Bovie Movie

From the comic book to the silver screen and beyond, few superheroes have left such a lasting impression on the fantasy-loving masses as mild-mannered “Daily Planet”-reporter-turned-high-flying-bulletproof-do-gooder Superman. In this documentary set to celebrate the release of X-Men director Bryan Singer’s 2006 film Superman Returns, the exciting history of the Man of Steel is told through interviews and archival footage of past Superman films, television shows, and comics. A special sneak preview of newly released footage from Superman Returns ensured that fans received a comprehensive history of their favorite caped crusader that led right up to the release of the highly anticipated film.

For fans who thought the stakes couldn’t be raised any higher and the bar couldn’t be lowered any further, the original cast and crew of the stunt comedy sensation that swept the globe return for another round of jaw-dropping feats that are guaranteed to have viewers wincing through their laughter. Jeff Tremaine directs, and Johnny Knoxville, Bam Margera, Chris Pontius, Steve-O, Ryan Dunn, and Jason “Wee Man” Acuna return to the screen to endure more pain and humiliation than ever thought possible on the big screen.

First-time director Morgan Spurlock takes a look at the subject of obesity in the United States, specifically zeroing in on the business and culture surrounding the nation’s fast-food industry in this 2004 documentary. In addition to studying the marketing of fast food to American children and unsuccessfully attempting to gain an interview with McDonald’s executives, Spurlock attempts to become one of his own subjects by documenting a one-month binge during which he survived only on items from the McDonald’s menu, forcing himself to eat three meals a day and try every offering at least once. Super Size Me premiered at the 2004 Sundance Film Festival.

After exploring the predominance of violence in American culture in Bowling for Columbine and taking a critical look at the September 11th attacks in Fahrenheit 9/11, activist filmmaker Michael Moore turns his attentions toward the topic of health care in the United States in this documentary that weighs the plight of the uninsured (and the insured who must deal with abuse from insurance companies) against the record-breaking profits of the pharmaceutical industry. Moore interviews a number of people who have been left broke by medical bills even though they were fully insured, and explains how the corporate drive for profits has left numerous people in financial and medical disarray. After hearing that detainees in Guantanamo have access to free health care, Moore assembles a group of World Trade Center rescue workers to travel to Cuba in order to get the medical help they need for ailments they incurred in 2001. Moore’s film debuted at the 2007 Cannes Film Festival.

March of the Penguins producers National Geographic Films team with An Inconvenient Truth producers Paramount Vantage to take viewers on an epic journey into the arctic wilderness in a documentary that explores what happens when the beautiful frozen world occupied by two majestic creatures gradually begins to melt away. Seela is a mother walrus thriving in the chilly waters of the Great North, and Nanu is a polar bear with curved claws that make it easy to maintain her footing on ice. As director Sarah Robertson follows these two remarkable creatures from birth through adolescence, maturity, and, ultimately, parenthood, viewers will bear witness to the cycle of life as it unfolds in a vast frozen landscape that could pose problems for all of mankind if it continues to thaw at the current rate.

Winner of the Silver Bear at the 2006 Berlin Film Festival, The Road to Guantanamo, directed by Michael Winterbottom and Mat Whitecross, uses interviews, news footage, and reenactments to tell the story of the Tipton Three, young British men of Pakistani descent who were detained for over two years without charges at Guantanamo Bay by the American military. Shafiq (played by Riz Ahmed in the reenactments), Ruhel (Farhad Harun), Asif (Arfan Usman), and Monir (Waqar Siddiqui) traveled to Pakistan to take part in Asif’s wedding to a Pakistani girl. Once in Pakistan, they hooked up with Zahid (Shahid Iqbal), Shafiq’s cousin, and they all met in Karachi. There, they attended a mosque, where the imam urged worshipers to help those in need in Afghanistan, and where an inexpensive bus trip over the border was organized. Out of a sense of charity, or perhaps a na?ve lust for adventure, the young men decided to travel to Afghanistan. The American bombing campaign begins shortly after they arrive. While trying to get back over the border, they find themselves in the Taliban stronghold of Konduz, where they are captured by the Northern Alliance during the Taliban surrender. At this point, Monir is separated from the group, and they never see him again. Shafiq, Ruhel, and Asif are brought to Sheberghan prison, where they are detained under miserable conditions, until the Americans discover that they are British. At that point, their journey to Guantanamo begins. Asif Iqbal, Ruhel Ahmed, and Shafiq Rasul describe their ordeal at the hands of American and British intelligence, who were determined to get them to confess their nonexistent links to Osama bin Laden and al-Qaeda, while the brutal scenes are reenacted onscreen. The Road to Guantanamo was shown at the 2006 Tribeca Film Festival.

Filmmaker Don Barrett takes us on a guided tour of our solar system, which combines state of the art computer animation of digital video effects with actual footage returned from space via the Mariner, Viking, Voyager and Galileo spacecrafts. Accompanying Barrett’s striking images is synthesizer virtuoso Isao Tomita’s adaptation of Gustav Holst’s The Planets.

Directed by Michael Moore, whose aura of controversy only grew after his Oscar acceptance speech at the 2003 Academy Awards, Fahrenheit 9/11, like Moore’s Bowling For Columbine and Roger & Me, promises to expose the corporate wrongdoings and big-money scandals perpetrated by America’s financial elite. This movie, however, looks beyond the inner echelons of General Motors and Lockheed Martin in hopes of outing the evildoers in the White House, particularly in regards to the 43rd President of the United States, George W. Bush. In addition to criticizing the administration’s handling of the September 11, 2001, terrorist attacks on the Pentagon and World Trade Center, Moore digs deep into the surprising relationship with the Bin Laden family held by both Bush administrations, and questions whether or not potential Saudi involvement with the attacks has been ignored. As Fahrenheit 9/11’s Cannes Film Festival debut approached, marking only the second time in 48 years that a documentary has been included among the festival’s main competition, Miramax’s parent company Disney announced it would not be distributing the film due to its partisan nature, and, according to Moore, out of trepidation that the Florida-based Goliath’s multi-million-dollar tax breaks might be negatively affected by Florida Governor Jeb Bush, whose review within Fahrenheit 9/11 is less than favorable.