Bovie Movie

Peter Farrelly and Bobby Farrelly, the impish impresarios of gross-out comedy, take their body function-inspired humor to new extremes in this mixture of live action and animation. Bill Murray stars as Frank, a zoo worker suffering from the effects of an unknown malady he contracted after eating an egg contaminated with simian saliva. Unknown to Frank, the inside of his body is actually a city (the City of Frank) teeming with cellular life, where the mysterious illness he’s fighting is an invading enemy that must be defeated at all costs. It’s up to Osmosis Jones (voice of Chris Rock), a white blood cell cop, and Drix (voice of David Hyde Pierce), a rookie over-the-counter medication, to hunt down and stop a lethal virus (Laurence Fishburne) who’s got an inferiority complex. Along the way, the partners visit Frank’s runny nostrils (Booger Dam) and a bar called, appropriately enough, the Zit. Osmosis Jones costars Molly Shannon and Chris Elliott, and features the vocal talents of William Shatner, producer Joel Silver, and singer Brandy Norwood.

The greatest monster hunter of them all has his work cut out for him as he tracks down three deadly foes in this action-adventure saga. Gabriel Van Helsing (Hugh Jackman) is a man who has dedicated his life to battling evil forces who exist outside the bounds of nature; Van Helsing’s work has not always made him friends, and a false accusation of murder still trails him. But when he’s summoned to Transylvania at the behest of Anna Valerious (Kate Beckinsale), whose family has been fighting supernatural beings for generations, Van Helsing wastes no time answering her call. There, Van Helsing discovers that the undying vampire Count Dracula (Richard Roxburgh) has put a misshapen creature named Igor (Kevin J. O’Connor) under his spell, and, in turn, has forged an alliance with a hideous monster (Shuler Hensley) who was created by the misguided Dr. Victor Frankenstein (Samuel West). Adding to Anna’s burden is her brother, Velkan (Will Kemp), a lycanthrope who becomes a bloodthirsty wolf under the light of the full moon. Van Helsing also co-stars Elena Anaya, Silvia Colloca, and Josie Maran as Dracula’s vampire brides.

This crowd-pleasing medieval adventure tale is very loosely inspired by Geoffrey Chaucer’s The Canterbury Tales and mixes the anachronistic elements of modern-day rock music and colloquialisms with a period setting and characters. Heath Ledger stars as William Thatcher, a low-born 14th century squire who, in a fit of inspired spontaneity, replaces his deceased employer as the competitor at a jousting competition. Jousting is a pastime only permitted to knights, who are of noble birth, but Thatcher wins and decides to continue his new pursuits. With the help of his two fellow squire friends Wat and Roland (Alan Tudyk and Mark Addy) and none other than the gambling-addicted Geoffrey Chaucer (Paul Bettany), Thatcher has soon adopted a false identity and is winning one joust after another on his way to a championship in London. His victories inspire the affection of a female fan, Jocelyn (Shannyn Sossamon), and the ire of a competitor, Count Adehmar (Rufus Sewell), but Thatcher’s ruse is threatened with exposure. A Knight’s Tale is the sophomore directorial effort of acclaimed screenwriter Brian Helgeland, who won an Oscar for his work on L.A. Confidential (1997) and debuted behind the camera with the troubled production of Payback (1999).

By the time Sergio Leone made this film, Italians had already produced about 20 films ironically labelled “spaghetti westerns.” Leone approached the genre with great love and humor. Although the plot was admittedly borrowed from Akira Kurosawa’s Yojimbo (1961), Leone managed to create a work of his own that would serve as a model for many films to come. Clint Eastwood plays a cynical gunfighter who comes to a small border town and offers his services to two rivaling gangs. Neither gang is aware of his double play, and each thinks it is using him, but the stranger will outwit them both. The picture was the first installment in a cycle commonly known as the “Dollars” trilogy. Later, United Artists, who distributed it in the U.S., coined another term for it: the “Man With No Name” trilogy. While not as impressive as its follow-ups For a Few Dollars More (1965) and The Good, the Bad, and the Ugly (1966), A Fistful of Dollars contains all of Leone’s eventual trademarks: taciturn characters, precise framing, extreme close-ups, and the haunting music of Ennio Morricone. Not released in the U.S. until 1967 due to copyright problems, the film was decisive in both Clint Eastwood’s career and the recognition of the Italian western.

Driving down a deserted Southern California highway at a safe and sane 55 miles per hour, David Mann (Dennis Weaver) steps on the pedal to pass a large gas trailer truck. Moments later, the truck is back, dangerously tailgating Mann before abruptly cutting him off. For the next 90 minutes, Mann and the never-seen truckdriver are pitted against one another in a motorized duel to the death. Author Richard Matheson conceived Duel after a similar experience with a reckless trucker. The story first appeared in Playboy magazine, then was picked up for adaptation by the producers of The ABC Movie of the Week. The director chosen to helm Duel on location in Soledad Canyon was a bright 23-year-old who’d shown promise on such series as Night Gallery and Columbo: Steven Spielberg. First telecast on December 18, 1971, Duel was so popular that a somewhat longer version (with added violence and profanity) was prepared for theatrical release in 1983.

