Bovie Movie

This crowd-pleasing medieval adventure tale is very loosely inspired by Geoffrey Chaucer’s The Canterbury Tales and mixes the anachronistic elements of modern-day rock music and colloquialisms with a period setting and characters. Heath Ledger stars as William Thatcher, a low-born 14th century squire who, in a fit of inspired spontaneity, replaces his deceased employer as the competitor at a jousting competition. Jousting is a pastime only permitted to knights, who are of noble birth, but Thatcher wins and decides to continue his new pursuits. With the help of his two fellow squire friends Wat and Roland (Alan Tudyk and Mark Addy) and none other than the gambling-addicted Geoffrey Chaucer (Paul Bettany), Thatcher has soon adopted a false identity and is winning one joust after another on his way to a championship in London. His victories inspire the affection of a female fan, Jocelyn (Shannyn Sossamon), and the ire of a competitor, Count Adehmar (Rufus Sewell), but Thatcher’s ruse is threatened with exposure. A Knight’s Tale is the sophomore directorial effort of acclaimed screenwriter Brian Helgeland, who won an Oscar for his work on L.A. Confidential (1997) and debuted behind the camera with the troubled production of Payback (1999).

Two people discover just how true the old adage “lucky in life, unlucky in love” can be in this romantic comedy. Ashley (Lindsay Lohan) has always been the sort of girl fortune smiles upon — she’s pretty, she has a great job, she had good friends, guys fall over themselves to ask her out, and she never has trouble getting a cab. Jake (Chris Pine), on the other hand, is not nearly so lucky — he’s clumsy and accident prone, things never seem to go his way, and he’s just lost his job at a bowling alley. However, these two opposites meet one night at a ritzy masquerade ball, and Ashley and Jake exchange an impulsive kiss as two shooting stars cross in the sky. Suddenly, they both find their luck taking a one hundred and eighty degree turn; Jake is befriended by a wealthy musician and suddenly finds himself successful and flush with cash, while Ashley loses her job and her apartment after a major misunderstanding with the police. While Jake’s luck with women has also taken a turn for the better, he’s become deeply infatuated with Ashley, and tries to help her turn her life back around as he struggles to win her heart. Just My Luck also stars Samaire Armstrong, Faizon Love, and Tovah Feldshuh.

Forget everything you know about Little Red Riding Hood; the classic fairy tale gets a new look and a new style in this computer-animated comedy for the whole family. Grizzly (voice of Xzibit) and Stork (voice of Anthony Anderson) are a pair of critter cops who have been called the homey bungalow of Granny (voice of Glenn Close) to investigate a disturbance of the peace. It seems there was an altercation involving Granny, her granddaughter Little Red Riding Hood (voice of Anne Hathaway), a Big Bad Wolf (voice of Patrick Warburton), and a Woodsman (voice of Jim Belushi). However, as the detectives interview the participants and get each individual’s perspective, they learn that Granny isn’t so helpless, Red may have been doing more than just visiting relatives, the Wolf isn’t the predator he’s been cracked up to be, and the Woodman doesn’t have much of an intellectual advantage over the trees he chops down. Hoodwinked also features the voice talents of Andy Dick, David Ogden Stiers, and Chazz Palminteri.

The made-for-cable musical satire Reefer Madness is based on the award-winning play of the same name, which in turn was inspired by the notorious — and deliciously awful — 1936 anti-marijuana film originally titled Tell Your Children. A smarmy lecturer (Alan Cumming in the first of his three roles in the film) arrives in a typical small town of the late ’30s to warn the populace of the dangers of the “evil weed,” bringing along a lurid propaganda film to dramatize his message. In broad, unsubtle, and hilarious strokes, the movie-within-a-movie shows how even a squeaky-clean pair of highschoolers named Mary Lane (Kristen Bell) and Jimmy Harper (Christian Campbell) can become hopeless dope addicts by succumbing to the lure of marijuana. Reefer Madness is not only a savage skewering of the original black-and-white movie (some of the musical’s campiest lines are taken directly from the earlier script!), but also a devastating attack on what playwrights Kevin Murphy and Dan Studney consider to be the real reason that the 1936 movie was made: to frighten the public out of their wits in order to keep them under the thumb of an oppressive government. Thus, the musical manages to take a number of not-so-veiled swipes at xenophobia, racism, McCarthyism, the Bush Administration’s Homeland Security policy, and even the recent FCC clampdown on “offensive” TV fare (one of the film’s highlights is a garish nightclub number featuring Jesus Christ). The ebulliently staged songs include “The Stuff,” “Down at the Ol’ Five and Dime,” “Lonely Pew,” “Listen to Jesus Jimmy,” “Mary Jane/Mary Lane,” “The Brownie Song,” “Tell ‘Em the Truth,” and the title number. Officially titled Reefer Madness: The Movie Musical, this film first aired April 16, 2005, on the Showtime cable service.

Directed by Rawson Marshall Thurber, Dodgeball: A True Underdog Story revolves around amiable underachiever Peter LaFleur (Vince Vaughn), whose rundown gym, Average Joe’s, is populated by a less-than-average clientele including a self-styled pirate, an ultra-obscure sports aficionado, and a pining high school nerd. It soon becomes apparent that Joe’s is in financial trouble and will soon be foreclosed by attractive attorney Kate Veach (Christine Taylor) - unless Peter can cough up $50,000. Despite Average Joe’s posing little threat to Globo Gym, a fitness Goliath across the street that is owned by egomaniacal White Goodman (Ben Stiller) - Goodman senses an easy acquisition and decides to take over the facility. Peter’s ragtag group of regulars, however, are less than thrilled with the prospects, and mobilize a showdown, winner-takes-all Dodgeball tournament against Globo Gym. The film also features Missi Pyle, Rip Torn, Stephen Root, and Alan Tudyk.

