Bovie Movie

Peter Farrelly and Bobby Farrelly, the impish impresarios of gross-out comedy, take their body function-inspired humor to new extremes in this mixture of live action and animation. Bill Murray stars as Frank, a zoo worker suffering from the effects of an unknown malady he contracted after eating an egg contaminated with simian saliva. Unknown to Frank, the inside of his body is actually a city (the City of Frank) teeming with cellular life, where the mysterious illness he’s fighting is an invading enemy that must be defeated at all costs. It’s up to Osmosis Jones (voice of Chris Rock), a white blood cell cop, and Drix (voice of David Hyde Pierce), a rookie over-the-counter medication, to hunt down and stop a lethal virus (Laurence Fishburne) who’s got an inferiority complex. Along the way, the partners visit Frank’s runny nostrils (Booger Dam) and a bar called, appropriately enough, the Zit. Osmosis Jones costars Molly Shannon and Chris Elliott, and features the vocal talents of William Shatner, producer Joel Silver, and singer Brandy Norwood.

Forget everything you know about Little Red Riding Hood; the classic fairy tale gets a new look and a new style in this computer-animated comedy for the whole family. Grizzly (voice of Xzibit) and Stork (voice of Anthony Anderson) are a pair of critter cops who have been called the homey bungalow of Granny (voice of Glenn Close) to investigate a disturbance of the peace. It seems there was an altercation involving Granny, her granddaughter Little Red Riding Hood (voice of Anne Hathaway), a Big Bad Wolf (voice of Patrick Warburton), and a Woodsman (voice of Jim Belushi). However, as the detectives interview the participants and get each individual’s perspective, they learn that Granny isn’t so helpless, Red may have been doing more than just visiting relatives, the Wolf isn’t the predator he’s been cracked up to be, and the Woodman doesn’t have much of an intellectual advantage over the trees he chops down. Hoodwinked also features the voice talents of Andy Dick, David Ogden Stiers, and Chazz Palminteri.

The internationally popular toy, comic book, and video game characters who stormed the big screen in the surprise hit Pokemon: The First Movie are back in this Japanese anime feature. Lawrence III, who collects the elusive creatures known as Pokemon, will become the greatest Pokemon trainer on Earth if he can capture and tame Lugia, a huge Pokemon of the sea. Lugia’s powers are so great that they could destroy the world if they fell into the wrong hands, so lead trainer Ash and his friends must stop Lawrence’s dangerous quest before it’s too late. Pokemon the Movie: 2000 was originally released in Japan in 1999 under the title Poketto monsutaa: Maboroshi no Pokemon X: Lugia Bakudan, which translates as “Pocket Monsters The Movie: The Phantom Pokemon: Lugia’s Explosive Birth.” The U.S. release of Pokemon the Movie: 2000 was paired with a short subject, Pikachu’s Rescue Adventure.

Billed as the first European 3-D CGI feature-length film, Kaena: The Prophecy revolves around a mammoth tree that rises 100 miles from the planet’s surface and provides shelter and sustenance for a variety of different races and species. Referred to as Axis, the tree has been losing its sap at a rate alarming enough to threaten the well-being of some of its inhabitants. Determined to get to the root of the disappearing sap is Kaena (Kirsten Dunst), a rambunctious teenager who leaves her village against the wishes of its elders. She encounters the mysterious Selenites along the way; led by an insidious queen (Anjelica Huston), the Selenites have resorted to enslaving another race in order to prevent the tree’s decline into death. Directed by Pascal Pinon and Chris Delaporte, Kaena: The Prophecy began filming in 1999 on a budget of 26 million dollars, and has been described as having merged elements from Shrek and Final Fantasy.

