Cassidy), and Heather (Mary Elizabeth Winstead) — are enjoying a quiet evening with their house mother, Barbara MacHenry (Andrea Martin), exchanging gifts and swapping stories before heading home for holiday break. While Barbara remembers the story of Billy’s crimes, the atmosphere is peaceful until the young women receive the first in a series of disturbing telephone calls. Before long, they learn that Billy has escaped after years in a mental institution, and has come back to the house where he grew up to once again spill blood for the Christmas season. Black Christmas is a remake of the 1974 horror film of the same name by director Bob Clark, who later made a less-threatening film about the Yuletide season, A Christmas Story; Andrea Martin, who plays the house mother, also appeared in the 1974 film as one of the sorority girls.

One of the oldest epic poems in the English language gets a robust visual interpretation in this historical epic shot on location in Iceland. Hrothgar (Stellan Skarsg?rd) is a Danish king who murders a troll that has been terrorizing his countryside. But Hrothgar spares the life of the troll’s strange young son, who with the passage of years grows to become Grendel (Ingvar Sigurdsson), a fearsome warrior intent upon avenging his father’s death. As Grendel begins his slaughter of the king’s closest confidants, Hrothgar realizes his life is in danger, and he calls upon the brave and fearless Beowulf (Gerard Butler) to track down and kill Grendel. As Beowulf and his band of warriors search for the vicious and elusive Grendel, he crosses paths with Selma (Sarah Polley), a beautiful and sensuous witch whose alliances are divided between Beowulf and his archenemy. Produced by Canadian, British, and Icelandic concerns, Beowulf & Grendel was a major box-office success in Canada before crossing south to American theaters in the summer of 2006.

A research team sent to investigate a distress signal sent from a top-secret oil rig makes a horrific discovery in this tale of maritime terror from genre specialist Jay Andrews. Upon arriving on the remote oil rig, Captain Jack Griffin (Billy Warlock) and Professor Anna Davis (Catherine Lough Haggquist) are perplexed to find no trace of life. As they venture ever deeper into the heart of the mysterious oil rig and crew members begin to disappear one by one, rumors of a mysterious creature said to lurk beneath the ocean floor appear to take on an element of reality.

A teen learns that all the gadgets in the world can’t help him overcome his awkwardness around the opposite sex in this big-budget family entertainment. In Agent Cody Banks, Malcolm in the Middle star Frankie Muniz plays a young man plucked from suburban obscurity to be trained as a CIA super-agent. His mission? Get friendly with his classmate Natalie (played by another teen TV star, Lizzie McGuire’s Hilary Duff) so that he can uncover her father’s diabolical scheme to create indestructible robots. To compound his problems, Cody also has to deal with the same stresses as any adolescent: nagging parents, insufferable classwork, and a fragile sense of self-esteem. Agent Cody Banks was produced by MGM, not coincidentally the studio responsible for another popular spy franchise, the venerable James Bond series.

I think I can safely consider myself to be a fairly open-minded and tolerant horror fan, but there’s one thing I honestly can’t stand: horror comedies that are not funny, nor gory. And unfortunately we happen to see a lot of those lately, especially in the sub genre of ‘zombie movies’ ever since a British instant classic called “Shaun of the Dead” successfully mixed humor with splatter. By now everybody seems to think they’re capable of making a horror comedy and this naturally results in a huge pile of stinking, inept, insufferable and redundant straight-to-video crap. All these untalented filmmakers don’t seem to realize that “Shaun of the Dead” was actually the exception that confirmed the rule: zombies, people coming back from the dead to hunt the flesh of the living are no laughing matter. Like the case in “The Mad”, there’s absolutely nothing even remotely funny about family members getting killed by walking corpses that died after consuming beef infected with the mad cow disease. People will not start to make jokes or have discussions about the definition of a zombie moments after their beloved partners have been reduced to a pile of blood and intestines on the floor! “The Mad” really tries to be hilarious, with its absurd & stereotypical character drawings and clichéd father-daughter-stepmother-punk boyfriend relationship jokes, but it miserably fails. The other elements to create comedy are either totally pathetic (spontaneously attacking hamburgers) or utterly derivative (inbred farmers and banjo music). “The Mad” can’t even distinguish itself from the majority of lame-ass low budget horror junk with a good amount of nauseating splatter, as the make-up effects and massacres are nothing exceptional at all. It’s not a gore-soaked bloodbath and we’re only treated to a couple of mundane zombie-attacks and relatively bloodless annihilations. And then there’s Billy Zane, the “famous” name parading the DVD-cover; hoping to attract more viewers with it. To my surprise I encountered a lot of reviews claiming that his performance was awesome but I, on the other hand, have rarely seen someone acting so uninterested and hammy, and no, I don’t misinterpreted the fact his performance was supposed to be tongue-in-cheek. Zane more than obviously wasn’t interested in starring in this piece of junk and he can’t hide it. For crying out loud, Billy! Maybe you desperately needed the money, but if you really don’t want to star in garbage like this, then don’t sign the contract! “The Mad” is a terrible film, not funny, not horrific, not gruesome, nothing to recommend.

Part high-tech spy thriller and part psychological study, Eye of the Beholder was Ewan McGregor’s first feature film following his mainstream breakthrough performance in Star Wars Episode I: The Phantom Menace. The Eye (Ewan McGregor) is an agent of the British Secret Service, equipped with the latest in high-tech crime fighting gadgetry and assisted by his indefatigable collegue, Hilary (k.d. lang). The Eye’s latest assignment is a surveillance project; the son of a well-known politician has been spending a great deal of money on someone, and they would like to know who and why. A little sleuthing reveals that the mysterious person taking the cash is a woman named Joanna (Ashley Judd), but the trail gets much stickier when the Eye witnesses Joanna pulling a knife and killing the politician’s son. Normally, he’d take the shortcut to putting her behind bars, but some time ago he lost contact with his daughter when his wife left him; Joanna reminds the Eye of his daughter, and he’s too fascinated with her to bring her to justice. The Eye now follows Joanna obsessively, and discovers that she’s also involved with a blind man (Patrick Bergin) and has a history of emotional instability from being abandoned by her father at a young age. Eye of the Beholder was directed by Stephan Elliott, best known for the comedy The Adventures of Priscilla, Queen of the Desert.

Ching Siu Tung directs the straight-to-video action thriller Belly of the Beast. Steven Seagal stars as ex-CIA agent Jake Hopper. He wants to retire peacefully, but is pulled back into the action when his daughter Jessica (Sarah Malakul Lane) is kidnapped by a terrorist group called Abu Karaf. While the rest of the CIA starts a routine investigation, Jake goes out on his own to find her. Seagal also co-wrote and co-produced.

The malformed mayhem continues as a group of reality game show contestants descend into the West Virginia wilderness in order to participate in an apocalypse-themed game show, only to be brutally killed off by a deranged clan of redneck cannibals. Dale Murphy (Henry Rollins) is a former special forces soldier who now hosts a reality game show in which contestants must struggle to survive in the wilderness with few resources and only their wits to guide them. After the members of the group are split up into partners, they are sent into the woods to locate supplies that have been strategically hidden by the show’s producers. Should they fail to achieve this and various other tasks, they will be sent back to civilization in shame while the others vie for substantial cash prize. But the cameras aren’t the only things watching as the competition heats up, because within these woods dwells a terrifying secret. Later, as the day goes on and the body count begins to multiply, both the contestants and the hard-nosed host must fight to avoid becoming the catch of the day for a family of hungry backwoods cannibals.