Writer and director John Carpenter returns to the mixture of science fiction and horror that made The Thing (1982) a success. Natasha Henstridge stars as Lt. Melanie Ballard of the Martian Police Force, a member of a law enforcement team two centuries in the future, dispatched to the remote colony of Shining Canyon. There, the most notorious criminal on Mars, James “Desolation” Williams (Ice Cube), awaits transport to a more secure jail. Besides Ballard, the other cops include the rookie Bashira (Clea Duvall), hotshot and fast talker Jericho (Jason Statham), tough veteran and squad leader Helena (Pam Grier), and reliable soldier Descanso (Liam Waite). Once Ballard and her companions arrive in Shining Canyon, however, they discover that it’s a literal ghost town. It seems that an archaeologist team led by Professor Whitlock (Joanna Cassidy) has uncovered an ancient relic at a nearby dig site, unleashing the vengeful spirits of the planet’s long-ago warrior inhabitants, which have now possessed the bodies of the human invaders and set about trying to destroy them. After her team is decimated by the Martian specters, Ballard is forced to turn for help to the one person she can’t really trust: Williams. Ghosts of Mars screenwriter Larry Sulkis broke into the film business as producer of the satirical commercials in Carpenter’s They Live (1988).

Warren Beatty directed and starred in this big-budget action comedy featuring Chester Gould’s square-jawed, two-dimensional comic strip detective. Ruthless gangster Big Boy Caprice (Al Pacino) touches off a gang war against underworld boss Lips Manlis (Paul Sorvino), with Big Boy and his minions rubbing out enough of Manlis’s goons (along with Manlis himself) to take over his nightclub, and a healthy percentage of the city’s criminal activities in the process. Caprice also gains proprietary rights to Manlis’s girlfriend, nightclub chanteuse Breathless Mahoney (Madonna). Big Boy’s next move to is unite the rest of the city’s crooks under his command; this wave of corruption attracts the attention of lawman Dick Tracy, who is determined to smash Caprice’s criminal network once and for all. As Tracy plots to put Big Boy behind bars where he belongs, Breathless uses her considerable charms in an attempt to sway Tracy from the path of righteousness; this causes no small amount of anxiety for Tracy’s long-suffering female companion, Tess Trueheart (Glenne Headly), and the street-smart kid (Charlie Korsmo) they’ve been keeping an eye on. The various bad guys, heavily made up to resemble Gould’s cartoon characters (though Beatty is not made up to resemble Tracy), include Dustin Hoffman, James Caan, R.G. Armstrong, and William Forsythe.

Alain Moreau (Jean-Claude Van Damme) is a French cop whose colleagues make a startling discovery — a man named Mikhail, who was killed in a high-speed chase with police, looks exactly like him. Curious about the stranger with his face, Alain is told by his mother Chantal (Stephane Audran) that Mikhail was in fact his twin brother, whom her poor family was forced to give up at birth. Alain wants to know more about the brother he never knew, but the more he learns the more troubling the news becomes; it seems that Mikhail was involved with gangsters, corrupt FBI agents, and a gang of drug dealers. In order to avenge his brother’s death and get to the bottom of his sad story, Alain assumes Mikhail’s identity and travels to New York City, where to maintain his cover he takes up with Alex Minetti (Natasha Henstridge), Mikhail’s tough-as-nails girlfriend, before finding himself hip-deep in danger with Mikhail’s associates. Maximum Risk was the first American film from noted Hong Kong action director Ringo Lam, whose City on Fire has often been cited as a key inspiration for Reservoir Dogs.

Terence Young directed this first of a long line of screen adventures with Ian Fleming’s unflappable British Secret Service Agent 007 in a fast-paced, tongue-in-cheek style that set the tone for the rest of the popular series. Sean Connery sets the standard by which all future takers must measure themselves as the insouciant and devil-may-care James Bond. The story concerns Bond being sent to Jamaica to investigate the murders of a British agent and his secretary. During his investigation, he comes into contact with the evil and unscrupulous Chinese scientist Dr. No (Joseph Wiseman) who, living on an island called Crab Key, is hard at work in a nuclear laboratory. Dr. No’s scheme is to divert rockets being fired from Cape Canaveral off their charted course and to blackmail the United States to get their rocket launches restored to normal. Helping Bond is Ursula Andress (mostly undressed in a bikini throughout most of the film), as well as bad gals like Zena Marshall, who almost leads Bond to his death in her bedroom, and Eunice Gayson, a Bond pickup in a London gambling house who proves herself a greater adversary than even James Bond can handle.

Acclaimed filmmaker Werner Herzog returns to direct his first feature since 2001’s Invincible with this dramatic action film inspired by his own 1997 documentary Little Dieter Needs to Fly and detailing the escape efforts of a German-American pilot who was taken as a prisoner-of-war after being shot down over Laos during the Vietnam War. When U.S. fighter pilot Dieter Dengler (Christian Bale) escaped death after being shot down over one of the most intense front lines in the Vietnam War, his troubles were only beginning. Subsequently taken captive by the enemy and forced to endure a harrowing stint in a Vietnamese prison camp, Dengler and his fellow captives stage a death-defying escape that would later inspire one of Germany’s most accomplished directors to capture the remarkable tale on camera.