As the eighth animated Asterix feature in thirteen years, the Stefan Fjeldmark and Jesper Møller-directed Asterix and the Vikings opens in Ancient Europe, at the Vikings’ mountain fortress. Timandahaf, the chief of the Vikings, hears the age-old maxim “Fear lends one wings,” and interprets it literally - believing that the most craven person in the world can actually teach him to fly. As Timandahaf, his counselor Cryptograf, and Cryptograf’s son Olaf set forth to locate this person (christened ‘The Champion of Fear,’) the action shifts to the territory of Gaul. In that locale, diminutive Viking warrior Asterix and the enormous, mustachioed strongman Obelix attempt to teach teenage layabout Justforkix (the nephew of village chief Vitalstatistix) to reinvent himself as a tireless, bellicose warrior. The Gallic men are hindered in their efforts by Justforkix’s sheer lack of interest - it seems he’d rather shuffle off to the local discothèque or meet girls than fight Romans. It isn’t long before Olaf overhears Justforkix’s confession that he is the laziest person in the known world, and decides to kidnap the young man and throw him off a cliff to watch him fly. Justforkix is naturally terrified - but doesn’t count on falling for the chief’s daughter, Abba. Meanwhile, Asterix and Obelix discover these developments and set off to rescue Justforkix. In the English version of this film (the second Asterix vehicle where the animation is synchronized to the speech of the American actors), Paul Giamatti voices Asterix, Brad Garrett voices Obelix, Evan Rachel Wood voices Abba and Sean Astin voices Justforkix.

The laziest cat in America swaps places with the richest feline in England in director Tim Hill’s lasagna-laden sequel to the 2004 theatrical hit Garfield. Jon Arbuckle (Breckin Meyer) is on his way to London to propose to his veterinarian girlfriend, Liz Wilson (Jennifer Love Hewitt), and his unflappable cat, Garfield, is determined to be there when Jon pops the big question. Of course, Garfield wouldn’t go anywhere without his old pal Odie, and soon after arriving in the land of Big Ben, the clueless tomcat inadvertently changes places with royal look-a-like Prince. It seems that Prince’s owner, Lady Eleanor, has recently passed away, leaving the care of her sprawling estate Castle Carlyle in the capable paws of her devoted kitty companion. The trouble is, Prince has decided it’s due time for a vacation, and with Garfield in charge there’s no telling what kind of trouble will befall Castle Carlyle. Despite having a devoted butler named Smithee (Ian Abercrombie) to cater to his every whim and a whole host of fun-loving critters with whom to pass the lazy days spent lounging in the sun, this crowned head begins to feel the sting of deceit as the envious Lord Dargis (Billy Connolly) hatches a dastardly plan to do away with the whiskered heir and claim Castle Carlyle all to himself. Meanwhile, as Garfield attempts to hold his ground against his greedy would-be nemesis, the fun-loving Prince is living it up with Jon and Odie by taking a trip to some of London’s most popular pubs.

Noble dog Balto returns in this direct-to-video sequel to the popular animated adventure that bears his name. Balto (voice of Maurice LaMarche) has retired from his chores as a sled dog, and his son Kodi (voice of Sean Astin) has taken his place. But Kodi’s livelihood may be in danger when mail airplanes come to the frozen North, which threaten to make the post office’s dog teams obsolete. In order to determine who can deliver the mail faster, the pilot of the carrier plane challenges the leaders of the dog teams to a race; however, when the mail plane is involved in a serious accident, Balto and Kodi must put aside the rivalry to help save injured pilot Duke (voice of Keith Carradine). Balto III: Winds of Change also features the voice talents of Jean Smart, David Paymer and Kathy Najimy.