This spoof of the Airport series of disaster movies relies on ridiculous sight gags, groan-inducing dialogue, and deadpan acting — a comedy style that would be imitated for the next 20 years. Airplane! pulls out all the clich?s as alcoholic pilot Ted Striker (Robert Hays), who’s developed a fear of flying due to wartime trauma, boards a jumbo jet in an attempt to woo back his stewardess girlfriend (Julie Hagerty). Food poisoning decimates the passengers and crew, leaving it up to Striker to land the plane, with the help of a glue-sniffing air traffic controller (Lloyd Bridges) and Striker’s vengeful former captain (Robert Stack), who must both talk him down. Along the way, we meet a clutch of stock disaster movie passengers like the guitar-strumming nun, a sick little girl, a frightened old lady, and two African-American travelers whose “jive” has to be subtitled. Leslie Nielsen portrays the plane’s doctor, launching a new phase of the actor’s career that carried him through the next two decades in several similarly comedic roles. The trio of directors Jim Abrahams, Jerry Zucker, and David Zucker responsible for the film would eventually go on to solo careers, but not before making Top Secret! and Ruthless People.

Sleepless in Seattle director Nora Ephron originally made a name for herself as the writer of romantic comedies such as Heartburn and When Harry Met Sally. She continues the genre with You’ve Got Mail, marking her second collaboration with actors Tom Hanks and Meg Ryan. The story brings romance and courtship into the electronic age of the World Wide Web via e-mail and chat rooms. Joe Fox (Hanks) and Kathleen Kelly (Ryan) live and work blocks from each other on New York City’s Upper West Side. Their lives are practically intertwined. They both shop at the same place, frequent the same coffee shop, and even own competing bookstores on the same street. They also both have significant others of their own. Joe has the overly hyper book editor Patricia Eden (Parker Posey), while Kathleen lives with the scholarly newspaper columnist Frank Navasky (Greg Kinnear). Then they meet in a chat room. Though they keep their identities secret (they’re known only by screen names “NY152″ and “Shopgirl”), they tell each other everything about their lives, including their private feelings, which slowly turn into affection for each other. When Joe decides to open a new branch of his “Foxbooks” chain that risks putting Kathleen’s “Shop Around the Corner” out of business, the tension between them escalates. Surely her boutique business will be lost to the conglomerate with a built-in newsstand and coffee bar. When Joe sees Kathleen waiting for him in the restaurant where they agreed to meet up, he puts two and two together, but cannot face her, given their agreement not to reveal each others’ names and professions. How can he reveal himself to her now, knowing that he is the cause of her misery? Hopefully, love will conquer all.

This movie starts out relatively straight with a diamond heist that goes wrong. Everything seemingly normal and slightly tedious, I thought.

The film then slides slowly by inches down the path towards B-movie insanity. The odd thing is, the weirder, gorier and more ridiculous things get, the funnier and more enjoyable it becomes as well.

This is not a dumb film and there is a consistent and thought out story that appears on film, despite the odd silly “rubber chicken” prop moment.

I didn’t have any qualms about the acting as the cast did a fantastic job staying in (dodgy Russian) character.

Whilst Brad does a good job keeping the audiences sympathy, supported ably by the very foxy Jamie Murray, a horror movie is only as good as its villains. They don’t disappoint and for me are the real stars of this movie with Boris the security guard running a very close second.

In this raunchy comedy, Josh (Breckin Meyer), a student at a college in Ithaca, NY, videotapes his one-night stand with beautiful sorority girl Beth (Amy Smart). A few days later, Josh discovers that one of his friends accidentally mailed the homemade porn tape to his girlfriend, Tiffany (Rachel Blanchard), who is spending some time with her family in Austin, TX. Josh and his friends Barry (Tom Green), Kyle (D.J. Qualls), E.L. (Seann William Scott), and Rubin (Paulo Costanzo) borrow a car and hit the road in a desperate bid to intercept the tape before Tiffany loads it into her VCR; Beth, however, wants Josh for herself and has her own plans to track down Tiffany. Road Trip is the first fiction feature from director Todd Phillips, noted for such edgy documentaries as Hated: G.G. Allin & the Murder Junkies, Screwed, and Frat House. The cast also includes Fred Ward and Andy Dick.

Eddie Murphy gets way, way out in this futuristic sci-fi comedy. In the year 2087, the Earth’s natural resources have been largely depleted, and an increasingly large number of people have taken up residence on the moon, where the pioneering attitude of the new residents has created a culture not unlike the old west. Pluto Nash (Eddie Murphy) is one such lunar exile who formerly made his living outside the law, but has since gone straight and now runs the hippest nightclub in the moon colony known as “Little America.” Pluto is approached by Mogan (Joe Pantoliano), a gangster who wants to buy the nightclub; Pluto has no interest in selling, but it seems Mogan isn’t about to take no for an answer. Pluto also discovers Mogan is in cahoots with Max Crater, a crime boss whose goal is to take over the entire moon. The Adventures Of Pluto Nash also features Randy Quaid as Pluto’s robot bodyguard, Rosario Dawson as a naive singer who has just arrived on the moon, Peter Boyle as Rowland the pool hustler, Jay Mohr as old-school lounge singer Tony Francis, Illeana Douglas as a cloning technician, and Pam Grier as Pluto’s mother.