Robin Hood, Douglas Fairbanks’ biggest (though not necessarily best) production of the silent era, represents the first time that many familiar of the elements of the Robin Hood legend were presented on screen. To bring the project to full fruition, Fairbanks and his wife Mary Pickford purchased the old Jesse Hampton studio in Santa Monica, and on that site constructed a near-lifesized replica of 12th century Nottingham. The humongous castle set was so awesome that Fairbanks became worried that his own performance might be dwarfed. It wasn’t: take our word for it. When first we meet Robin Hood, he is still the Earl of Huntington, preparing to joust with his bitter enemy Sir Guy of Gisbourne (Paul Dickey). Despite Sir Guy’s propensity for cheating, the Earl is victorious. Shortly thereafter, Huntington rides off to the crusades with Richard the Lionhearted (Wallace Beery). Upon learning that Prince John (Sam De Grasse), goaded on by Sir Guy, has usurped his brother Richard’s throne, Huntington returns to Nottingham in a new guise: dashing righter-of-wrongs Robin Hood. While robbing from the rich, giving to the poor, and bedevilling the villains, Robin romances the fetching Maid Marian (Enid Bennett). The film’s singular highlight is Fairbanks’ slide down a two-story tapestry, a bit of bravado accomplished by hiding a playground slide behind the huge cloth. As in all of Fairbanks’ films, Charlie Stevens, a grandson of Geronimo and Doug’s “mascot”, appears in several minor roles. Also appearing is Alan Hale Sr. as Little John, a role he’d repeat in the 1938 Errol Flynn Robin Hood, not to mention the 1950 swashbuckler Rogues of Sherwood Forest. Long thought lost, Douglas Fairbanks in Robin Hood (as the film was so copyrighted) was rediscovered in the early 1960s. Most current prints fail to do justice to Arthur Edeson’s glistening photography; also, some versions are stretch-framed to slow down the action to “normal” speed, a process that retards the marvelously fast pace instilled by star Fairbanks and director Allan Dwan. We recommend that you seek out a good-quality, tinted print of Robin Hood, processed at the slightly faster-than-life speed at which it was originally filmed.

Cinderella was Walt Disney’s return to feature-length “story” cartoons after eight years of turning out episodic pastiches like Make Mine Music and Three Caballeros. A few understandable liberties are taken with the original Charles Perrault fairy tale (the wicked stepsisters, for example, do not have their eyes pecked out by crows!) Otherwise, the story remains the same: Cinderella, treated as a slavey by her selfish stepfamily, dreams of going to the Prince’s ball. She gets her wish courtesy of her Fairy Godmother, who does the pumpkin-into-coach bit, then delivers the requisite “be home by midnight” warning. Thoroughly enchanting the prince at the ball, our heroine hightails it at midnight, leaving a glass slipper behind. The Disney people do a terrific job building up suspense before the inevitable final romantic clinch. Not as momentous an animated achievement as, say, Snow White or Fantasia, Cinderella is a nonetheless delightful feature, enhanced immeasurably by the introduction of several “funny animal” characters (a Disney tradition that has held fast into the 1990s, as witness Pocahontas), and a host of a sprightly songs, including “Cinderelly,” “A Dream is a Wish Your Heart Makes,” and — best of all — “Bibbidi Bobbidi Boo.”

Dreamworks Pictures has taken the biblical story of Exodus, put it into cartoon form, and released it on the big screen as an epic animated feature. The Prince of Egypt tells the story of Moses releasing the Jews from Egyptian slavery under the hand of the evil pharaoh Rameses. Think of The Ten Commandments with songs and an all-star cast doing the voices. In the Charlton Heston role of Moses is Val Kilmer. Moses’ brother Rameses, previously played by Yul Brynner, is now voiced by Ralph Fiennes. The story revolves around these two close brothers, Moses and Rameses. While Rameses is groomed to take over the land, his beloved brother Moses is a carefree prankster, until he learns the true secret of his past. His secret, of course, is that he is really a Jew and as a child was floated down the river to escape mass genocide. The pharaoh Seti (Patrick Stewart) raised Moses as his son. Upon learning the truth of his past from a burning bush, Moses returns to Egypt with God on his side and demands that the pharaoh (now his brother Rameses) must “Let my people go.” With songs written by Oscar-winner Stephen Schwartz and sung by Whitney Houston and Mariah Carey, The Prince of Egypt covers all the classic story points of the story of Moses, including the ten plagues and the parting of the Red Sea.